Painting

Secuencias gráficas Paleolítico-Postpaleolítico en la Sierra de San Pedro. Tajo internacional. Cáceres

European Studies / Prehistoric Archaeology / Landscape Archaeology / Palaeolithic Archaeology / Painting / Neolithic Archaeology / Neolithic & Chalcolithic Archaeology / Iberian Prehistory (Archaeology) / Prehistoric Art / European Prehistory (Archaeology) / Prehistoric Rock Art / Ice Age Cave Art / Landscape and Land-use-history / Holocene rock art / Neolithic Archaeology / Neolithic & Chalcolithic Archaeology / Iberian Prehistory (Archaeology) / Prehistoric Art / European Prehistory (Archaeology) / Prehistoric Rock Art / Ice Age Cave Art / Landscape and Land-use-history / Holocene rock art

\"Moisés salvado de las aguas. Iglesia de Nuestra Señora de los Remedios (Zamora)\"

Painting / Old Testament / XVIII century / Religious art / Moses / Zamora / Siglos XVI-XVIII / Zamora / Siglos XVI-XVIII

Boletín de Estética, Nº 36

Cultural History / Cultural Studies / Folklore / Philosophy / Aesthetics / Art History / Indigenous or Aboriginal Studies / History of Ideas / Art Theory / Plato / Cultural Heritage / Popular Culture / Social and Cultural Anthropology / Cultural Theory / Painting / Philosophy of Art / Enlightenment / Culture / Cultural Identity / Immanuel Kant / Intellectual and cultural history / Plato and Platonism / Identity construction and cultural production / History of Folklore Theory and Method / Platonism / 18th Century French Painting / Diderot, Denis / History of Aesthetics / Aesthetics and Theory of Arts / Estética / Estetica / Aesthetics of Popular Culture / South American Indians / French Enlightenment / Historia Cultural / DIDEROT / Identidade cultural / Kant's Aesthetics / Aboriginal Studies / Folklore, Anthropology, Aesthetics, Theories of Play, Games, and Humor, Popular Culture, History of Media and Technology, Narrative Theory, Informal Networks / Estética, Filosofía Del Arte / Platón / Art and Cultural Identity / Diderot and D'Alembert's Encyclopedia / Filosofía del arte / Arte Y Cultura Popular / Diderot, French Enlightenment, Aesthetics / Arte Popular / Argentine cultural history / Denis Diderot / Folclore e Cultura Popular / Kantismo / Cross Cultural Aesthetics / Historia Da Arte Popular / Continental Philosophy and Aesthetics / Diderot studies / Art History / Indigenous or Aboriginal Studies / History of Ideas / Art Theory / Plato / Cultural Heritage / Popular Culture / Social and Cultural Anthropology / Cultural Theory / Painting / Philosophy of Art / Enlightenment / Culture / Cultural Identity / Immanuel Kant / Intellectual and cultural history / Plato and Platonism / Identity construction and cultural production / History of Folklore Theory and Method / Platonism / 18th Century French Painting / Diderot, Denis / History of Aesthetics / Aesthetics and Theory of Arts / Estética / Estetica / Aesthetics of Popular Culture / South American Indians / French Enlightenment / Historia Cultural / DIDEROT / Identidade cultural / Kant's Aesthetics / Aboriginal Studies / Folklore, Anthropology, Aesthetics, Theories of Play, Games, and Humor, Popular Culture, History of Media and Technology, Narrative Theory, Informal Networks / Estética, Filosofía Del Arte / Platón / Art and Cultural Identity / Diderot and D'Alembert's Encyclopedia / Filosofía del arte / Arte Y Cultura Popular / Diderot, French Enlightenment, Aesthetics / Arte Popular / Argentine cultural history / Denis Diderot / Folclore e Cultura Popular / Kantismo / Cross Cultural Aesthetics / Historia Da Arte Popular / Continental Philosophy and Aesthetics / Diderot studies

Materiales, modelos y mercado de la pintura en Quito, 1550-1650

Print Culture / Art History / Early Modern History / Atlantic World / Painting / History of Art / Book History (History) / Materiality of Art / Book trade History / Art Market / Spanish Colonial Peru / Painting Conservation / Early Modern print culture / Colonial Latin American History / Historia colonial / History of Printmaking / History of Commerce / Colonial Latin American Art- Mexico and Peru / Spanish American colonial studies / Historia del Arte / Historia del Libro / Pintura / Quito / Pigments / History of Pigments / History of Arts / Estudios transatlánticos / Mercado del arte / Historia y Teoria del Arte y la Arquitectura / Grabado / History of Books, Printing, and Publishing / Comercio Peru colonial / Arte Colonial Americano / History of Colors / Historia del arte latinoamericano / Pigmentos Naturales / Arte colonial andino / Arte Colonial Quiteño / Historia Colonial De América Latina / Colonial Art and Portuguese and Spanish Empires / Peru pintura colonial / Historia Del Ecuador / Pinturas Y Pigmentos / Arte Colonial En La Audiencia De Quito / History of Art / Book History (History) / Materiality of Art / Book trade History / Art Market / Spanish Colonial Peru / Painting Conservation / Early Modern print culture / Colonial Latin American History / Historia colonial / History of Printmaking / History of Commerce / Colonial Latin American Art- Mexico and Peru / Spanish American colonial studies / Historia del Arte / Historia del Libro / Pintura / Quito / Pigments / History of Pigments / History of Arts / Estudios transatlánticos / Mercado del arte / Historia y Teoria del Arte y la Arquitectura / Grabado / History of Books, Printing, and Publishing / Comercio Peru colonial / Arte Colonial Americano / History of Colors / Historia del arte latinoamericano / Pigmentos Naturales / Arte colonial andino / Arte Colonial Quiteño / Historia Colonial De América Latina / Colonial Art and Portuguese and Spanish Empires / Peru pintura colonial / Historia Del Ecuador / Pinturas Y Pigmentos / Arte Colonial En La Audiencia De Quito

Castelao: Diario de un viaje por Europa

Travel Writing / Painting / Diary Studies / Travel Literature

Santiago Ydañez. La imagen abolida

Contemporary Art / Painting / Contemporary Painting / Pintura / Arte contemporáneo / Andalusian art

El digital velo del nuevo Parrasio como pictórica trama interferente

Visual Studies / Painting / Digital Image Processing

\"Sonidos en la pintura barroca española / Sounds in Spanish Baroque Painting\", en Rodríguez, G., y Coronado, G. (dirs.), Paisajes sensoriales: Sonidos y silencios de la Edad Media, Universidad Nacional de Mar del Plata, 2016, pp. 331-363.

Sound and Image / Painting / Soundscape Studies / Baroque Art and Literature / History of Art / Literature and Visual Arts / Baroque art and architecture / Historia del Arte / Barocco / Literature and the Visual Arts / History of Art and Architecture / Contrarreforma / Peinture / Soundscapes / Renaissance and Barocco / Literatura Artística / Pintura de el Siglo de Oro / Pintura Barroca Española / Pintura Barroca / Paysages Sonores / Arte da Contra-Reforma / Historia Del Arte Barroco / Paisajes sensoriales / Sonido en el arte / Literature and Visual Arts / Baroque art and architecture / Historia del Arte / Barocco / Literature and the Visual Arts / History of Art and Architecture / Contrarreforma / Peinture / Soundscapes / Renaissance and Barocco / Literatura Artística / Pintura de el Siglo de Oro / Pintura Barroca Española / Pintura Barroca / Paysages Sonores / Arte da Contra-Reforma / Historia Del Arte Barroco / Paisajes sensoriales / Sonido en el arte

Una tabla única e inédita perteneciente a la Casa de ganaderos de Tauste (Aragón)

Art History / Renaissance / Painting / Renaissance Art / History of Art / Spanish painting / Siglo XVI / Historia del Arte / Spanish Renaissance Art / Pintura / Ganaderia / Renacimiento / Devotions / Spanish Renaissance and Baroque Art / XVI century / Arte Del Renacimiento / Art and Art History / Gremios / Devociones / XVI-XVIIIth century Spanish Painting / Spanish painting / Siglo XVI / Historia del Arte / Spanish Renaissance Art / Pintura / Ganaderia / Renacimiento / Devotions / Spanish Renaissance and Baroque Art / XVI century / Arte Del Renacimiento / Art and Art History / Gremios / Devociones / XVI-XVIIIth century Spanish Painting

FilosofArte. Un ejemplo de interpretación coadyuvada desde Bergson y Magritte

Philosophy / Painting / Interaction / Language / Art Education

CAPÍTULO 15. EL ARTE Y LA PLÁSTICA EN EL THOLOS DE MONTELIRIO

European Studies / Prehistoric Archaeology / Death Studies / Painting / Symbolism / Neolithic Archaeology / Neolithic & Chalcolithic Archaeology / Megalithic Monuments / Death and Burial (Archaeology) / Iberian Prehistory (Archaeology) / Prehistoric Art / Prehistoric Rock Art / Megalithic Art / Archaeology of death and burial / Megaliths / Neolithic Archaeology / Neolithic & Chalcolithic Archaeology / Megalithic Monuments / Death and Burial (Archaeology) / Iberian Prehistory (Archaeology) / Prehistoric Art / Prehistoric Rock Art / Megalithic Art / Archaeology of death and burial / Megaliths

(2016) \"Nuevas aportaciones al corpus pictórico valenciano del primer Renacimiento: Rodrigo de Osona, Maestro de Perea y Pere Cabanes I\" Archivo de Arte Valenciano, vol XCVII, pp. 53-65

Art History / Painting / Rennaissance Art / Renaixement / Corona D'Aragó / El Renaixement mediterrani / Infrared Reflectography / El Renaixement mediterrani / Infrared Reflectography

Vinculos artisticos entre Espana y el Peru 1892 1929 Lima Fondo Editorial del Congreso 2016

Latin American Studies / Art History / Latin American Art / Surrealism / Painting / Cubism / Modernism / 20th century Avant-Garde / ESCULTURA / Contemporary Spanish Art / Ultraismo / Cubism / Modernism / 20th century Avant-Garde / ESCULTURA / Contemporary Spanish Art / Ultraismo

La pintura de Helmut Federle y su papel en la arquitectura suiza reciente | Helmut Federle’s painting and its role in recent Swiss architecture

Painting / Minimalism / Peter Zumthor / Pintura / Minimalismo / Herzog & de Meuron / Helmut Federle / Herzog & de Meuron / Helmut Federle
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