DRAMSKO STVARALAŠTVO MARIJA VARGASA LJOSE / EL TEATRO DE MARIO VARGAS LLOSA / MARIO VARGAS LLOSA’S THEATRE PLAYS

Bojana Kovačević Petrović Filozofski fakultet Univerziteta u Novom Sadu

DRAMSKO STVARALAŠTVO MARIJA VARGASA LJOSE

Sažetak U ovom radu bavićemo se manje poznatim opusom peruanskog pisca Marija Vargasa Ljose ‒ njegovim dramskim komadima ‒ u nameri da ukažemo na njihov literarni i dramaturški značaj. Vargas Ljosa je svoju književnu karijeru započeo dramom Inkino bekstvo (La huida del Inca) kada je imao petnaest godina, i za to delo je dobio svoje prvo priznanje. Kasnije je napisao još deset pozorišnih komada, šest sa originalnom tematikom (delimično zasnovanom na autobiografskim činjenicama): La señorita de Tacna, Kathie y el hipopótamo, La Chunga, El loco de los balcones, Ojos bonitos, cuadros feos i Al pie del Támesis, i četiri autentične adaptacije velikih književnih dela: La verdad de las mentiras, Odiseo y Penélope, Las mil noches y una noche i Los cuentos de la peste. U radu ćemo sagledati dramski opus Marija Vargasa Ljose u celini, pre svega kroz njegova lična razmišljanja, na osnovu memoara, izjava i intervjua, a potom ćemo detaljnije proučiti lik koji sam pisac izdvaja kao jedinstven u svojoj karijeri, lik Ćunge (La Chunga), o čijem nastanku i razvoju nam je Mario Vargas Ljosa napisao objašnjenje namenski za ovaj rad. Takođe ćemo imati uvid i u (još uvek sporadične) naučne radove koji se bave tim segmentom Vargas Ljosine književnosti, kao i u teatarske produkcije u Španiji, Latinskoj Americi i Srbiji nastale na osnovu pozorišnih komada peruanskog nobelovca.

Ključne reči: Mario Vargas Ljosa, drama, pozorište, književnost, Ćunga

MARIO VARGAS LLOSA’S THEATRE PLAYS

Summary

In this paper we shall investigate a less known part of the opus of famous Peruvian writer Mario Vargas Llosa ‒ his theatre plays ‒ in order to point out their literary and dramaturgical significance. Vargas Llosa has started his literary career with a play called La huida del Inca when he was fifteen year old, and for that play he got his first award. Later on, during his career he has written ten more theatre plays, six with original topics (partly based on his autobiographical facts): La señorita de Tacna, Kathie y el hipopótamo, La Chunga, El loco de los balcones, Ojos bonitos, cuadros feos and Al pie del Támesis, and four authentic adaptations of great literature works: La verdad de las mentiras, Odiseo y Penélope, Las mil noches y una noche and Los cuentos de la peste. In this paper we shall perceive dramatic works of Mario Vargas Llosa in general, through his personal reflections, memoirs, statements and interviews, and afterwords we shall offer a detailed study of a character which the writer himself points out as a unique in his career, the character of La Chunga, whose origin and development Mario Vargas Llosa have personally explained for this paper. We shall also have an insight into (still sporadic) academic papers which deal with this segment of Vargas Llosa’s literature, as well as into theatre productions in Spain, Latin America and Serbia based on the plays written by Peruvian Nobel laureate.

Key words: Mario Vargas Llosa, plays, theatre, literature, La Chunga