Identificación de la imagen titular del antiguo retablo mayor del monasterio de Veruela. 1540-1544

May 26, 2017 | Autor: J. Ibáñez Fernández | Categoría: Art History, Renaissance, Renaissance Art, History of Sculpture, Sculpture, History of Art, Cistercians, Medieval Crown of Aragon, Spanish Art, ESCULTURA, Historia del Arte, Cistercian Studies, 16th and 17th-century Spanish art and architecture, Retable Art, Renacimiento, Scultura, Spanish Renaissance and Baroque Art, ARTES PLÁSTICAS, ESCULTURA, Arte Del Renacimiento, Early Reinassance Wooden Sculpture, Medieval Monasteries, Wooden sculptures, Art and Art History, Sculptural polychromy, Dissolution of Monasteries, Monasterios, Cistercian monasteries, Wooden Sculpture, Crown of Aragon, Altars and Wooden Sculpyure, Retablos, Veruela, Monasterio De Veruela, Early Renaissance Wooden Sculpture, Virgen María, Reinassance Wooden Sculpture, Moncayo, Escultura policromada, Escultura española del siglo XVI, Escultura del siglo XVI en España, History of Art, Cistercians, Medieval Crown of Aragon, Spanish Art, ESCULTURA, Historia del Arte, Cistercian Studies, 16th and 17th-century Spanish art and architecture, Retable Art, Renacimiento, Scultura, Spanish Renaissance and Baroque Art, ARTES PLÁSTICAS, ESCULTURA, Arte Del Renacimiento, Early Reinassance Wooden Sculpture, Medieval Monasteries, Wooden sculptures, Art and Art History, Sculptural polychromy, Dissolution of Monasteries, Monasterios, Cistercian monasteries, Wooden Sculpture, Crown of Aragon, Altars and Wooden Sculpyure, Retablos, Veruela, Monasterio De Veruela, Early Renaissance Wooden Sculpture, Virgen María, Reinassance Wooden Sculpture, Moncayo, Escultura policromada, Escultura española del siglo XVI, Escultura del siglo XVI en España

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