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Florence Olivier, \"De algunos usos de la fotografía en la literatura hispanoamericana contemporánea\"

May 27, 2017 | Autor: C. de Literatura | Categoría: Cultural History, Cultural Studies, Sociology of Culture, Latin American Studies, Comparative Literature, Anthropology, Philosophy, Literacy, Visual Studies, Art History, Visual Anthropology, Media and Cultural Studies, Humanities, Cultural Sociology, Image Processing, Art, Social Sciences, Latin American and Caribbean History, Art Theory, Photography, Cultural Heritage, Literature, Material Culture Studies, Popular Culture, Contemporary Art, Literature and cinema, Visual Culture, Social and Cultural Anthropology, Literary Criticism, Cultural Semiotics, Cultural Theory, Identity (Culture), Philosophy of Art, Culture, Autobiography, Literary Theory, Cross-Cultural Studies, Culture Studies, Photography Theory, Visual Communication, Latin American literature, History of Art, Latin American History, History of photography, Memoir and Autobiography, Cultural Anthropology, Autobiographical Theory, Autobiographical Self-Representation, Visual Arts, Autobiographical Memory, Autobiographical Theatre and Performance, Visual Autobiography, Autofiction, Literatura Latinoamericana, Fine Arts, Estudios Culturales, Simulation, Literatura, Philosophie, Latin America, Estudios Visuales, Filosofía, Autobiographical Writing, FOTOGRAPHY, Mental Imagery, Fotográfia, Artes, Historia del Arte, Autobiography and Biography, Imagen, Estudios Latinoamericanos, Baudrillard, Simulation & Simulacra, Reality Television, Simulation & Simulacra, Historia de la fotografía, Fotografía, Fotoğraf, Fotografia, Latinoamerica, América Latina, Autobiografia, Estudios de artes visuales, Autobiography and lifewriting studies, Autobiography and life writing studies, Arte Contemporânea E Historia E Teoria Da Fotografia, Humanidades, Fotografia Y Arte, AUTOBIOGRAPHIE, Autobiographical Narrative Interview, Simulacro, Simulacrum, Autobiography and History, Estudios Culturales Latinoamericanos, Self-Fiction, Simulacra, Fotografi, Simulacra in Art, Simulacra and Simulation, Autobiographies, Autoficción, Autofictional/autobiographical Writing, Autoficción En Latinoamérica, Filosofia, Fotofoto, Anthropology, Philosophy, Literacy, Visual Studies, Art History, Visual Anthropology, Media and Cultural Studies, Humanities, Cultural Sociology, Image Processing, Art, Social Sciences, Latin American and Caribbean History, Art Theory, Photography, Cultural Heritage, Literature, Material Culture Studies, Popular Culture, Contemporary Art, Literature and cinema, Visual Culture, Social and Cultural Anthropology, Literary Criticism, Cultural Semiotics, Cultural Theory, Identity (Culture), Philosophy of Art, Culture, Autobiography, Literary Theory, Cross-Cultural Studies, Culture Studies, Photography Theory, Visual Communication, Latin American literature, History of Art, Latin American History, History of photography, Memoir and Autobiography, Cultural Anthropology, Autobiographical Theory, Autobiographical Self-Representation, Visual Arts, Autobiographical Memory, Autobiographical Theatre and Performance, Visual Autobiography, Autofiction, Literatura Latinoamericana, Fine Arts, Estudios Culturales, Simulation, Literatura, Philosophie, Latin America, Estudios Visuales, Filosofía, Autobiographical Writing, FOTOGRAPHY, Mental Imagery, Fotográfia, Artes, Historia del Arte, Autobiography and Biography, Imagen, Estudios Latinoamericanos, Baudrillard, Simulation & Simulacra, Reality Television, Simulation & Simulacra, Historia de la fotografía, Fotografía, Fotoğraf, Fotografia, Latinoamerica, América Latina, Autobiografia, Estudios de artes visuales, Autobiography and lifewriting studies, Autobiography and life writing studies, Arte Contemporânea E Historia E Teoria Da Fotografia, Humanidades, Fotografia Y Arte, AUTOBIOGRAPHIE, Autobiographical Narrative Interview, Simulacro, Simulacrum, Autobiography and History, Estudios Culturales Latinoamericanos, Self-Fiction, Simulacra, Fotografi, Simulacra in Art, Simulacra and Simulation, Autobiographies, Autoficción, Autofictional/autobiographical Writing, Autoficción En Latinoamérica, Filosofia, Fotofoto
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Descripción

A la hora de la desmaterialización de la imagen fotográfica digital, ¿cómo y con qué renovados propósitos insertan fotografías impresas en sus ficciones y ensayos ciertos escritores latinoamericanos? Como breve muestrario de algunos usos de la fotografía en la actual literatura hispanoamericana, se aborda en esta contribución la porosa frontera entre documentación y construcción ficcional, y en especial el irónico cuestionamiento de la identidad del autor, en obras de Alan Pauls, Jorge Volpi y Mario Bellatin.
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