Una iconografía del ojo en Un chien andalou

September 5, 2017 | Autor: A. Clariana Rodagut | Categoría: Aesthetics, Avant-Garde Cinema, Art Theory, Models of Creativity & of Creative Processes, Film Theory, Surrealism, Antonin Artaud, Imagination, Cinema, Avant-Garde, Film Aesthetics, Dreams, Dada In Europe & New York (Man Ray & M. Duchamp), 20th century Avant-Garde, Spontaneity, Rosalind Krauss, André Breton, Jean Epstein, Luis Buñuel, Interiority, Vision, Henry Corbin, French Avant-Garde, Hallucinations, Misticism, Apollinaire, Surrealist Art Theory (A. Breton, M. Ernst, Man Ray)., European Avant Garde, Dadaism & Surrealism, Surrealism and film, Jean Cocteau, Imaginación, Eye, Mística, Guillaume Apollinaire, MISTICISMO, Jacques Prévert, Creative Imagination, Man Ray, Surrealismo, Vanguardia, Vision and Visuality, Surrealismos, Cirlot, Ceguera, Ojo, Marcel Carne, Interioridad, Light Sleep, Surrealism, Antonin Artaud, Imagination, Cinema, Avant-Garde, Film Aesthetics, Dreams, Dada In Europe & New York (Man Ray & M. Duchamp), 20th century Avant-Garde, Spontaneity, Rosalind Krauss, André Breton, Jean Epstein, Luis Buñuel, Interiority, Vision, Henry Corbin, French Avant-Garde, Hallucinations, Misticism, Apollinaire, Surrealist Art Theory (A. Breton, M. Ernst, Man Ray)., European Avant Garde, Dadaism & Surrealism, Surrealism and film, Jean Cocteau, Imaginación, Eye, Mística, Guillaume Apollinaire, MISTICISMO, Jacques Prévert, Creative Imagination, Man Ray, Surrealismo, Vanguardia, Vision and Visuality, Surrealismos, Cirlot, Ceguera, Ojo, Marcel Carne, Interioridad, Light Sleep