Films

Seminario Cultura, Salud y Cine: I Encuentro Interdisciplinario

Cultural Studies / Pedagogy / Cinema Studies / Films / Health and Social Care

Experiencias encarnadas. Representaciones audiovisuales de madre(s) y maternidad(es).

Medical Anthropology / Cinema / Ideologies of Motherhood / Films / Motherhood

Supervillanos muy reales: el uso político del villano en la trilogía de \"El Caballero Oscuro\" de Christopher Nolan

Visual propaganda / Media Studies / Film Studies / Film Analysis / Propaganda / Political Violence and Terrorism / Political communication / Film and Media Studies / Films / War Propaganda / Christopher Nolan / The Dark Knight / Political Violence and Terrorism / Political communication / Film and Media Studies / Films / War Propaganda / Christopher Nolan / The Dark Knight

Paradigmas en la vejez: homogeneización y transiciones cinematográficas

Diversity / Aging / Homogenization / Paradigms / Films / Envejecimiento / DIVERSIDAD / Peliculas / Paradigmas / Homogeneización / Envejecimiento / DIVERSIDAD / Peliculas / Paradigmas / Homogeneización

MUJERES Y CINE

Semiotics / Gender Studies / Uruguay / Cinema Studies / Films

(2016) Mención en «El arte en los confines»: días de debates e intercambios».

Translation Studies / Japanese Anime / Translation theory / Manga and Anime Studies / Translation and Interpretation / Yaoi and Shojo Manga/Anime / Translation / Videogames / Audiovisual Translation / Otaku studies / Traducción / Films / Traduction / Anime / Anime and Manga Youth Culture / Anime Studies / Fansubbing / Traduction audiovisuelle / Otaku culture / LOS OTAKUS Y EL ANIME / Traducción e interpretación / Japanese culture. Anime and manga. / Histoire de la traduction / Satoshi Kon / Otaku / Traducción Audiovisual / Anime History / Teoría De La Traducción / Dessins Animés / Videogames Localisation / Fandubbing / Videogame Translation / Yaoi and Shojo Manga/Anime / Translation / Videogames / Audiovisual Translation / Otaku studies / Traducción / Films / Traduction / Anime / Anime and Manga Youth Culture / Anime Studies / Fansubbing / Traduction audiovisuelle / Otaku culture / LOS OTAKUS Y EL ANIME / Traducción e interpretación / Japanese culture. Anime and manga. / Histoire de la traduction / Satoshi Kon / Otaku / Traducción Audiovisual / Anime History / Teoría De La Traducción / Dessins Animés / Videogames Localisation / Fandubbing / Videogame Translation

En busca del conflicto y personaje

Cinema / Movies / Films / Escritura De Guion

Moira Fradinger, \"Cuerpos anfibios: metamorfosis y anfientidad sexual en XXY (2007) de Lucía Puenzo\"

History / Cultural History / Sociology / Cultural Studies / Latin American Studies / Gender Studies / Philosophy / Art History / Media and Cultural Studies / Humanities / Cultural Sociology / Sex and Gender / Social Sciences / Latin American and Caribbean History / Art Theory / Human Rights Law / Material Culture Studies / Human Rights / Popular Culture / Contemporary Art / Literature and cinema / Visual Culture / Cultural Theory / Gender and Sexuality / Cultural Psychology / Identity (Culture) / Argentina History / Gender / Culture / Human Rights Education / Argentina / Latin American literature / Latin American History / Cinema / Cultural Anthropology / Visual Arts / Feminist Literary Theory and Gender Studies / Argentine Literature / Literatura Latinoamericana / Estudios de Género / Historia / Sociologia / Cinema Studies / Human Rigths / Latin America / Filosofía / Literatura argentina / Historia Argentina / Derechos Humanos / Films / Argentinean cinema / Género / Violencia De Género / Sociología / Argentine History / Latinoamerica / América Latina / Cine Latinoamericano / Gênero E Sexualidade / Lucrecia Martel / Gênero / Humanidades / Teoría de género y feminismo / Cinema Argentino / Cine Cubano Y Latinoamericano / Cine Argentino / Cinema Latinoamericano / Filme / Ciencias Sociales Y Humanidades / Nuevo Cine Argentino / Nuevo Cine Latinoamericano / Latinoamerican Cinema / #cinema Mundial / Cine latinoamericano y derechos humanos / Gender Studies / Philosophy / Art History / Media and Cultural Studies / Humanities / Cultural Sociology / Sex and Gender / Social Sciences / Latin American and Caribbean History / Art Theory / Human Rights Law / Material Culture Studies / Human Rights / Popular Culture / Contemporary Art / Literature and cinema / Visual Culture / Cultural Theory / Gender and Sexuality / Cultural Psychology / Identity (Culture) / Argentina History / Gender / Culture / Human Rights Education / Argentina / Latin American literature / Latin American History / Cinema / Cultural Anthropology / Visual Arts / Feminist Literary Theory and Gender Studies / Argentine Literature / Literatura Latinoamericana / Estudios de Género / Historia / Sociologia / Cinema Studies / Human Rigths / Latin America / Filosofía / Literatura argentina / Historia Argentina / Derechos Humanos / Films / Argentinean cinema / Género / Violencia De Género / Sociología / Argentine History / Latinoamerica / América Latina / Cine Latinoamericano / Gênero E Sexualidade / Lucrecia Martel / Gênero / Humanidades / Teoría de género y feminismo / Cinema Argentino / Cine Cubano Y Latinoamericano / Cine Argentino / Cinema Latinoamericano / Filme / Ciencias Sociales Y Humanidades / Nuevo Cine Argentino / Nuevo Cine Latinoamericano / Latinoamerican Cinema / #cinema Mundial / Cine latinoamericano y derechos humanos

[Artículo] La representación del fotoperiodista en el cine del siglo XX: fotógrafos en lugares de conflictos y sensacionalistas

Content Analysis / 20th Century / Filmaking / Films / siglo XX / Peliculas / Análisis De Contenido / Journalistic Identity / Identidad Periodística / Eduki Analisia / XX / Fotoperiodistas / Fotokazetariak / mendea / kazetariaren identitatea / Photojournalists / Peliculas / Análisis De Contenido / Journalistic Identity / Identidad Periodística / Eduki Analisia / XX / Fotoperiodistas / Fotokazetariak / mendea / kazetariaren identitatea / Photojournalists

No existe el estilo de terror japones, es sólo un mito propagandistico. Un análisis sobre la película “The Ring”. ISSN1003-854X 没有“日本恐怖电影”这种 类型 关于 《午夜凶铃》 的电影分析 (乔西 复旦大学博士论文)

Asian Studies / Japanese Studies / Southeast Asian Studies / Film Studies / Film Theory / Chinese Studies / Japanese Language And Culture / Film Analysis / Documentary (Film Studies) / Philosophy of Film / Horror Film / Japanese Cinema / Asian Film / Japanese Film / Asian-American Film / Gothic Fiction and the horror film / Japanese Period Film / Horror Cinema / Documentary Film / Film Aesthetics / Film / Asian Horror Film / Japanese Horror film / Film and Media Studies / Asian Film Studies / Horror Literature / Horror films / Films / Horror Studies / The Fantastic in Modern East Asian Literature and Film / East Asian Film and Visual Studies / Horror / South Asian Studies, Urban Studies, Film and History / Gothic, female Gothic, Gothic in literature, the Gothic as a subculture, the fantastic, horror, the vampire figure in literature and film, the femme fatale, feminist readings of vampire narratives / Fashion in Japanese Movies / Watching movies / Chinese Language Media and Film East Asian Popular Culture Stardom and Celebrity Culture, Mediasphere in Shanghai, New Urban Culture in Postsocialist China / South Asian Film Studies / Japanese film history / Post-war Japanese Cinema / Asian Horror Movie / Japanese Horror Cinema / Japanese cinema and visual culture / Films Maker. Japanese Cinema / East Asian Film Festival / 复旦大学文章 / 复旦大学新闻系 / Jossalberto / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / 复旦大学影视文学 / Chinese Studies / Japanese Language And Culture / Film Analysis / Documentary (Film Studies) / Philosophy of Film / Horror Film / Japanese Cinema / Asian Film / Japanese Film / Asian-American Film / Gothic Fiction and the horror film / Japanese Period Film / Horror Cinema / Documentary Film / Film Aesthetics / Film / Asian Horror Film / Japanese Horror film / Film and Media Studies / Asian Film Studies / Horror Literature / Horror films / Films / Horror Studies / The Fantastic in Modern East Asian Literature and Film / East Asian Film and Visual Studies / Horror / South Asian Studies, Urban Studies, Film and History / Gothic, female Gothic, Gothic in literature, the Gothic as a subculture, the fantastic, horror, the vampire figure in literature and film, the femme fatale, feminist readings of vampire narratives / Fashion in Japanese Movies / Watching movies / Chinese Language Media and Film East Asian Popular Culture Stardom and Celebrity Culture, Mediasphere in Shanghai, New Urban Culture in Postsocialist China / South Asian Film Studies / Japanese film history / Post-war Japanese Cinema / Asian Horror Movie / Japanese Horror Cinema / Japanese cinema and visual culture / Films Maker. Japanese Cinema / East Asian Film Festival / 复旦大学文章 / 复旦大学新闻系 / Jossalberto / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / 复旦大学影视文学

Primer Cortometraje Mexicano en China, Introducción del Halloween a China y una breve introducción a los Medios Visuales Chinos (Celaya , Gto, 2 de Septiembre del 2015)

Asian Studies / Southeast Asian Studies / Film Theory and Practice / Film Studies / Film Theory / Literature and cinema / Film Analysis / Documentary (Film Studies) / South Asian Studies / National Cinemas / Thin Films and Coatings / Philosophy of Film / Latin-American Film / Film Genre / South Asia / Horror Film / Southeast Asia / Theater and film / Film Adaptation / East Asian Studies / Film-Philosophy / Politics and Film / Science Fiction Film / China / Asian Film / Asian-American Film / Film History / Film Semiotics / Gothic Fiction and the horror film / East Asian Cinema / Film and History / Southeast Asian Cinema / Horror Cinema / Cinema / Film and Philosophy / Women in Horror Films / China studies / Central Asia / Documentary Film / Contemporary China / Film Aesthetics / Experimental Film / Film / Cinematography / Film and Media Studies / Asian Cinema / Mexican Cinema / Cinema Studies / South Asian Cinema / Horror Literature / Horror films / Films / Film Editing / Thin Film / Horror Studies / Escuela de Bellas Artes / Horror / Halloween / Gothic and horror writing / Indian Cinema, Bollywood, Film Studies, South Asia, Media / Mexicans in Cinema / Central Asian Cinema / Film in China / UNAM / Asian Horror Cinema / Cine Mexicano / Facultad de Bellas Artes / Bellas Artes / Cinema and Television / Chinese Language Media and Film East Asian Popular Culture Stardom and Celebrity Culture, Mediasphere in Shanghai, New Urban Culture in Postsocialist China / Asian cinemas / 新闻 / 新闻传播 / South Asian Film Studies / Filmography / 电影 / Flm Studies / Cinematografía Mexicana / Film Industry and China / Instituto Nacional De Bellas Artes / History of Halloween / literature of Halloween / 中国电影 / 新闻传播史 / Facultad de Filosofía y Letras UNAM / 复旦大学文章 / 复旦大学新闻系 / 国际新闻 / 中国新闻 / Jossalberto / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / filmografía china / História de la filmografía China / 影视文学 / 影视文学研究 / 复旦大学影视文学 / 《毕业血礼》 / 《毕业血礼》电影 / 毕业血礼电影 / 中国微电影 / 恐怖电影 / 惊悚电影 / 中国惊悚电影 / ULSAB / UNAM cine / Literature and cinema / Film Analysis / Documentary (Film Studies) / South Asian Studies / National Cinemas / Thin Films and Coatings / Philosophy of Film / Latin-American Film / Film Genre / South Asia / Horror Film / Southeast Asia / Theater and film / Film Adaptation / East Asian Studies / Film-Philosophy / Politics and Film / Science Fiction Film / China / Asian Film / Asian-American Film / Film History / Film Semiotics / Gothic Fiction and the horror film / East Asian Cinema / Film and History / Southeast Asian Cinema / Horror Cinema / Cinema / Film and Philosophy / Women in Horror Films / China studies / Central Asia / Documentary Film / Contemporary China / Film Aesthetics / Experimental Film / Film / Cinematography / Film and Media Studies / Asian Cinema / Mexican Cinema / Cinema Studies / South Asian Cinema / Horror Literature / Horror films / Films / Film Editing / Thin Film / Horror Studies / Escuela de Bellas Artes / Horror / Halloween / Gothic and horror writing / Indian Cinema, Bollywood, Film Studies, South Asia, Media / Mexicans in Cinema / Central Asian Cinema / Film in China / UNAM / Asian Horror Cinema / Cine Mexicano / Facultad de Bellas Artes / Bellas Artes / Cinema and Television / Chinese Language Media and Film East Asian Popular Culture Stardom and Celebrity Culture, Mediasphere in Shanghai, New Urban Culture in Postsocialist China / Asian cinemas / 新闻 / 新闻传播 / South Asian Film Studies / Filmography / 电影 / Flm Studies / Cinematografía Mexicana / Film Industry and China / Instituto Nacional De Bellas Artes / History of Halloween / literature of Halloween / 中国电影 / 新闻传播史 / Facultad de Filosofía y Letras UNAM / 复旦大学文章 / 复旦大学新闻系 / 国际新闻 / 中国新闻 / Jossalberto / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / filmografía china / História de la filmografía China / 影视文学 / 影视文学研究 / 复旦大学影视文学 / 《毕业血礼》 / 《毕业血礼》电影 / 毕业血礼电影 / 中国微电影 / 恐怖电影 / 惊悚电影 / 中国惊悚电影 / ULSAB / UNAM cine

Primer cortometraje mexicano en China, Introducción del Halloween a China y una breve introducción a los medios visuales chinos. En la Preparatoria Oficial de Celaya. 2015-11-24 (Jossalberto Briceno) 乔西 复旦大学 电影博士论文

Asian Studies / Southeast Asian Studies / Film Theory and Practice / Film Studies / Film Theory / Chinese Studies / Mexican Studies / Film Music And Sound / Literature and cinema / Film Analysis / Documentary (Film Studies) / South Asian Studies / Cinematics / Digital Cinema / Philosophy of Film / Chicano (Mexican-American) Film Studies / Film Genre / Horror Film / Central Asian Studies / Southeast Asia / Theater and film / Film Adaptation / East Asian Studies / Chinese Art / Film-Philosophy / Chinese Language and Culture / China / Asian Film / Mainland Chinese Film / Asian-American Film / Film History / China Going Global / Film Semiotics / Gothic Fiction and the horror film / Film and History / Horror Cinema / Cinema / Women in Horror Films / China studies / Documentary Film / Contemporary China / Film Aesthetics / Chinese literature / Short Films / Experimental Film / Film / Japanese Horror film / China's foreign policy / Cinematography / Film and Media Studies / Cinema Studies / Asian Film Studies / Chinese film / Horror Literature / Horror films / Conferences / Films / Chinese film study / Guión cinematográfico / Film Editing / Horror Studies / The Fantastic in Modern East Asian Literature and Film / Halloween / Gothic and horror writing / Indian Cinema, Bollywood, Film Studies, South Asia, Media / Producción cinematográfica / 中国 / Cinematic Narrators / Industria cinematográfica / South Asian Music and Dance, Film and Audio Production; Exhibition concept and realisation / Cinematografia / Mexican films / ANALISIS CINEMATOGRAFICO / Cinema and Television / Chinese Language Media and Film East Asian Popular Culture Stardom and Celebrity Culture, Mediasphere in Shanghai, New Urban Culture in Postsocialist China / Short Film Studies / Short Film / 新闻 / 新闻传播 / 电影 / Short Film Director / Mexican Film Studies / Película Cinematográfica / Proceso Cinematográfico / Políticas Cinematográficas / Mexican Film / Adaptación Cinematográfica / 老外在华 / 老外在華 / Halloween Movies / History of Halloween / literature of Halloween / Mexican Film Production / East Asian Film Festival / 中国电影 / 新闻传播史 / 外国记者 / 复旦大学文章 / 复旦大学新闻系 / 国际新闻 / 中国新闻 / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / 影视文学 / 影视文学研究 / 复旦大学影视文学 / 《毕业血礼》 / 《毕业血礼》电影 / 毕业血礼电影 / 中国微电影 / 浙江大学 / 外国人在中国 / 外国导演 / 恐怖电影 / 惊悚电影 / 中国惊悚电影 / China Halloween / Hallowen in China / 万圣节 / 中国万圣节 / Chinese Studies / Mexican Studies / Film Music And Sound / Literature and cinema / Film Analysis / Documentary (Film Studies) / South Asian Studies / Cinematics / Digital Cinema / Philosophy of Film / Chicano (Mexican-American) Film Studies / Film Genre / Horror Film / Central Asian Studies / Southeast Asia / Theater and film / Film Adaptation / East Asian Studies / Chinese Art / Film-Philosophy / Chinese Language and Culture / China / Asian Film / Mainland Chinese Film / Asian-American Film / Film History / China Going Global / Film Semiotics / Gothic Fiction and the horror film / Film and History / Horror Cinema / Cinema / Women in Horror Films / China studies / Documentary Film / Contemporary China / Film Aesthetics / Chinese literature / Short Films / Experimental Film / Film / Japanese Horror film / China's foreign policy / Cinematography / Film and Media Studies / Cinema Studies / Asian Film Studies / Chinese film / Horror Literature / Horror films / Conferences / Films / Chinese film study / Guión cinematográfico / Film Editing / Horror Studies / The Fantastic in Modern East Asian Literature and Film / Halloween / Gothic and horror writing / Indian Cinema, Bollywood, Film Studies, South Asia, Media / Producción cinematográfica / 中国 / Cinematic Narrators / Industria cinematográfica / South Asian Music and Dance, Film and Audio Production; Exhibition concept and realisation / Cinematografia / Mexican films / ANALISIS CINEMATOGRAFICO / Cinema and Television / Chinese Language Media and Film East Asian Popular Culture Stardom and Celebrity Culture, Mediasphere in Shanghai, New Urban Culture in Postsocialist China / Short Film Studies / Short Film / 新闻 / 新闻传播 / 电影 / Short Film Director / Mexican Film Studies / Película Cinematográfica / Proceso Cinematográfico / Políticas Cinematográficas / Mexican Film / Adaptación Cinematográfica / 老外在华 / 老外在華 / Halloween Movies / History of Halloween / literature of Halloween / Mexican Film Production / East Asian Film Festival / 中国电影 / 新闻传播史 / 外国记者 / 复旦大学文章 / 复旦大学新闻系 / 国际新闻 / 中国新闻 / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / 影视文学 / 影视文学研究 / 复旦大学影视文学 / 《毕业血礼》 / 《毕业血礼》电影 / 毕业血礼电影 / 中国微电影 / 浙江大学 / 外国人在中国 / 外国导演 / 恐怖电影 / 惊悚电影 / 中国惊悚电影 / China Halloween / Hallowen in China / 万圣节 / 中国万圣节

Cómo hacer un Cortometraje en China.11-04-2006 CONFERENCE. La Universidad de Nanjing, China (Jossalberto Briceno Saenz) 乔西 复旦大学博士

Asian Studies / Chinese Philosophy / Southeast Asian Studies / Film Studies / Film Theory / Chinese Studies / Literature and cinema / Film Analysis / Documentary (Film Studies) / Philosophy of Film / Film Genre / Horror Film / Film Adaptation / Chinese Art / Chinese Language and Culture / China / Asian Film / Asian-American Film / Film History / Chinese foreign policy / Horror Cinema / Cinema / Chinese Cinema / Documentary Film / Chinese history (History) / Short Films / Latin American Cinema / Film / Cinematography / Film and Media Studies / Transnational Cinema / Cinema Studies / Digital Cinematography / Films / Guión cinematográfico / Film Editing / East Asian Film and Visual Studies / Industria cinematográfica / Cinematografia / Cinema and Television / Short Film Studies / Chiinese literature / Asian Pacific Island Films / Cinematographic Adaptation / Films In Management Classroom / Película Cinematográfica / Proceso Cinematográfico / Essays on Cinematography / Adaptación Cinematográfica / Laowai In Chinese Culture / Nanjing / 复旦大学文章 / 复旦大学新闻系 / Jossalberto / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / 影视文学 / 影视文学研究 / 复旦大学影视文学 / 南京大学 / Chinese Studies / Literature and cinema / Film Analysis / Documentary (Film Studies) / Philosophy of Film / Film Genre / Horror Film / Film Adaptation / Chinese Art / Chinese Language and Culture / China / Asian Film / Asian-American Film / Film History / Chinese foreign policy / Horror Cinema / Cinema / Chinese Cinema / Documentary Film / Chinese history (History) / Short Films / Latin American Cinema / Film / Cinematography / Film and Media Studies / Transnational Cinema / Cinema Studies / Digital Cinematography / Films / Guión cinematográfico / Film Editing / East Asian Film and Visual Studies / Industria cinematográfica / Cinematografia / Cinema and Television / Short Film Studies / Chiinese literature / Asian Pacific Island Films / Cinematographic Adaptation / Films In Management Classroom / Película Cinematográfica / Proceso Cinematográfico / Essays on Cinematography / Adaptación Cinematográfica / Laowai In Chinese Culture / Nanjing / 复旦大学文章 / 复旦大学新闻系 / Jossalberto / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / 影视文学 / 影视文学研究 / 复旦大学影视文学 / 南京大学
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