Política de los restos. Modos de hacer comunidad en las prácticas artísticas colectivas argentinas

This paper examines the relationship between art and politics in Argentine contemporary collective arts expressions taking as a starting point the possibility of its connection with the European tradition of post-Nietzschean philosophical thought. In the first place, I introduce the set of ideas that this tradition shares about the community bond and its relationship with the artistic experience. Secondly, I offer a genealogy of Argentine artistic practices that assume a post-fundational scope of politics. Finally, I discuss the "mapping" activity carried out by Iconoclasistas, in order to identify in the "collective map of José León Suárez" (2013) the possibility of collaboration of the "state" with the formation of non-sovereign subjectivities (in this case, the cirujas) in a specific art practice.