Materials

MOÑIVAS, E. “Sobre la significación de la materia y el cambio de paradigma cultural” en: LOOTZ, Eva. Escultura negativa / Negative sculpture. Madrid: Fundación Arte y Mecenazgo; La Oficina de Arte y Ediciones, 2014, pp. 24-27.

Art Theory / Water / Art and Science / Materials / Arts-sciences interdisciplinarity / Artistic Research / Materiality of Art / Materiality / Arte contemporáneo / Arts and Sciences / Material Culture & Materiality / Art Theory and Criticism / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Escultura Contemporanea / Sculpture-Materiality-Imagination / Water and Art / Imaginación material / Artistic Research / Materiality of Art / Materiality / Arte contemporáneo / Arts and Sciences / Material Culture & Materiality / Art Theory and Criticism / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Escultura Contemporanea / Sculpture-Materiality-Imagination / Water and Art / Imaginación material

Optical Fiber Embedded in Epoxy Glass Unidirectional Fiber Composite System

Engineering / Manufacturing / Materials / CHEMICAL SCIENCES / Optical fiber

Optical Fiber Embedded in Epoxy Glass Unidirectional Fiber Composite System

Engineering / Manufacturing / Materials / CHEMICAL SCIENCES / Optical fiber

MOÑIVAS, E. \"La pintura como lugar de encuentro. Una lectura de las huellas en la materia\". Universidad de Navarra, 2007.

Art History / Contemporary Art / Materials / History of Art / Materiality of Art / Abstract Expressionism / Historia del Arte / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Art Painting Techniques and Materials / Imaginación material / Abstract Expressionism / Historia del Arte / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Art Painting Techniques and Materials / Imaginación material

MOÑIVAS, E. \"El papel de la historia del arte en el paradigma de la planificación transdisciplinar. Líneas metodológicas posibles para el estudio de las técnicas y materiales del arte contemporáneo\". Universidad de Oviedo, 2007.

Art History / Art Theory / Contemporary Art / Cultural Heritage Conservation / Materials / History of Art / Arts-sciences interdisciplinarity / Art and technology / Memory and materiality / Historia del Arte / Materiality / Conservation and Restoration / Arte contemporáneo / Material Culture & Materiality / Materials and Techniques of Artists / Conservation-Restoration of Modern and Contemporary Art / Historia Y Teoría Del Arte / History of Art / Arts-sciences interdisciplinarity / Art and technology / Memory and materiality / Historia del Arte / Materiality / Conservation and Restoration / Arte contemporáneo / Material Culture & Materiality / Materials and Techniques of Artists / Conservation-Restoration of Modern and Contemporary Art / Historia Y Teoría Del Arte

Encapsulation of α-cyano-4-hydroxycinnamic acid into a NaY zeolite

Engineering / Materials Science / Materials / Drug delivery / Colorectal cancer / Cell line / CHEMICAL SCIENCES / Fourier transform infrared spectroscopy / Colon Carcinoma / Anticancer Drug / Nuclear Magnetic Resonance Spectroscopy / Cell line / CHEMICAL SCIENCES / Fourier transform infrared spectroscopy / Colon Carcinoma / Anticancer Drug / Nuclear Magnetic Resonance Spectroscopy

MOÑIVAS, E. “Narrativas fluidas. El agua como presencia material en las artes plásticas contemporáneas” en: Dept. Història de l\'Art i CEHA-Comité Español de Historiadores del Arte (coords.). CEHA, XVII Congrés Nacional d´História de l´art. Art i Memóri. Granada: Editorial Atrio, 2012, pp. 249-263.

Aesthetics / Art History / Art Theory / Research Methodology / Water / Contemporary Art / Gaston Bachelard / Materials / History of Art / Art and technology / Materiality of Art / Memory and materiality / Fluids / New Materialism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Material Culture & Materiality / New Materialisms / Estética, Teoría del Arte, Fenomenología / Andre Leroi-Gourhan / Materials and Techniques of Artists / Material Imagination / Phenomenology and the Artistic Process / Water and Art / Agua y arte / Contemporary Art / Gaston Bachelard / Materials / History of Art / Art and technology / Materiality of Art / Memory and materiality / Fluids / New Materialism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Material Culture & Materiality / New Materialisms / Estética, Teoría del Arte, Fenomenología / Andre Leroi-Gourhan / Materials and Techniques of Artists / Material Imagination / Phenomenology and the Artistic Process / Water and Art / Agua y arte

Nanocomposite polymer electrolyte membranes based on poly(vinylphosphonic acid)/TiO2 nanoparticles

Engineering / Materials Engineering / Mechanical Engineering / Condensed Matter Physics / Materials / CHEMICAL SCIENCES / Power Sources / CHEMICAL SCIENCES / Power Sources
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