Art History

Análisis de las categorias del Barroco en las pinturas utilizadas en la película de Derek Jarman.

Art History / Art / Film Aesthetics / Caravaggio / Renacimiento / Arte Barroco

Gustavo Verdesio, \"Un fantasma recorre el Uruguay: la reemergencia charrúa en un \'país sin indios\'\"

History / Cultural History / Sociology / Cultural Studies / Latin American Studies / Comparative Literature / Anthropology / Philosophy / Art History / Indigenous Studies / Humanities / Social Sciences / Latin American and Caribbean History / Literature / Cultural Theory / Identity (Culture) / Culture / Literary Theory / Indigenous Knowledge / Indigenous Peoples / Southern Cone (Area Studies) / Uruguay / Historia / Literatura / Sociologia / Sociología / Antropología / História / Pueblos indígenas / Charruas / Comparative Literature / Anthropology / Philosophy / Art History / Indigenous Studies / Humanities / Social Sciences / Latin American and Caribbean History / Literature / Cultural Theory / Identity (Culture) / Culture / Literary Theory / Indigenous Knowledge / Indigenous Peoples / Southern Cone (Area Studies) / Uruguay / Historia / Literatura / Sociologia / Sociología / Antropología / História / Pueblos indígenas / Charruas

Antianeiras¡ La masculinización de la mujer en el mito amazónico (Antianeiras¡ The masculinization of women in Amazons myth)

Religion / History / Ancient History / Cultural History / Cultural Studies / Geography / Human Geography / Cultural Geography / Archaeology / Classical Archaeology / Near Eastern Archaeology / Gender Studies / Anthropology / Art History / Social Anthropology / Cultural Sociology / Sex and Gender / Women's Studies / Art / Art Theory / Women's History / Cultural Heritage / Gender History / Landscape Archaeology / Language and Gender / Popular Culture / Organizational Culture / Social and Cultural Anthropology / Cultural Theory / Gender and Sexuality / Anthropology of Gender / Cultural Psychology / Identity (Culture) / Women's Literature / Gender / Culture / Gender Equality / Culture Studies / Gender and Work / Women / Gender Discourse / Women in the ancient world / Gender Roles / Theories of Gender and Transgender / Violence Against Women / Gender and Development / Women Leadership / Gender and Sexuality Studies / Social History / Gender and Politics / Gender and religion (Women s Studies) / Ancient Near East / Ancient Greek Religion / Gender And Violence / Gender and education / Gender Archaeology / Ancient Greek History / Cultural Anthropology / Ancient Greek Philosophy / Feminist & Womanist Movements / Feminist Literary Theory and Gender Studies / Arqueology / Women and Culture / Arqueología / Religious Studies / Women and Gender Studies / Historia / Arqueología histórica / Woman / Woman Studies / Teoría Arqueológica / Arqueologia / Patrimonio Cultural / Geografia / Classics: Ancient History and Archaeology / Arqueología Social / Arqueología del Paisaje / Cultura / Gender inequality / Anthropology of Religion / Geography / Human Geography / Cultural Geography / Archaeology / Classical Archaeology / Near Eastern Archaeology / Gender Studies / Anthropology / Art History / Social Anthropology / Cultural Sociology / Sex and Gender / Women's Studies / Art / Art Theory / Women's History / Cultural Heritage / Gender History / Landscape Archaeology / Language and Gender / Popular Culture / Organizational Culture / Social and Cultural Anthropology / Cultural Theory / Gender and Sexuality / Anthropology of Gender / Cultural Psychology / Identity (Culture) / Women's Literature / Gender / Culture / Gender Equality / Culture Studies / Gender and Work / Women / Gender Discourse / Women in the ancient world / Gender Roles / Theories of Gender and Transgender / Violence Against Women / Gender and Development / Women Leadership / Gender and Sexuality Studies / Social History / Gender and Politics / Gender and religion (Women s Studies) / Ancient Near East / Ancient Greek Religion / Gender And Violence / Gender and education / Gender Archaeology / Ancient Greek History / Cultural Anthropology / Ancient Greek Philosophy / Feminist & Womanist Movements / Feminist Literary Theory and Gender Studies / Arqueology / Women and Culture / Arqueología / Religious Studies / Women and Gender Studies / Historia / Arqueología histórica / Woman / Woman Studies / Teoría Arqueológica / Arqueologia / Patrimonio Cultural / Geografia / Classics: Ancient History and Archaeology / Arqueología Social / Arqueología del Paisaje / Cultura / Gender inequality / Anthropology of Religion

Arte y vida cotidiana en Cuenca entre los siglos XVI y XVIII

Art History / History of Art / Historiography (in Art History) / Ecuador / Colonial Latin American Art- Mexico and Peru / Mural painting / Vida Cotidiana / Pintura mural / Arte Colonial Americano / Historiografía del arte colonial / Arte colonial andino / Arte Colonial Quiteño / Colonial Art and Portuguese and Spanish Empires / Historia Del Ecuador / Mural painting / Vida Cotidiana / Pintura mural / Arte Colonial Americano / Historiografía del arte colonial / Arte colonial andino / Arte Colonial Quiteño / Colonial Art and Portuguese and Spanish Empires / Historia Del Ecuador

„Sfânta Troiță într-un trup” în opera zugravilor de la Feisa

Iconography / Art History / Church History / Christian Iconography / Medieval Iconography / Byzantine and Postbyzantine icon-painting

Matthäus Merian El Joven, pintor en el taller de Van Dyck: a propósito de un lienzo con Vertumno y Pomona identificado (en español)

Mythology / Art History / Authorship Attribution / History of Art / Artistic Research / Flemish Painting / Peter Paul Rubens / Anthony van Dyck. / Ovid Metamorphoses / Maria Sibylla Merian / Merian family / Joachim von Sandrart / 17th Dutch and Flemish Paintings and Prints / Peter Thys / Flemish Painting / Peter Paul Rubens / Anthony van Dyck. / Ovid Metamorphoses / Maria Sibylla Merian / Merian family / Joachim von Sandrart / 17th Dutch and Flemish Paintings and Prints / Peter Thys

La imagen de Nuestra Señores de los Desamparados de Santa Clara de Pontevedra / 1996

Iconography / Art History / Architecture / Literature / Painting / Sculpture / Christian Iconography / Early Modern Iconology / Sculpture / Christian Iconography / Early Modern Iconology

A. García Barrios, M. Parada López de Corselas, \"La visión indígena en la platería novohispana: Gólgota y Montaña sagrada mesoamericana en la cruz de altar de la catedral de Palencia (México, s. XVI)\", en El Imperio y las Hispanias de Trajano a Carlos V..., Bologna, 2014, pp. 455-469.

Iconography / Art History / Indigenous Studies / Mexican Studies / Renaissance Studies / Mesoamerican Archaeology / Aztecs / Cross-Cultural Studies / Nahuatl / History of Art / Decorative Arts / Maya Archaeology / History of Colonial Mexico / Christian Iconography / Nahua History / Mexico / Silver / Precolumbian Cultures / Precolumbian Art / History of Arts / Sincretism / Precolumbian archaelogy / Mesoamerican Studies / Spanish conquest of the Americas / Arts of Africa, Pacific Islands, and the Americas / Indigenous Arts & Crafts / Mexican Codices / Nepantla / Nahuas and Mixtecs / Mesoamerican Archaeology / Aztecs / Cross-Cultural Studies / Nahuatl / History of Art / Decorative Arts / Maya Archaeology / History of Colonial Mexico / Christian Iconography / Nahua History / Mexico / Silver / Precolumbian Cultures / Precolumbian Art / History of Arts / Sincretism / Precolumbian archaelogy / Mesoamerican Studies / Spanish conquest of the Americas / Arts of Africa, Pacific Islands, and the Americas / Indigenous Arts & Crafts / Mexican Codices / Nepantla / Nahuas and Mixtecs

A. García Barrios, M. Parada López de Corselas, \"La cruz mexicana del siglo XVI de la catedral de Palencia (España): La visión indígena del Gólgota como la “montaña sagrada”\", Anales del Instituto de Investigaciones Estéticas, 105 (2014), pp. 127-184.

Iconography / Art History / Indigenous Studies / Mexican Studies / Renaissance Studies / Mesoamerican Archaeology / Aztecs / Cross-Cultural Studies / Nahuatl / History of Art / Decorative Arts / Maya Archaeology / Mesoamerica / Christian Iconography / Mexico / Silver / Precolumbian Cultures / Precolumbian Art / History of Arts / Evangelization / Nahuas / Precolumbian archaelogy / Spanish conquest of the Americas / Evangelización / Art and Art History / Glyphic Studies / Indigenous Arts & Crafts / Mexican Codices / Nepantla / Nahuas and Mixtecs / Mesoamerican Archaeology / Aztecs / Cross-Cultural Studies / Nahuatl / History of Art / Decorative Arts / Maya Archaeology / Mesoamerica / Christian Iconography / Mexico / Silver / Precolumbian Cultures / Precolumbian Art / History of Arts / Evangelization / Nahuas / Precolumbian archaelogy / Spanish conquest of the Americas / Evangelización / Art and Art History / Glyphic Studies / Indigenous Arts & Crafts / Mexican Codices / Nepantla / Nahuas and Mixtecs

El hombre diluido. El ser humano entre el engaño y la desaparición

Art History / Cyborg Theory / Contemporary Art / Art and technology / Body representations in art, cinema and literature / Body Art / Transhumanism/Posthumanism / Cyborg Anthropology / Virtual Reality / Transhumanismo / Sociología Del Cuerpo / Absence / Filosofía Del Cuerpo / Arts and Humanities / Análisis del cuerpo en el arte / Realidad Virtual / Presence/absence / The Body In Art / Cyborg Art / Arte Y Cuerpo / Cuerpo y tecnología / Body Art / Transhumanism/Posthumanism / Cyborg Anthropology / Virtual Reality / Transhumanismo / Sociología Del Cuerpo / Absence / Filosofía Del Cuerpo / Arts and Humanities / Análisis del cuerpo en el arte / Realidad Virtual / Presence/absence / The Body In Art / Cyborg Art / Arte Y Cuerpo / Cuerpo y tecnología

Diferencias pictóricas entre la Inmaculada Concepción de Velázquez y la de Pacheco

Art History / Velazquez / 16th and 17th-century Spanish art and architecture / Inmaculada Concepcion / Diego Velazquez

Utopía Atómica. Vestigios de Ciudad Universitaria en la Posguerra. Tesis de Licenciatura en Historia, Facultad de Filosofía y Letras, UNAM. 2013.

Art History / History of Science / Modern Art / History of Physics / History and Theory of Modern Architecture / Modern Mexican Art

M. Parada López de Corselas, S. Martín Sandoval, \"Un conjunto artístico de glorificación en un espacio litúrgico: el cardenal Mendoza y la catedral de Toledo\", en Jesús R. Folgado (ed.), Curso de Arquitectura Litúrgica. La arquitectura al servicio de la liturgia, Madrid, 2014, pp. 103-128.

Christianity / Iconography / Art History / Spanish / Architecture / Liturgy / Renaissance Studies / History of Art / Italian Renaissance Art / Cardinals (Medieval Church History) / Visual Arts / Cathedrals (Medieval Studies) / Spanish Art / Spain / Arquitectura / Historia del Arte / 16th and 17th-century Spanish art and architecture / History of Arts / Spanish Renaissance and Baroque Art / Mendoza / Catholic Liturgy / Toledo / Art and power / Cardinals / Guerra De Granada (1482-1492) / Liturgy / Renaissance Studies / History of Art / Italian Renaissance Art / Cardinals (Medieval Church History) / Visual Arts / Cathedrals (Medieval Studies) / Spanish Art / Spain / Arquitectura / Historia del Arte / 16th and 17th-century Spanish art and architecture / History of Arts / Spanish Renaissance and Baroque Art / Mendoza / Catholic Liturgy / Toledo / Art and power / Cardinals / Guerra De Granada (1482-1492)
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