Film and Media Studies

¿La fiesta de todos o pocos? Representaciones fílmicas del Mundial ‘78 de la Argentina

Latin American Studies / Latin American and Caribbean History / Film Studies / Literature / Popular Culture / Literature and cinema / Documentary (Film Studies) / Argentina History / Argentina / Latin American literature / Latin American History / Dictatorships / Cinema / Documentary Film / Argentine Literature / Literatura Latinoamericana / Film and Media Studies / Documentary / Estudios Culturales / Sport / Sports / Cinema Studies / Latin America / Literatura argentina / Historia Argentina / Futbol / Argentinean cinema / Argentine History / América Latina / Documental / Deportes / Dictadura Militar Argentina / Literature and cinema / Documentary (Film Studies) / Argentina History / Argentina / Latin American literature / Latin American History / Dictatorships / Cinema / Documentary Film / Argentine Literature / Literatura Latinoamericana / Film and Media Studies / Documentary / Estudios Culturales / Sport / Sports / Cinema Studies / Latin America / Literatura argentina / Historia Argentina / Futbol / Argentinean cinema / Argentine History / América Latina / Documental / Deportes / Dictadura Militar Argentina

Infinitas variaciones sobre un mismo cuerpo: apuntes iniciales para llevar un cuerpo del performance al cine

Performing Arts / Art Theory / Film Studies / Film Theory / Performance Studies / Contemporary Art / Literature and cinema / Film Analysis / Anthropology of the Body / Bodies and Culture / Philosophy of Film / Performance Art / Performance / Cinema / Film Aesthetics / Visual Arts / Film / Film and Media Studies / Cinema Studies / Artes / Historia del Arte / Arte contemporáneo / El Lugar De Los Medios En El Arte / Contemporary Art / Literature and cinema / Film Analysis / Anthropology of the Body / Bodies and Culture / Philosophy of Film / Performance Art / Performance / Cinema / Film Aesthetics / Visual Arts / Film / Film and Media Studies / Cinema Studies / Artes / Historia del Arte / Arte contemporáneo / El Lugar De Los Medios En El Arte

\"Da porta da cozinha pra lá\": gênero e mudança social no filme Que horas ela volta?

Gender Studies / Film Studies / Brazilian Studies / Film and Media Studies / Female Labor Migration / Motherhood / Gilberto Freyre / Domestic Labour / Motherhood / Gilberto Freyre / Domestic Labour

Motivos visuales del cine / La persecución

Visual Studies / Film Studies / Literature and cinema / Film History / Cinema / Visual Arts / Film and Media Studies / Cinema and History / Slapstick / Comunicación Audiovisual / Visual Arts / Film and Media Studies / Cinema and History / Slapstick / Comunicación Audiovisual

Fuentes de la juventud. Recuerdos de un futuro pasado de la ficción televisiva

Film Studies / Television Studies / Radio / Cinema / Ingmar Bergman Films / Novel / Orson Welles / David Lynch / Theatre / Jean Renoir / Television / Film and Media Studies / Roberto Rossellini / Maurice Pialat / Novel / Orson Welles / David Lynch / Theatre / Jean Renoir / Television / Film and Media Studies / Roberto Rossellini / Maurice Pialat

DE LA DICTADURA A LA DEMOCRACIA. LAS CONTRADICCIONES DEL PROGRESO EN LA OBRA DE JOSÉ MARÍA ARZUAGA EN BOGOTÁ

Critical Theory / Film Studies / Film Theory / Film Analysis / Philosophy of Film / Cinema / Latin American Cinema / Film and Media Studies / Cinema Studies / Colombian cinema / Cinema / Latin American Cinema / Film and Media Studies / Cinema Studies / Colombian cinema

Curso. Universos urbanos en el Cine

Film Studies / Urban Studies / Urbanism / Film History / Film and History / Film and Media Studies / Cinema Studies / Comunicación Audiovisual / Historia del Cine / Film and Media Studies / Cinema Studies / Comunicación Audiovisual / Historia del Cine

\"La Revolución Mexicana sólo sirve de pretexto: trascendencias divergentes de una mitología cinematográfica\". En: Bernd Hausberger/Raffaele Moro (coords..), La Revolución Mexicana en el cine. Un acercamiento a partir de la mirada ítaloeuropea (México, El Colegio de México, 2013), pp. 202-244.

Film Studies / Film Analysis / Italian Westerns / Mexico History / Italian Cinema / Film History / Cinema / 'Third Cinema' Theory and Third World Radical Films / Reception History / History of Rome / Film and Media Studies / Mexican Revolution / Cinema and History / Cinema e História / Storia Del Cinema Italiano / Peliculas / Revolución Mexicana / Political cinema / Spaghetti Westerns / Western Films / History and Cinema / Western Movies / Filmgeschichte / Movies and History / Film History / Cinema / 'Third Cinema' Theory and Third World Radical Films / Reception History / History of Rome / Film and Media Studies / Mexican Revolution / Cinema and History / Cinema e História / Storia Del Cinema Italiano / Peliculas / Revolución Mexicana / Political cinema / Spaghetti Westerns / Western Films / History and Cinema / Western Movies / Filmgeschichte / Movies and History

LA PROMOCIÓN AUDIOVISUAL EN TAMAULIPAS. VIABILIDAD DE UNA FILM COMMISSION EN TAMPICO

Film and Media Studies / Cities / FILM COMMISSIONS / Comunicación Audiovisual

Reelaboraciones panamericanas de films argentinos: el caso de las remakes de Los martes orquídeas (1941)

Cultural History / Film Studies / Film History / Film Remakes / Cinema / Film and Media Studies / Argentinean cinema / Historia Cultural / Historia del Cine / Film and Media Studies / Argentinean cinema / Historia Cultural / Historia del Cine

EL CINE COMO MEDIO DE CONSTRUCCIÓN DE MEMORIA Y TERRITORIO EN MEDELLÍN

Critical Theory / Film Studies / Film Theory / Colombia / Film Analysis / Philosophy of Film / Walter Benjamin / Cinema / Film Aesthetics / Film and Media Studies / Cinema Studies / Medellin / Victor Gaviria / Philosophy of Film / Walter Benjamin / Cinema / Film Aesthetics / Film and Media Studies / Cinema Studies / Medellin / Victor Gaviria

Escribir novelas, como escribir películas. Adaptación, capital cultural y culturas de producción transnacional en el cine de Guillermo Arriaga

Film Studies / Latin-American Film / Film Adaptation / Adaptation (Film Studies) / Film and Media Studies / Mexican Cinema / Cine Mexicano / Tekstransformasie (Film Adaption) / Mexican Cinema / Cine Mexicano / Tekstransformasie (Film Adaption)

La reescritura del cine japonés contemporáneo en la crítica española. Observaciones desde los márgenes del polisistema cinematográfico

Japanese Studies / Film Studies / Comedy / Reception Theory / Japanese Anime / Japanese Cinema / Gender / Japanese Film / Film History / Japanese Period Films / Japanese Period Film / Gender and Cinema / Japanese Popular Culture / Authorship / Japanese Horror film / Film and Media Studies / Samurai films / Film Criticism / Cinema Studies / Género / Film and Television Comedy / Anime / Rewriting / Anime Studies / Contemporary Cinema / Reescritura / Comedia / Japanese Cinema, animation, women directors / Japanese culture. Anime and manga. / Recepción / Comédia / Contemporary Japanese Cinema / Crítica Cinematográfica / Autoria / Jidaigeki / Teorías de la recepción / Polysystem Theory / Recepción Ficción Audiovisual / Polisistemas / Gender and Film / Cine Japonés / Japanese Horror Cinema / J-horror / Japanese Comedy Films / Teoría de los Polisistemas / Chanbara or Samurai Cinema / Comedia cinematográfica / Cine de animación / Cine Japonés Contemporáneo / Japanese Cinema / Gender / Japanese Film / Film History / Japanese Period Films / Japanese Period Film / Gender and Cinema / Japanese Popular Culture / Authorship / Japanese Horror film / Film and Media Studies / Samurai films / Film Criticism / Cinema Studies / Género / Film and Television Comedy / Anime / Rewriting / Anime Studies / Contemporary Cinema / Reescritura / Comedia / Japanese Cinema, animation, women directors / Japanese culture. Anime and manga. / Recepción / Comédia / Contemporary Japanese Cinema / Crítica Cinematográfica / Autoria / Jidaigeki / Teorías de la recepción / Polysystem Theory / Recepción Ficción Audiovisual / Polisistemas / Gender and Film / Cine Japonés / Japanese Horror Cinema / J-horror / Japanese Comedy Films / Teoría de los Polisistemas / Chanbara or Samurai Cinema / Comedia cinematográfica / Cine de animación / Cine Japonés Contemporáneo
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