Spanish Cinema

RAÚL RUIZ: CINE Y ONTOLOGÍA DE LO FANTÁSTICO. TERRITORIOS, POLÍTICAS ESTÉTICAS Y POLISEMIA VISUAL

Critical Theory / Sociology / Cultural Studies / Media Sociology / Political Sociology / Social Theory / Sociology of Culture / Visual Sociology / Psychology / Cognitive Psychology / Psychoanalysis / Social Psychology / Optics / Musical Composition / Game Theory / Anthropology / Philosophy / Philosophy of Mind / Philosophy Of Language / Political Philosophy / Ethics / Visual Studies / Art History / Visual Anthropology / Performing Arts / Theatre Studies / Social Anthropology / Cultural Sociology / Design / Art / Theatre History / Architecture / Art Theory / Visualization / Film Studies / Film Theory / French Cinema / European Cinema / Literature / Existential Phenomenological Psychotherapy / Film Music And Sound / Narrative / Postdramatic theatre / Sociology of Crime and Deviance / Sociology of Knowledge / Contemporary Art / Literature and cinema / Visual Culture / Dramaturgy / Film Analysis / Educational Psychology / Documentary (Film Studies) / Political Anthropology / Social and 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Contemporary Art / Literature and cinema / Visual Culture / Dramaturgy / Film Analysis / Educational Psychology / Documentary (Film Studies) / Political Anthropology / Social and Cultural Anthropology / Poetry / Arts Education / Cultural Theory / Visual Semiotics / Mass Communication / Digital Cinema / Graphic Design / Hermeneutics / Phenomenology / Philosophy of Film / Philosophy of Art / Visual perception / Performance Art / Continental Philosophy / Spanish Cinema / Media Arts / Product Design / Scenography / Poetics / Culture / Theater and film / Literary Theory / Film Adaptation / Theory of the Novel / Anthropology Of Art / Narrative Methods / Social Media / Sociology of Arts / Translation of Poetry / Franciscan Studies / Visual Communication / Francophone Literature / Film History / Modern Poetry / History of Art / Literature and Visual Arts / Architectural Theory / Hermeneutics and Narrative / Narrative and Identity / Decorative Arts / Arts / Scenario planning / Moral Philosophy 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Peliculas / Artes Visuais / Festival de Cinema / Cahiers du cinema / Filosofía y Letras -UANL / Cinema Theory / Cinema and Television / Artes visuales / Adolfo Vasquez Rocca / Theories of Mass Communication / Tecnologias da Informação e da Comunicação (TIC) na Educação / Poética Y Retórica / Festival De Cine Cannes / Película Cinematográfica / Visual Anthropology and Sociology / Filosofia / Teoría Del Conflicto Central / Polisemia

Convocatoria del Congreso Internacional \"Transiciones\". De la dictadura a la democracia.

Latin American Studies / Spanish Literature / Spanish Studies / Spanish / Latin American and Caribbean History / Spanish Literature (Peninsular) / Spanish Cinema / Central European history / Spanish History / Spanish Linguistics / Latin American literature / Latin American History / Latin American Cinema / Contemporary History of Spain / Central and Eastern Europe / Latin America / Spanish Literature (Peninsular) / Spanish Cinema / Central European history / Spanish History / Spanish Linguistics / Latin American literature / Latin American History / Latin American Cinema / Contemporary History of Spain / Central and Eastern Europe / Latin America

Il corpo filmico di Francisco Franco: Franco, ese hombre e Caudillo, in Memoria histórica y cine documental [Actas del IV Congreso Internacional de Historia y Cine - Universidad de Barcelona, 3-5 de septiembre de 2014], Edicions de la Universitat de Barcelona, Barcelona, 2015, pp. 435-444

Film Analysis / Spanish Cinema / Contemporary Spanish History / Film Aesthetics / Spain (History) / Contemporary History of Spain / Spain / Francoism / Franquismo / Cinema and History / Historia Contemporánea de España / Cinema During Francoism / Basilio Martín Patino / Francisco Franco / Anti-Francoism / Cultura Y Sociedad Durante El Franquismo / José Luis Sáenz de Heredia / Contemporary History of Spain / Spain / Francoism / Franquismo / Cinema and History / Historia Contemporánea de España / Cinema During Francoism / Basilio Martín Patino / Francisco Franco / Anti-Francoism / Cultura Y Sociedad Durante El Franquismo / José Luis Sáenz de Heredia

Cuestión de imagen: cine y Marca España (2015)

Spanish Cinema / Nation Branding / Pedro Almodóvar / Cine Español / Marca País

La marca Asturias en el cine español: de Volver a empezar a Vicky Cristina Barcelona

Spanish Cinema / Nation Branding / Asturias / Asturian History / Cine Español / Marca País / Marca España / Marca País / Marca España

Val del Omar. Más allá de la órbita terrestre

Spanish Cinema / Film History / Experimental Cinema

\'LOS MOTIVOS DE BERTA\' (JOSÉ LUIS GUERIN, 1983/84): CRÓNICA DE UN FILM REENCONTRADO

Semiotics / Film Studies / European Cinema / Literature and cinema / Spanish Cinema / Cinema / Spanish cinema (Film Studies) / Film and Media Studies / Cinema Studies / Transtextuality / Cine / History of Spanish Cinema / Semiótica / Semiotica / Semiotica del visivo / Cine Español / Transtextualidad / Media and Film Studies / Semiotica Del Cinema / José Luis Guerín / Historia del Cine Español / Semántica del paisaje / Los motivos de Berta / Cinema / Spanish cinema (Film Studies) / Film and Media Studies / Cinema Studies / Transtextuality / Cine / History of Spanish Cinema / Semiótica / Semiotica / Semiotica del visivo / Cine Español / Transtextualidad / Media and Film Studies / Semiotica Del Cinema / José Luis Guerín / Historia del Cine Español / Semántica del paisaje / Los motivos de Berta

Cines del yo: el documental autoficcional contemporáneo español

Film Studies / Spanish Cinema / Documentary Film / Autofiction / Autoficción / Le Cinéma-autofiction

\"Nueve Cartas a Berta\" o la confirmación del no lugar del intelectual en España: de la Generación del 98 al Franquismo, de Baroja y Martínez Ruiz (Azorín) a Patino

Intellectual History / Spanish Literature / Philosophy / Literature / Literature and cinema / Spanish Cinema / Friedrich Nietzsche / Schopenhauer / The Sixties / Cinema / Spanish Civil War / Documentary Film / Spain (History) / Spanish cinema (Film Studies) / Spain / Nouvelle Vague / Cinema Studies / Franquismo / History of Spanish Cinema / Pio Baroja / Generacion Del 98 / Salamanca / Camino de perfección / Censura durante el franquismo / Basilio Martín Patino / Anti-intelectualismo / Prerrafaelismo y literatura española del 98 / Student / Nietzsche Voluntad De Poder / Neorrealismo / Azorín / Nuevo Cine Español (NCE) / Spanish Cinema / Friedrich Nietzsche / Schopenhauer / The Sixties / Cinema / Spanish Civil War / Documentary Film / Spain (History) / Spanish cinema (Film Studies) / Spain / Nouvelle Vague / Cinema Studies / Franquismo / History of Spanish Cinema / Pio Baroja / Generacion Del 98 / Salamanca / Camino de perfección / Censura durante el franquismo / Basilio Martín Patino / Anti-intelectualismo / Prerrafaelismo y literatura española del 98 / Student / Nietzsche Voluntad De Poder / Neorrealismo / Azorín / Nuevo Cine Español (NCE)

Marcelino Pan y Vino. Algunas relaciones con la religiosidad medieval

Literature and cinema / Spanish Cinema / Cinema Studies / History of Spanish Cinema / San Francisco De Asís / Historia Del Arte Y Cine / Ladislao Vajda / Historia del Cine Español / Cinema and Religion / Historia Del Arte Y Cine / Ladislao Vajda / Historia del Cine Español / Cinema and Religion

Un moderno inevitable. Antonioni en la cultura cinematográfica española (1961-1970)

Film Studies / Spanish Cinema / Film History / Michelangelo Antonioni / Film Culture

Ana Mariscal, una mujer directora de cine bajo el franquismo (una aventura de Segundo López, aventurero urbano)

Spanish Cinema / Spanish cinema (Film Studies) / Spanish film / Contemporary Spanish Literature and Film / Cine Español / Cine De Mujeres / Cine hecho por mujeres / Cine De Mujeres / Cine hecho por mujeres
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