Hiperencuadre/Hiperrelato: Apuntes para una narratologia del film postclásico

May 24, 2017 | Autor: J. Palao Errando | Categoría: Film Studies, Narrative, Intermediality, Film Analysis, Narratology, Intermediality In Cinema, Narrative Analysis, Narrative Theory, Digital Storytelling, Visual Narratology, Contemporary Hollywood, David Lynch, Mise en abyme - Theory, Hollywood, Narrativity, Switching, Non linear narratives, Narratología, New Hollywood Cinema, Memento Mori, Interactive cinema, Christopher Nolan, Mind-Game Films, Posclassical Cinema, Postclassical Films, Puzzle Films, Postclassical Cinema, Cine Posclásico, Cine Postclásico, Hipernúcleo, Hipercatálisis, Análisis Estructural Del Relato, Narratividad, Hpertexto, Not Linear Narratives, Intermediality In Cinema, Narrative Analysis, Narrative Theory, Digital Storytelling, Visual Narratology, Contemporary Hollywood, David Lynch, Mise en abyme - Theory, Hollywood, Narrativity, Switching, Non linear narratives, Narratología, New Hollywood Cinema, Memento Mori, Interactive cinema, Christopher Nolan, Mind-Game Films, Posclassical Cinema, Postclassical Films, Puzzle Films, Postclassical Cinema, Cine Posclásico, Cine Postclásico, Hipernúcleo, Hipercatálisis, Análisis Estructural Del Relato, Narratividad, Hpertexto, Not Linear Narratives

Laporkan tautan ini

Descripción

Lihat lebih banyak...

Comentarios

Copyright © 2017 DATOSPDF Inc.