Categoría Top Descargas
Iniciar sesión Registrarse Subir

La reescritura del cine japonés contemporáneo en la crítica española. Observaciones desde los márgenes del polisistema cinematográfico

May 29, 2017 | Autor: Jose Montaño | Categoría: Japanese Studies, Film Studies, Comedy, Reception Theory, Japanese Anime, Japanese Cinema, Gender, Japanese Film, Film History, Japanese Period Films, Japanese Period Film, Gender and Cinema, Japanese Popular Culture, Authorship, Japanese Horror film, Film and Media Studies, Samurai films, Film Criticism, Cinema Studies, Género, Film and Television Comedy, Anime, Rewriting, Anime Studies, Contemporary Cinema, Reescritura, Comedia, Japanese Cinema, animation, women directors, Japanese culture. Anime and manga., Recepción, Comédia, Contemporary Japanese Cinema, Crítica Cinematográfica, Autoria, Jidaigeki, Teorías de la recepción, Polysystem Theory, Recepción Ficción Audiovisual, Polisistemas, Gender and Film, Cine Japonés, Japanese Horror Cinema, J-horror, Japanese Comedy Films, Teoría de los Polisistemas, Chanbara or Samurai Cinema, Comedia cinematográfica, Cine de animación, Cine Japonés Contemporáneo, Japanese Cinema, Gender, Japanese Film, Film History, Japanese Period Films, Japanese Period Film, Gender and Cinema, Japanese Popular Culture, Authorship, Japanese Horror film, Film and Media Studies, Samurai films, Film Criticism, Cinema Studies, Género, Film and Television Comedy, Anime, Rewriting, Anime Studies, Contemporary Cinema, Reescritura, Comedia, Japanese Cinema, animation, women directors, Japanese culture. Anime and manga., Recepción, Comédia, Contemporary Japanese Cinema, Crítica Cinematográfica, Autoria, Jidaigeki, Teorías de la recepción, Polysystem Theory, Recepción Ficción Audiovisual, Polisistemas, Gender and Film, Cine Japonés, Japanese Horror Cinema, J-horror, Japanese Comedy Films, Teoría de los Polisistemas, Chanbara or Samurai Cinema, Comedia cinematográfica, Cine de animación, Cine Japonés Contemporáneo
Share Embed
Laporkan tautan ini


Descripción

Using the Polysystem Theory as a framework and with the notion of Rewriting as a central concept, this thesis studies the reception of contemporary Japanese cinema in Spain. Originated in a culture that is seen as an otherness, Japanese cinema is relegated to a peripheral position in the hegemonic critical discourse. Within the limited catalog extracted from that national cinema, there are some recurring aspects such as the concept of auteur; period films; horror films; and animation. Two more aspects, generally excluded or underrepresented in film criticism such as gender and the comedy genre, have also been taken under scrutiny. Around these six issues, we propose a critical reflection on the discourses with which the institution of film criticism in Spain rewrites Japanese cinema.
Lihat lebih banyak...

Comentarios

Copyright © 2017 DATOSPDF Inc.