Performance Studies (Music)

De la sublimation en musique : David et Jonathan selon Charpentier et Handel

Gay And Lesbian Studies / Biblical Studies / Performance Studies (Music) / French Baroque Music / Baroque Music / Baroque opera / G F Handel / 17th Century Music / Theology and Music / Musical dramaturgy / Jesuit education / French Baroque Opera / Marc-Antoine Charpentier / 18th Century Music / King David / Handel / Music-text interactions / Text and Music / Music appreciation and reception history / Oratorio / King Saul (Hebrew Bible) / David and Jonathan / Rhetoric and symbolism in Baroque music / Dramaturgy and Musical Dramaturgy / Lesbian Gay Bisexual Transgender Studies / Music and Theology / Oratoria latina / Baroque opera / G F Handel / 17th Century Music / Theology and Music / Musical dramaturgy / Jesuit education / French Baroque Opera / Marc-Antoine Charpentier / 18th Century Music / King David / Handel / Music-text interactions / Text and Music / Music appreciation and reception history / Oratorio / King Saul (Hebrew Bible) / David and Jonathan / Rhetoric and symbolism in Baroque music / Dramaturgy and Musical Dramaturgy / Lesbian Gay Bisexual Transgender Studies / Music and Theology / Oratoria latina
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