Renaissance Studies

Un sinodo del cardinale Alessandro Farnese a Parma (1519)

Religion / Early Modern History / Renaissance Studies / Renaissance / Religious History / Religious Studies / Parma / I Farnese / The Farnese of Parma and Piacenza / Paolo III Farnese / Religious Studies / Parma / I Farnese / The Farnese of Parma and Piacenza / Paolo III Farnese

A. García Barrios, M. Parada López de Corselas, \"La visión indígena en la platería novohispana: Gólgota y Montaña sagrada mesoamericana en la cruz de altar de la catedral de Palencia (México, s. XVI)\", en El Imperio y las Hispanias de Trajano a Carlos V..., Bologna, 2014, pp. 455-469.

Iconography / Art History / Indigenous Studies / Mexican Studies / Renaissance Studies / Mesoamerican Archaeology / Aztecs / Cross-Cultural Studies / Nahuatl / History of Art / Decorative Arts / Maya Archaeology / History of Colonial Mexico / Christian Iconography / Nahua History / Mexico / Silver / Precolumbian Cultures / Precolumbian Art / History of Arts / Sincretism / Precolumbian archaelogy / Mesoamerican Studies / Spanish conquest of the Americas / Arts of Africa, Pacific Islands, and the Americas / Indigenous Arts & Crafts / Mexican Codices / Nepantla / Nahuas and Mixtecs / Mesoamerican Archaeology / Aztecs / Cross-Cultural Studies / Nahuatl / History of Art / Decorative Arts / Maya Archaeology / History of Colonial Mexico / Christian Iconography / Nahua History / Mexico / Silver / Precolumbian Cultures / Precolumbian Art / History of Arts / Sincretism / Precolumbian archaelogy / Mesoamerican Studies / Spanish conquest of the Americas / Arts of Africa, Pacific Islands, and the Americas / Indigenous Arts & Crafts / Mexican Codices / Nepantla / Nahuas and Mixtecs

A. García Barrios, M. Parada López de Corselas, \"La cruz mexicana del siglo XVI de la catedral de Palencia (España): La visión indígena del Gólgota como la “montaña sagrada”\", Anales del Instituto de Investigaciones Estéticas, 105 (2014), pp. 127-184.

Iconography / Art History / Indigenous Studies / Mexican Studies / Renaissance Studies / Mesoamerican Archaeology / Aztecs / Cross-Cultural Studies / Nahuatl / History of Art / Decorative Arts / Maya Archaeology / Mesoamerica / Christian Iconography / Mexico / Silver / Precolumbian Cultures / Precolumbian Art / History of Arts / Evangelization / Nahuas / Precolumbian archaelogy / Spanish conquest of the Americas / Evangelización / Art and Art History / Glyphic Studies / Indigenous Arts & Crafts / Mexican Codices / Nepantla / Nahuas and Mixtecs / Mesoamerican Archaeology / Aztecs / Cross-Cultural Studies / Nahuatl / History of Art / Decorative Arts / Maya Archaeology / Mesoamerica / Christian Iconography / Mexico / Silver / Precolumbian Cultures / Precolumbian Art / History of Arts / Evangelization / Nahuas / Precolumbian archaelogy / Spanish conquest of the Americas / Evangelización / Art and Art History / Glyphic Studies / Indigenous Arts & Crafts / Mexican Codices / Nepantla / Nahuas and Mixtecs

La movilización religiosa femenina vinculada a la corte de Isabel la Católica: doña María Dávila y sus fundaciones

Women's Studies / Medieval History / Women's History / Medieval Studies / Renaissance Studies / Renaissance Humanism / Medieval Iberian History / Medieval Church History / Medieval theology (Medieval Studies) / Early Modern Women / Gender and religion (Women s Studies) / History of Religion (Medieval Studies) / Medieval and Renaissance Studies / Mendicant Orders / Mariology / Women Studies in Religion / Women and Gender Studies / Women's and gender history / Storia medievale / Early Modern Women´s and Gender History / History of Religious Women / History of Women / Representation of women in Medieval and Early Modern literature / Historia Medieval / Gender and Women's Studies / Historia De Las Mujeres / Women in the Renaissance / late medieval and early modern history of European nobility and courts / Medieval nunneries / isabella of Castile / Women patrons / History of the Poor Clares / Women in the Renaissance and Early Modern Europe / Symbolic policies, collective identities and politics of representation / Poor Clares / Renaissance feminism / Women`s History and Gender History / Womens and Gender Studies / Franciscan Mariology / Symbolic Politics / Querelle Des Femmes / Women As Art Patrons / Symbolic Politics and Identity / Women's and Gender Studies / Womens History / Isabel La Católica / Ordenes Mendicantes En La Temprana Modernidad Hispana / Women's Patronage / Italian Renaissance Women Art Patrons / Historia De Las Mujeres Renacimiento Y Barroco / Women´s Spiritual Leadership / María Dávila / Historia de las mujeres / Renaissance Humanism / Medieval Iberian History / Medieval Church History / Medieval theology (Medieval Studies) / Early Modern Women / Gender and religion (Women s Studies) / History of Religion (Medieval Studies) / Medieval and Renaissance Studies / Mendicant Orders / Mariology / Women Studies in Religion / Women and Gender Studies / Women's and gender history / Storia medievale / Early Modern Women´s and Gender History / History of Religious Women / History of Women / Representation of women in Medieval and Early Modern literature / Historia Medieval / Gender and Women's Studies / Historia De Las Mujeres / Women in the Renaissance / late medieval and early modern history of European nobility and courts / Medieval nunneries / isabella of Castile / Women patrons / History of the Poor Clares / Women in the Renaissance and Early Modern Europe / Symbolic policies, collective identities and politics of representation / Poor Clares / Renaissance feminism / Women`s History and Gender History / Womens and Gender Studies / Franciscan Mariology / Symbolic Politics / Querelle Des Femmes / Women As Art Patrons / Symbolic Politics and Identity / Women's and Gender Studies / Womens History / Isabel La Católica / Ordenes Mendicantes En La Temprana Modernidad Hispana / Women's Patronage / Italian Renaissance Women Art Patrons / Historia De Las Mujeres Renacimiento Y Barroco / Women´s Spiritual Leadership / María Dávila / Historia de las mujeres

M. Parada López de Corselas, S. Martín Sandoval, \"Un conjunto artístico de glorificación en un espacio litúrgico: el cardenal Mendoza y la catedral de Toledo\", en Jesús R. Folgado (ed.), Curso de Arquitectura Litúrgica. La arquitectura al servicio de la liturgia, Madrid, 2014, pp. 103-128.

Christianity / Iconography / Art History / Spanish / Architecture / Liturgy / Renaissance Studies / History of Art / Italian Renaissance Art / Cardinals (Medieval Church History) / Visual Arts / Cathedrals (Medieval Studies) / Spanish Art / Spain / Arquitectura / Historia del Arte / 16th and 17th-century Spanish art and architecture / History of Arts / Spanish Renaissance and Baroque Art / Mendoza / Catholic Liturgy / Toledo / Art and power / Cardinals / Guerra De Granada (1482-1492) / Liturgy / Renaissance Studies / History of Art / Italian Renaissance Art / Cardinals (Medieval Church History) / Visual Arts / Cathedrals (Medieval Studies) / Spanish Art / Spain / Arquitectura / Historia del Arte / 16th and 17th-century Spanish art and architecture / History of Arts / Spanish Renaissance and Baroque Art / Mendoza / Catholic Liturgy / Toledo / Art and power / Cardinals / Guerra De Granada (1482-1492)

La teoría arquitectónica de Leonardo Da Vinci y su influencia posterior

Architecture / Renaissance Studies / Italian Renaissance Art / Leonardo da Vinci / Arquitectura / Art Treatises / Renacimiento / Leonardo da Vinci, italian history / Divina proporción / Arquitectura Italiana Del Renacimiento / Art Treatises / Renacimiento / Leonardo da Vinci, italian history / Divina proporción / Arquitectura Italiana Del Renacimiento

Ecos de una Reforma desde dentro. Juan de Valdés, Vittoria Colonna y Miguel Ángel (Anales de Historia del Arte, nº 22, Universidad Complutense de Madrid, 2012)

Theology / Renaissance History / Renaissance Studies / Renaissance Humanism / Renaissance Philosophy / Painting / Renaissance Art / Reformation History / Reformation Studies / Theological Aesthetics / Italian Renaissance Art / Renaissance Rome / Religiosity / Heterodoxy / Francesco Colonna / Michelangelo Buonarroti / Renacimiento / Vittoria Colonna / Vatican / Arte Del Renacimiento / Michelangelo Last Judgment / Humanismo y Renacimiento / Reginald Pole / Cinquecento / Theological research / Juan De Valdés / Casa Buonarroti / Painting / Renaissance Art / Reformation History / Reformation Studies / Theological Aesthetics / Italian Renaissance Art / Renaissance Rome / Religiosity / Heterodoxy / Francesco Colonna / Michelangelo Buonarroti / Renacimiento / Vittoria Colonna / Vatican / Arte Del Renacimiento / Michelangelo Last Judgment / Humanismo y Renacimiento / Reginald Pole / Cinquecento / Theological research / Juan De Valdés / Casa Buonarroti

Juan de Valdés y Miguel Ángel. Una aproximación a la teología del arte (Imafronte, nº 23, Universidad de Murcia, 2013)

Theology / Renaissance History / Renaissance Studies / Renaissance Humanism / Renaissance / Renaissance Philosophy / Painting / Renaissance Art / Reformation History / Reformation Studies / Reformation Theology / Italian Renaissance Art / Renaissance Rome / Michelangelo Buonarroti / Reformation / Theological research / Juan De Valdés / Casa Buonarroti / Renaissance Philosophy / Painting / Renaissance Art / Reformation History / Reformation Studies / Reformation Theology / Italian Renaissance Art / Renaissance Rome / Michelangelo Buonarroti / Reformation / Theological research / Juan De Valdés / Casa Buonarroti

Pòster: Noves tendències en la reconstrucció del patrimoni: aplicacions digitals de VA/VR a la reconstrucció de l\'església del monestir de la Murta (Alzira).

History / Modern History / Cultural History / Archaeology / Computer Architecture / Acoustics / Art History / Historical Archaeology / Architecture / Early Modern History / Renaissance Studies / Archaeological Method & Theory / Architectural History / Musical acoustics / Software Architecture / Church History / 3D Reconstruction / Virtual Archaeology / Monasticism / 3D Modelling (Architecture) / Church Archaeology / Archaeology of Medieval Monasteries / 3D animation / Historia / 3d Reconstructions in Archaeology / 3d Modeling / Iglesia / Acoustics / Art History / Historical Archaeology / Architecture / Early Modern History / Renaissance Studies / Archaeological Method & Theory / Architectural History / Musical acoustics / Software Architecture / Church History / 3D Reconstruction / Virtual Archaeology / Monasticism / 3D Modelling (Architecture) / Church Archaeology / Archaeology of Medieval Monasteries / 3D animation / Historia / 3d Reconstructions in Archaeology / 3d Modeling / Iglesia

Notas sobre pintor y comanditario durante el Renacimiento

Renaissance Studies / Tzvetan Todorov / Renacimiento / Sandro Botticelli / Individuo / Domenico Ghirlandaio / Portrait Retrato Portrait Theory / Stoichita / Domenico Ghirlandaio / Portrait Retrato Portrait Theory / Stoichita

CONRAD PEUTINGER: 388. Una niña se dirige al emperador Maximiliano I a inicios del siglo XVI: el discurso de Juliana Peutinger, Fortunatae, 25, 2014, pp. 343-349.

History / Ancient History / Cultural History / Cultural Studies / German Studies / Archaeology / Classical Archaeology / World Literatures / Gender Studies / Classics / Latin Literature / Humanities / Women's Studies / Social Sciences / Literature / Renaissance Studies / Renaissance Humanism / Epigraphy (Archaeology) / Renaissance / Gender / Culture / Latin Epigraphy / History of Classical Scholarship / Classical philology / Roman Epigraphy / Classical Reception Studies / German Humanism / Historia / Ciências Sociais / Storia antica ed epigrafia latina / Classics: Ancient History and Archaeology / Epigraphy / Ciencias Sociales / Storia / Epigrafia / Latin philology / Epigrafía / Epigrafía romana / Epigrafia romana / Classical Latin and Greek Philology / Peutinger / Archaeology / Classical Archaeology / World Literatures / Gender Studies / Classics / Latin Literature / Humanities / Women's Studies / Social Sciences / Literature / Renaissance Studies / Renaissance Humanism / Epigraphy (Archaeology) / Renaissance / Gender / Culture / Latin Epigraphy / History of Classical Scholarship / Classical philology / Roman Epigraphy / Classical Reception Studies / German Humanism / Historia / Ciências Sociais / Storia antica ed epigrafia latina / Classics: Ancient History and Archaeology / Epigraphy / Ciencias Sociales / Storia / Epigrafia / Latin philology / Epigrafía / Epigrafía romana / Epigrafia romana / Classical Latin and Greek Philology / Peutinger

Medicina y política en Francesco Patrizi: el cuerpo de La ciudad feliz.

Renaissance Studies / History of Science / Renaissance Philosophy / History Of Modern Philosophy / Francesco Patrizi Da Cherso)

“Consideraciones sobre el uso y abuso de la imagen en la Península Ibérica en el siglo XVI a través de los procesos inquisitoriales. Una visión multicultural del arte: moriscos, protestantes y cristianos viejos”, Sharq al Andalus, 20, 2011-13, pp. 143-166

Renaissance Studies / Iconoclasm / Inquisition / Protestantism / Moriscos / Baroque art and architecture / Heresy and Inquisition / Spanish Inquisition / Baroque art and architecture / Heresy and Inquisition / Spanish Inquisition
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