El puño suena igual en todo el mundo: cantando el abuso doméstico en México y Tanzania

September 6, 2017 | Autor: Aaron L. Rosenberg | Categoría: Cultural Studies, African Studies, Comparative Literature, Gender Studies, Popular Music Studies, Feminist Theory, Spanish, Domestic Violence, Violence, Violence & Media, Mexican Studies, Popular Culture, Postcolonial Studies, Cultural Theory, Africa, Sexual Violence, Gender and Sexuality, Violence Prevention, Judith Butler, Violence Against Women, Postcolonial Feminism, Gender and Development, Swahili, Postcolonial Theory, Tanzanian Studies, Postcolonial Literature, Gender And Violence, Tanzania, Postmodernism (Literature), Postmodern Literary Theory and Popular Culture, Swahili (Languages And Linguistics), Mexico, Intimate Partner Violence, Judith Butler - Naturalization -performing gender as an 'act', Musica, Sexual and Gender-Based Violence, Música, Songs, Dr. Remmy Ongala, Swahili Literature, Astrid Hadad, Feminist Theory, Spanish, Domestic Violence, Violence, Violence & Media, Mexican Studies, Popular Culture, Postcolonial Studies, Cultural Theory, Africa, Sexual Violence, Gender and Sexuality, Violence Prevention, Judith Butler, Violence Against Women, Postcolonial Feminism, Gender and Development, Swahili, Postcolonial Theory, Tanzanian Studies, Postcolonial Literature, Gender And Violence, Tanzania, Postmodernism (Literature), Postmodern Literary Theory and Popular Culture, Swahili (Languages And Linguistics), Mexico, Intimate Partner Violence, Judith Butler - Naturalization -performing gender as an 'act', Musica, Sexual and Gender-Based Violence, Música, Songs, Dr. Remmy Ongala, Swahili Literature, Astrid Hadad