A Hybrid Present Embodified: Dialectical Mimesis on the Translocal Cabaret Stage. César Enríquez\'s Disertaciones de la Chingada and Alexandra Tigchelaar\'s Les Demimondes

June 15, 2017 | Autor: T.l. Cowan | Categoría: Performance Studies, Queer Theory, Dramaturgy, Dialectic, Translocality, Temporality, Queer methodologies, Feminist Theory and Performance of Gender, Queer Performance, Feminist Performance Art, Temporality, Queer methodologies, Feminist Theory and Performance of Gender, Queer Performance, Feminist Performance Art

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*Some typos in this proof version. For final version please see published collection!

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