Visual Arts

El Ser y la Iridiscencia (2015)

Printmaking / Visual Arts

Pliegues y dobles (2005)

Contemporary Art / Printmaking / Visual Arts

Un ensayo sobre grabado (a finales del siglo XX) (1998)

Art Theory / Printmaking / Printing History / Visual Arts

EL JUGADOR, EL IRONISTA Y EL ARTESANO CÓSMICO. MÁSCARAS BAJO EL ROSTRO IMPERCEPTIBLE DEL INÚTIL TRANSVERSAL

Philosophy / Art Theory / Contemporary Art / Philosophy of Art / Art Theory and Politics / Visual Arts / Estética / Visual Arts / Estética

God\'s Presence in Pictorial Art

Religion / Philosophy / Aesthetics / Visual Studies / Philosophy Of Religion / Art History / Education / Theology / Art Theory / Painting / Philosophy of Art / Drawing / Theory and Practice of Visual Arts / Visual Arts / Religious Studies / Art History / Education / Theology / Art Theory / Painting / Philosophy of Art / Drawing / Theory and Practice of Visual Arts / Visual Arts / Religious Studies

Lo sublime está en la red (2006)

Art Theory / Contemporary Art / Printmaking / Visual Arts / Digital printing

Experimentar e innovar en un espacio gráfico renovado (2008)

Contemporary Art / Printmaking / Visual Arts / History of Printmaking

John Martin y lo sublime moderno (2006)

Art Theory / Modern Art / Printmaking / Visual Arts / John Martin (painter)

Aguafuerte desde el ordenador (2000)

Printmaking / Visual Arts / Contemporany art / Digital printing

El claroscuro, morada de lo sublime (1996)

Art Theory / Modern Art / Visual Arts

TRACE (exhibition catalogue/book)

Art Theory / Environmental Art / Ecological Art / Visual Arts / Land Art / Fine Arts / Earth Art / ecoART / Fine Arts / Earth Art / ecoART

Jovencio De La Paz — Endless Flight

Material Culture Studies / Textile and Fiber Art / Visual Arts / Indigo / Batik / History of Textiles and Fiber Art

Minoritarian Enunciation and Global Product Culture

Cultural Studies / Translation Studies / Visual Culture / Poetics / Visual Arts

\"Residuos: a favor de las cosas\", en VV.AA., \"Cuerpos a motor\", CGAC, 1997.

Visual Studies / Visual Arts / Body representations in art, cinema and literature / Representation / Jean-Auguste-Dominique Ingres

Composition, Color & Interactivity

Psychology / Aesthetics / New Media / Image Processing / Art / Art Theory / Eye tracking / Contemporary Art / New Media Arts / Philosophy of Art / Image Analysis / Postmodernism / Digital Media And New Literacies / News Media Ethics / New Media Art / Theory and Practice of Visual Arts / Visual Arts / Eye-tracking / Postmodern Literary Theory and Popular Culture / Digital Image Processing / Aesthetics and Theory of Arts / New Media Studies / Fine Arts / Mass Communication and New Media / Postmedia / Fine Art / Foundations in Art: Theory and Education / Signal and Image Processing / Art and image theory / Fine Arts, Philosophy / Theory of Art / Art Foundation / Foundations in Art and Design Education / Fine Art Practice / Eye and Gaze Tracking / Art Theory / Eye tracking / Contemporary Art / New Media Arts / Philosophy of Art / Image Analysis / Postmodernism / Digital Media And New Literacies / News Media Ethics / New Media Art / Theory and Practice of Visual Arts / Visual Arts / Eye-tracking / Postmodern Literary Theory and Popular Culture / Digital Image Processing / Aesthetics and Theory of Arts / New Media Studies / Fine Arts / Mass Communication and New Media / Postmedia / Fine Art / Foundations in Art: Theory and Education / Signal and Image Processing / Art and image theory / Fine Arts, Philosophy / Theory of Art / Art Foundation / Foundations in Art and Design Education / Fine Art Practice / Eye and Gaze Tracking
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