Materiality

MOÑIVAS, E. “Material/Inmaterial. Una memoria en proceso” en: VV. AA. (Eds.). Archivos y fondos documentales del arte contemporáneo. Cáceres: Junta de Extremadura; Consorcio Museo Vostell Malpartida; Universidad de Extremadura, 2009, pp. 299-305.

Art History / Installation Art / Contemporary Art / Cultural Heritage Conservation / Materials / History of Art / New Media Art / Art and technology / Materiality of Art / Memory and materiality / Science for Conservation and Restoration of Cultural Heritage / Conservación y Restauración / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte Povera / Arte contemporáneo / Materials and Techniques of Artists / Science for Conservation and Restoration of Cultural Heritage and History of Architecture / Conservation-Restoration of Modern and Contemporary Art / History of Art / New Media Art / Art and technology / Materiality of Art / Memory and materiality / Science for Conservation and Restoration of Cultural Heritage / Conservación y Restauración / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte Povera / Arte contemporáneo / Materials and Techniques of Artists / Science for Conservation and Restoration of Cultural Heritage and History of Architecture / Conservation-Restoration of Modern and Contemporary Art

MOÑIVAS, E. “La tierra: presencia y trascendencia. Apuntes sobre la imaginación material en la obra de William Congdon” en: ACEDO, Nieves; LIZARRAGA, Paula (Eds.). William Congdon y la revisión del Expresionismo Abstracto. Pamplona: Eunsa, Cátedra Félix Huarte, 2010, pp. 169-180.

Art History / Contemporary Art / Gaston Bachelard / Materials / History of Art / Materiality of Art / Visual Arts / Memory and materiality / Abstract Expressionism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Artes visuales / Material Imagination / Imaginación material / Materiality of Art / Visual Arts / Memory and materiality / Abstract Expressionism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Artes visuales / Material Imagination / Imaginación material

MOÑIVAS, E. \"Agua y arte contemporáneo. Mirar (y crear) a través de esferas de agua” en: CSIC, Cultura científica, Año Internacional de la Cooperación en la Esfera del Agua, 2013.

Water / Contemporary Art / Materials / Environmental Sustainability / Materiality of Art / Memory and materiality / Materiality / Arte contemporáneo / Material Culture & Materiality / Materials and Techniques of Artists / Water and Art / Memory and materiality / Materiality / Arte contemporáneo / Material Culture & Materiality / Materials and Techniques of Artists / Water and Art

MOÑIVAS, E. “Sobre la significación de la materia y el cambio de paradigma cultural” en: LOOTZ, Eva. Escultura negativa / Negative sculpture. Madrid: Fundación Arte y Mecenazgo; La Oficina de Arte y Ediciones, 2014, pp. 24-27.

Art Theory / Water / Art and Science / Materials / Arts-sciences interdisciplinarity / Artistic Research / Materiality of Art / Materiality / Arte contemporáneo / Arts and Sciences / Material Culture & Materiality / Art Theory and Criticism / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Escultura Contemporanea / Sculpture-Materiality-Imagination / Water and Art / Imaginación material / Artistic Research / Materiality of Art / Materiality / Arte contemporáneo / Arts and Sciences / Material Culture & Materiality / Art Theory and Criticism / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Escultura Contemporanea / Sculpture-Materiality-Imagination / Water and Art / Imaginación material

EDG 2016 El Color De Los Dioses

Aztecs / God, Gods, Goddesses / Color / Materiality

MOÑIVAS, E. \"h2o: emergencias\", 2013 [Texto comisarial exposición]

Water / Contemporary Art / Art and Science / Ivan Illich / Arts-sciences interdisciplinarity / Artistic Research / Materiality of Art / Fluids / Materiality / Exhibitions / Arte contemporáneo / Arts and Sciences / Methodologies for Artistic Research / Material Imagination / Exposiciones / Water and Art / Agua y arte / Artistic Research / Materiality of Art / Fluids / Materiality / Exhibitions / Arte contemporáneo / Arts and Sciences / Methodologies for Artistic Research / Material Imagination / Exposiciones / Water and Art / Agua y arte

MOÑIVAS, E. \"h2o: emergencias\", Universidad Complutense de Madrid, 12-15 de noviembre de 2013 [Dosier exposición]

Water / Contemporary Art / Art and Science / Ivan Illich / Arts-sciences interdisciplinarity / Artistic Research / Materiality of Art / Fluids / Materiality / Exhibitions / Arte contemporáneo / Arts and Sciences / Methodologies for Artistic Research / Material Imagination / Exposiciones / Water and Art / Agua y arte / Artistic Research / Materiality of Art / Fluids / Materiality / Exhibitions / Arte contemporáneo / Arts and Sciences / Methodologies for Artistic Research / Material Imagination / Exposiciones / Water and Art / Agua y arte

MOÑIVAS, E. \"El papel de la historia del arte en el paradigma de la planificación transdisciplinar. Líneas metodológicas posibles para el estudio de las técnicas y materiales del arte contemporáneo\". Universidad de Oviedo, 2007.

Art History / Art Theory / Contemporary Art / Cultural Heritage Conservation / Materials / History of Art / Arts-sciences interdisciplinarity / Art and technology / Memory and materiality / Historia del Arte / Materiality / Conservation and Restoration / Arte contemporáneo / Material Culture & Materiality / Materials and Techniques of Artists / Conservation-Restoration of Modern and Contemporary Art / Historia Y Teoría Del Arte / History of Art / Arts-sciences interdisciplinarity / Art and technology / Memory and materiality / Historia del Arte / Materiality / Conservation and Restoration / Arte contemporáneo / Material Culture & Materiality / Materials and Techniques of Artists / Conservation-Restoration of Modern and Contemporary Art / Historia Y Teoría Del Arte

MOÑIVAS, E. “Narrativas fluidas. El agua como presencia material en las artes plásticas contemporáneas” en: Dept. Història de l\'Art i CEHA-Comité Español de Historiadores del Arte (coords.). CEHA, XVII Congrés Nacional d´História de l´art. Art i Memóri. Granada: Editorial Atrio, 2012, pp. 249-263.

Aesthetics / Art History / Art Theory / Research Methodology / Water / Contemporary Art / Gaston Bachelard / Materials / History of Art / Art and technology / Materiality of Art / Memory and materiality / Fluids / New Materialism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Material Culture & Materiality / New Materialisms / Estética, Teoría del Arte, Fenomenología / Andre Leroi-Gourhan / Materials and Techniques of Artists / Material Imagination / Phenomenology and the Artistic Process / Water and Art / Agua y arte / Contemporary Art / Gaston Bachelard / Materials / History of Art / Art and technology / Materiality of Art / Memory and materiality / Fluids / New Materialism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Material Culture & Materiality / New Materialisms / Estética, Teoría del Arte, Fenomenología / Andre Leroi-Gourhan / Materials and Techniques of Artists / Material Imagination / Phenomenology and the Artistic Process / Water and Art / Agua y arte
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