Settecento

Recepción e interpretación del \'Quijote\' (1605-1800): traducciones, ediciones, opiniones. La recepción en la Italia del siglo XVIII\".

Comparative Literature / Reception Studies / Enlightenment / Cervantes / Don Quijote / Critical Literacy / Comparative literature (spanish and italian) / Settecento / Critical Literacy / Comparative literature (spanish and italian) / Settecento

Jean-Baptiste Boudard, Busto del infante Felipe de Borbón, duque de Parma, Sureda, J., Goya e Italia, cat. exp., Zaragoza, Museo de Zaragoza, 1 de junio-15 de septiembre de 2008, Madrid, Turner-Fundación Goya en Aragón, 2008, vol. 2, p. 246, cat. 161

Sculpture / Parma / Grand Tour / Settecento / Eigtheenth Century Studies

Jean-Bauptiste Boudard, Busto de Carlo-Innocenzo Frugoni, Sureda, J., Goya e Italia, cat. exp., Zaragoza, Museo de Zaragoza, 1 de junio-15 de septiembre de 2008, Madrid, Turner-Fundación Goya en Aragón, 2008, vol. 2, p. 247, cat. 162

Sculpture / Parma / Settecento / Eigtheenth Century Studies

Aníbal que por primera vez miró Italia desde los Alpes, Sureda, J., Goya e Italia, cat. exp., Zaragoza, Museo de Zaragoza, 1 de junio-15 de septiembre de 2008, Madrid, Turner-Fundación Goya en Aragón, 2008, vol. 2, pp. 254-255, cat. 190

Painting / Spanish painting / Mitology / Spanish Art / Parma / Goya / Accademia di San Luca, Roma / Francisco Goya / Aníbal / Settecento / Eigtheenth Century Studies / Francisco De Goya / Accademia delle Belle Arti Parma / Goya / Accademia di San Luca, Roma / Francisco Goya / Aníbal / Settecento / Eigtheenth Century Studies / Francisco De Goya / Accademia delle Belle Arti Parma

Anton Raphael Mengs, La marquesa del Llano, Sureda, J., Goya e Italia, cat. exp., Zaragoza, Museo de Zaragoza, 1 de junio-15 de septiembre de 2008, vol. 2, Madrid, Turner-Fundación Goya en Aragón, 2008

Painting / Grand Tour / Anton Raphael Mengs / Settecento

Nuevas reflexiones en torno al cuaderno de Antonio Primo (1761-1764), pensionado en Roma de la Real Academia de Bellas Artes de San Fernando de Madrid, De Arte, 2016

Eighteenth Century History / Spanish Art / Settecento Romano / Grand Tour / Accademia di San Luca, Roma / Musei Capitolini / Siglos XVI-XVIII / Italian Academies / Settecento / Corrado Giaquinto / Carlo Maratta / Palazzo Corsini / City of Rome / Real Academia De Bellas Artes De San Fernando / Carlo Maratti / Domenico Corvi / Classical Sculpture / Antonio Primo / Felipe de Castro / Musei Capitolini / Siglos XVI-XVIII / Italian Academies / Settecento / Corrado Giaquinto / Carlo Maratta / Palazzo Corsini / City of Rome / Real Academia De Bellas Artes De San Fernando / Carlo Maratti / Domenico Corvi / Classical Sculpture / Antonio Primo / Felipe de Castro

Pablo Pernicharo y Juan Bautista de la Peña, la trayectoria de dos pintores españoles a través de la correspondencia de la Academia de Francia en Roma/ two Spanish painters through the correspondence of the French Academy.

Visual Studies / Art History / Eighteenth Century History / 18th & 19th Centuries / Baroque art and architecture / 18th Century Art / Visual Arts / 18th Century France / 18th Century / Cultural Diplomacy / Eighteenth Century Studies / Grand Tour / Artistic relations between Italy and Spain / Antiquarianism in the eighteenth century / Settecento / Eighteenth Century Art / 18th Century Grand Tour / 18th Century Art / Visual Arts / 18th Century France / 18th Century / Cultural Diplomacy / Eighteenth Century Studies / Grand Tour / Artistic relations between Italy and Spain / Antiquarianism in the eighteenth century / Settecento / Eighteenth Century Art / 18th Century Grand Tour

“Política artística de las monarquías española y portuguesa en Roma en el alba del siglo XVIII”

Modern History / Art History / Eighteenth Century History / History of Art / 18th Century Art / 18th Century / Spain / Portugal / Eighteenth Century Studies / Grand Tour / Settecento / Eighteenth Century Art / 18th Century / Spain / Portugal / Eighteenth Century Studies / Grand Tour / Settecento / Eighteenth Century Art

Un palacio en fiesta: Troyano Acquaviva y la celebración por los esponsales de Carlos de Borbón y María Amalia de Sajonia en el palacio de España en Roma

Cultural History / Cultural Studies / Art History / Early Modern History / Eighteenth Century History / Diplomacy / History of Art / Early Modern Italy / Republic of Letters (Early Modern History) / 18th Century Art / 18th Century / Cultural Diplomacy / Eighteenth-Century Music / Early modern Spain / Eighteenth Century Studies / Grand Tour / Settecento / Diplomacy / History of Art / Early Modern Italy / Republic of Letters (Early Modern History) / 18th Century Art / 18th Century / Cultural Diplomacy / Eighteenth-Century Music / Early modern Spain / Eighteenth Century Studies / Grand Tour / Settecento

Del forum hispanicum a la herencia Farnese: estrategias de la apropiación urbana y representatividad nacional de España en Roma después del Tratado de Utrecht.

History / Modern History / Art History / Eighteenth Century History / Urbanism / Diplomacy / History of Art / 18th Century Art / 18th Century / Cultural Diplomacy / Spain / Grand Tour / Ambassadors / Settecento / Architecture and Public Spaces / Acquaviva (Famiglia) / Diplomacy / History of Art / 18th Century Art / 18th Century / Cultural Diplomacy / Spain / Grand Tour / Ambassadors / Settecento / Architecture and Public Spaces / Acquaviva (Famiglia)

“Ecos cervantinos en los escenarios italianos del XVIII. Baretti y Corsetti: dos modelos de apropiación e inversión”

Comparative Literature / Italian Studies / Enlightenment / Italian Theatre / 18th Century Spanish Literature / Cervantes / Don Quijote / Teatro Musical / Settecento / Recepción literaria / Cervantes / Don Quijote / Teatro Musical / Settecento / Recepción literaria

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