PATRIMONIOS CORPORALES ANCESTRALES DEL PUEBLO INDÍGENA ZENÚ. EL CARGAMENTO E’ CASA COMO ESCENARIO DEL MONTUCUY ENTRE BAILES, JUEGOS, PITO ATRAVESAO Y GAITAS

European foray into America made possible a series of adaptations and multiple conjugations everydaypractices that although transformed, they retained their cultural matrix. In the case of Zenú indigenoustown, the montucuy mentioned in documents from the colonial era as ‘boards of palm wine, brandyand chicha they had games and dances with bagpipe music’, has continued serving as source playfulcombinations. The expression ‘montucuy’ obsolescence in Zenú territory, is now streamlined withother names for various daily activities. The montucuy circulates like a corporal ancestral heritage ingames, festivals, dances and ritualidades occurred between atravesao whistle and sounds of bagpipes,musical instruments that harmonize with drums, gouaches and drums. One example is the ritual of“Cargamento e’ casa”, a celebration that strengthens cronyism and solidarity around the physicaleffort, encouraging energy food, beverages and various manifestations of revelry. Loading and ‘houseevokes and summons the playful imagery Zenú as a tribute —legacy— their movements from play,their ancestral forces, the force of the people and the power of solidarity