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Visual perception

Objetivos

Visual perception / Drawing / Dibujo / Dibujo para las Artes y el Diseño / Enseñanza Del Dibujo

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Perspectiva y enfoque de la Investigación

Visual perception / Drawing / Dibujo / Dibujo para las Artes y el Diseño / Enseñanza Del Dibujo

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Acotación del Tema

Visual perception / Drawing / Dibujo / Dibujo para las Artes y el Diseño / Enseñanza Del Dibujo

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Antecedentes y estado de la Cuestión

Visual perception / Drawing / Dibujo / Dibujo para las Artes y el Diseño / Enseñanza Del Dibujo

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Interés Científico y Social

Visual perception / Drawing / Dibujo / Dibujo para las Artes y el Diseño / Enseñanza Del Dibujo

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Metodología aplicada en la Investigación

Visual perception / Drawing / Dibujo / Dibujo para las Artes y el Diseño / Enseñanza Del Dibujo

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Motivaciones - Itinerario educativo de la autora

Visual perception / Drawing / Dibujo / Dibujo para las Artes y el Diseño / Enseñanza Del Dibujo

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De la Transparencia al Índice: La Ingeniería del Afecto

Architecture / Cybernetics / Visual perception / Formalism

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Perceiving illumination inconsistencies in scenes

Psychology / Cognitive Science / Perception / Visual perception / Color Perception / Humans / Cues / Lighting / Psychological Tests / Humans / Cues / Lighting / Psychological Tests

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El espectador llamado a filas – Visuelle und textuelle Wahrnehmungsprozesse bei Juan Benet

Phenomenology / Visual perception / Juan Benet

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El papel de lo verbal en la visión de la imagen

Visual perception / Word and Images Studies / Imágenes Y Textos

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(Conde, 2016 - acad. aggreg.) The hard reception for opacity in art (Part A) / Receção difícil para a opacidade em arte (Parte A) / images and references /in progress, 21 p.

Cultural Studies / Sociology of Culture / Literacy / Visual Studies / Cultural Sociology / Reception Studies / Reception Theory / Visual Culture / Visual Literacy / Cultural Theory / Visual perception / Audience and Reception Studies / Cross-Cultural Studies / Sociology of Arts / Sociology of Art / Cultural Literacy / Classical Reception Studies / Cross-cultural studies (Culture) / Visual Arts / Visual and Cultural Studies / Iconology / Iconography and Iconology / Sociologia da Cultura / Audience and Reception Theory / Estudos Culturais / Noronha da Costa / Reception and Reader Response Theory / Antoni Muntadas / Arte Portuguesa / Artes Visuais / Mark Rothko / Sociology of the Arts / Sociologia da Arte / Sociology of Art and Culture / Sociology of Visual Art / Sociology and Social Cultural Sciences / Formación de públicos / Sociology of Culture and Communication / Cultural Sociology and Sociology of Culture / Pedro Cabrita Reis / Sociology of the Arts and Creativity / Kazimir Malevich / Documentation of Art Reception / Antonio Muntadas / Reception Studies / Reception Theory / Visual Culture / Visual Literacy / Cultural Theory / Visual perception / Audience and Reception Studies / Cross-Cultural Studies / Sociology of Arts / Sociology of Art / Cultural Literacy / Classical Reception Studies / Cross-cultural studies (Culture) / Visual Arts / Visual and Cultural Studies / Iconology / Iconography and Iconology / Sociologia da Cultura / Audience and Reception Theory / Estudos Culturais / Noronha da Costa / Reception and Reader Response Theory / Antoni Muntadas / Arte Portuguesa / Artes Visuais / Mark Rothko / Sociology of the Arts / Sociologia da Arte / Sociology of Art and Culture / Sociology of Visual Art / Sociology and Social Cultural Sciences / Formación de públicos / Sociology of Culture and Communication / Cultural Sociology and Sociology of Culture / Pedro Cabrita Reis / Sociology of the Arts and Creativity / Kazimir Malevich / Documentation of Art Reception / Antonio Muntadas

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Effects of dividing attention during encoding on perceptual priming of unfamiliar visual objects

Psychology / Cognitive Science / Decision Making / Cognition / Visual perception / Attention / Adolescent / Recognition memory / Memory / Divided Attention / Humans / Form perception / Cues / Female / Male / Young Adult / Psychological Tests / Adult / Analysis of Variance / Theoretical Model / Psychomotor Performance / Attention / Adolescent / Recognition memory / Memory / Divided Attention / Humans / Form perception / Cues / Female / Male / Young Adult / Psychological Tests / Adult / Analysis of Variance / Theoretical Model / Psychomotor Performance

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Spatiotemporal dynamics and connectivity pattern differences between centrally and peripherally presented faces

Individuality / Magnetoencephalography / Visual perception / Magnetic Resonance Imaging / Face / Face recognition (Psychology) / Facial expression / Face perception / Neuroimmunology / Emotions / Visual Cortex / Brain Mapping / Humans / Female / Face processing / Neuroimage / Male / Eye Movements / Mutual Information / Connectivity / Middle Aged / Adult / Betweenness Centrality / Visual Fields / Fusiform Gyrus / Visual Field / Striate Cortex / Functional Laterality / Psychomotor Performance / Face recognition (Psychology) / Facial expression / Face perception / Neuroimmunology / Emotions / Visual Cortex / Brain Mapping / Humans / Female / Face processing / Neuroimage / Male / Eye Movements / Mutual Information / Connectivity / Middle Aged / Adult / Betweenness Centrality / Visual Fields / Fusiform Gyrus / Visual Field / Striate Cortex / Functional Laterality / Psychomotor Performance

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Algunas precisiones en torno al marco en la obra transitable.

Visual Studies / Performing Arts / Art / Art Theory / Contemporary Art / Visual perception / Video Art / Visual Arts / Visual perception / Video Art / Visual Arts

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Comparison of low-contrast detail perception on storage phosphor radiographs and digital flat panel detector images

Engineering / Medical Imaging / Visual perception / Image Analysis / Humans / Digital Radiography / Radiography / Observer Variation / Phosphors / *Radiographic Image Enhancement / Digital Radiography / Radiography / Observer Variation / Phosphors / *Radiographic Image Enhancement

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