Print Culture

Reseña de Juan Gomis Coloma, Menudencias de imprenta. Producción y circulación de la literatura popular (Valencia, siglo XVIII), Valencia, Institució Alfons el Magnànim, 2015

Folklore / Print Culture / Popular Music Studies / Popular Music / Popular Culture / Postmodern Literary Theory and Popular Culture / Popular literature, chapbooks and ephemera / Cancionero poetry / Literatura medieval, Romancero pan-hispánico, poesía oral / Cancionero / Literatura de cordel / Chapbooks / Postmodern Literary Theory and Popular Culture / Popular literature, chapbooks and ephemera / Cancionero poetry / Literatura medieval, Romancero pan-hispánico, poesía oral / Cancionero / Literatura de cordel / Chapbooks

La confección del Diccionario Biográfico Obrero de Chile. Sociabilidad y cultura impresa a inicios del siglo XX

Print Culture / Work and Labour / Historia del Libro / Chilean Social and Cultural History / Historia del movimiento obrero en Chile / Sociabilidad / Biographies, Autobiographies and Life Histories / Biografías / Sociabilidad / Biographies, Autobiographies and Life Histories / Biografías

El Estado como librero. Políticas oficiales y cultura impresa en Colombia, 1821-1886

Print Culture / History of the Book / Colombian History / Historia del Libro / Historia De Colombia / History of Nineteenth-Century Colombia

«La poesía paratextual: mecanismo de representación autorial (El caso de autores cordobeses en la Edad Moderna)» en Los PARATEXTOS y la edición en el libro medieval y moderno / Helena Carvajal González (ed.). — Zaragoza : Prensas de la Universidad de Zaragoza, 2016. ISBN 978-84-16515-73-8

Print Culture / Manuscripts and Early Printed Books / Bibliography / Poetry / Rare Books and Manuscripts / Typography / Early Modern print culture / Paratexts / Poesía / Material Cultures / poesía española del Siglo de Oro / Bibliografia / Bajo Barroco / Poesía Del Bajo Barroco / PHEBO / SILEM / Typography / Early Modern print culture / Paratexts / Poesía / Material Cultures / poesía española del Siglo de Oro / Bibliografia / Bajo Barroco / Poesía Del Bajo Barroco / PHEBO / SILEM

La mañana, amiga de las musas.

Print Culture / Historia Cultural / Historia de la cultura escrita / Sociologia de la Cultura, Estudios Culturales, Historia de la Lectura

Nihon no shiro 日本の城 (Japanese Castles, 1944)

Cultural History / Cultural Studies / Asian Studies / Japanese Studies / Visual Studies / Prints / Print Culture / Art History / Design / Architecture / Japanese Literature / Japanese Language And Culture / Japanese Religions / Visual Culture / Modern Art / Graphic Design / Japanese History / Modern and Contemporary Japan / Japanese Art / Early Modern (Japanese History) / Pre-Modern Japan / Vernacular Architecture / Architectural History / East Asian Studies / Second World War / Printmaking / History of Art / Modernism (Art History) / Architectural Theory / Book Arts / Japanese Literature and Culture / Modern Japanese History / World War II / Modernism / Traditional Crafts / Japan / Printing History / Print media / Book Art / Drawings and Prints / Prints (Art History) / Japanese Culture / Modern Japan / Print Publishing Layout & Design / Japanese Popular Culture / Visual Arts / Japanese Art History / War art / Book Cover Design / Edo-period Japan / Second World War (History) / Prints and Drawings / History of architecture / History of Printmaking / Japanese Architecture / World War II history / Books / Arts and Crafts / Castles / East Asian Languages and Cultures / Castle Studies / History of Graphic Design / Woodblock Prints / Printmaking (woodcut) / Medieval Architecture, Castles / Early Modern Japan / Medieval castles / Art and War / Castles and Fortifications / Book Arts And Bookbinding / Japanese History of Art / History of Japanese architecture, landscape design and urbanism / Medieval Castles and Fortresses / Asian Art / Book Design / Woodcuts / Japanese Woodblock Prints / Modern Japanese Art and Architecture / social and cultural history of the Second World War / Japanese Art, Especially Modern and Contemporary / Modern Japanese Literature and Culture / Tokugawa Shogunate / Modern and Contemporary Japanese Art History / Japanese Arts and Culture / Artists’ Books / Traditional Japanese Architecture / History of Edo Period / Azuchi Momoyama Period / Japenese Architecture / Art and Architecture of Japan / Prints / Print Culture / Art History / Design / Architecture / Japanese Literature / Japanese Language And Culture / Japanese Religions / Visual Culture / Modern Art / Graphic Design / Japanese History / Modern and Contemporary Japan / Japanese Art / Early Modern (Japanese History) / Pre-Modern Japan / Vernacular Architecture / Architectural History / East Asian Studies / Second World War / Printmaking / History of Art / Modernism (Art History) / Architectural Theory / Book Arts / Japanese Literature and Culture / Modern Japanese History / World War II / Modernism / Traditional Crafts / Japan / Printing History / Print media / Book Art / Drawings and Prints / Prints (Art History) / Japanese Culture / Modern Japan / Print Publishing Layout & Design / Japanese Popular Culture / Visual Arts / Japanese Art History / War art / Book Cover Design / Edo-period Japan / Second World War (History) / Prints and Drawings / History of architecture / History of Printmaking / Japanese Architecture / World War II history / Books / Arts and Crafts / Castles / East Asian Languages and Cultures / Castle Studies / History of Graphic Design / Woodblock Prints / Printmaking (woodcut) / Medieval Architecture, Castles / Early Modern Japan / Medieval castles / Art and War / Castles and Fortifications / Book Arts And Bookbinding / Japanese History of Art / History of Japanese architecture, landscape design and urbanism / Medieval Castles and Fortresses / Asian Art / Book Design / Woodcuts / Japanese Woodblock Prints / Modern Japanese Art and Architecture / social and cultural history of the Second World War / Japanese Art, Especially Modern and Contemporary / Modern Japanese Literature and Culture / Tokugawa Shogunate / Modern and Contemporary Japanese Art History / Japanese Arts and Culture / Artists’ Books / Traditional Japanese Architecture / History of Edo Period / Azuchi Momoyama Period / Japenese Architecture / Art and Architecture of Japan

Impreso en la Argentina. Recorridos de la gráfica social desde la colección del Museo Castagnino+macro. A cincuenta años del Gran Premio en Grabado y Dibujo en la Bienal de Venecia a Antonio Berni, Rosario, ediciones Castagnino+macro, 2013

Print Culture / Museum Studies / Latin American Art / History of Museums / Printmaking / Social History of Art / History of Printmaking / Printmaking (woodcut) / Arts and Culture / Grabado / Xilografía / Arte argentino / Grafica / EXHIBITIONS AND MUSEUMS / Historia Del Grabado / Antonio Berni / Social History of Art / History of Printmaking / Printmaking (woodcut) / Arts and Culture / Grabado / Xilografía / Arte argentino / Grafica / EXHIBITIONS AND MUSEUMS / Historia Del Grabado / Antonio Berni

The Avant-Garde and the Popular: Rethinking Juan Ramírez Ruiz\'s Un par de vueltas por la realidad

Intellectual History / Cultural History / Print Culture / Popular Culture / Migration / Literature and Politics / Sociology of Literature / Migration Studies / Intellectual and cultural history / Avant-Garde / Peruvian Literature / Mass media / Neo-Avant-Garde / Latin American Poetry / Migración / Peruvian poetry / Juan Velasco Alvarado / Poesía Peruana / La prensas sensacionalista en el Peru / Hora Zero / Vanguardia / Prensa Popular / Neovanguardia / Peruvian cultural history / ramirez ruiz / Peruvian Culture / Literature and Politics / Sociology of Literature / Migration Studies / Intellectual and cultural history / Avant-Garde / Peruvian Literature / Mass media / Neo-Avant-Garde / Latin American Poetry / Migración / Peruvian poetry / Juan Velasco Alvarado / Poesía Peruana / La prensas sensacionalista en el Peru / Hora Zero / Vanguardia / Prensa Popular / Neovanguardia / Peruvian cultural history / ramirez ruiz / Peruvian Culture

Materiales, modelos y mercado de la pintura en Quito, 1550-1650

Print Culture / Art History / Early Modern History / Atlantic World / Painting / History of Art / Book History (History) / Materiality of Art / Book trade History / Art Market / Spanish Colonial Peru / Painting Conservation / Early Modern print culture / Colonial Latin American History / Historia colonial / History of Printmaking / History of Commerce / Colonial Latin American Art- Mexico and Peru / Spanish American colonial studies / Historia del Arte / Historia del Libro / Pintura / Quito / Pigments / History of Pigments / History of Arts / Estudios transatlánticos / Mercado del arte / Historia y Teoria del Arte y la Arquitectura / Grabado / History of Books, Printing, and Publishing / Comercio Peru colonial / Arte Colonial Americano / History of Colors / Historia del arte latinoamericano / Pigmentos Naturales / Arte colonial andino / Arte Colonial Quiteño / Historia Colonial De América Latina / Colonial Art and Portuguese and Spanish Empires / Peru pintura colonial / Historia Del Ecuador / Pinturas Y Pigmentos / Arte Colonial En La Audiencia De Quito / History of Art / Book History (History) / Materiality of Art / Book trade History / Art Market / Spanish Colonial Peru / Painting Conservation / Early Modern print culture / Colonial Latin American History / Historia colonial / History of Printmaking / History of Commerce / Colonial Latin American Art- Mexico and Peru / Spanish American colonial studies / Historia del Arte / Historia del Libro / Pintura / Quito / Pigments / History of Pigments / History of Arts / Estudios transatlánticos / Mercado del arte / Historia y Teoria del Arte y la Arquitectura / Grabado / History of Books, Printing, and Publishing / Comercio Peru colonial / Arte Colonial Americano / History of Colors / Historia del arte latinoamericano / Pigmentos Naturales / Arte colonial andino / Arte Colonial Quiteño / Historia Colonial De América Latina / Colonial Art and Portuguese and Spanish Empires / Peru pintura colonial / Historia Del Ecuador / Pinturas Y Pigmentos / Arte Colonial En La Audiencia De Quito

Literatura medieval hispánica en la imprenta.pdf

Spanish Literature / Print Culture / Medieval Literature / Incunabula / Ancient Books

«La tipobibliografía clásica. Posibilidades y límites (a propósito de Valdenebro y la poesía bajobarroca)», Analecta Malacitana Electrónica, 41, 2016.

Print Culture / Book History / Bibliography / History Of Rare Book Libraries / Early Modern Literature / Book History (History) / Early Modern print culture / Literatura española / Literatura española del Siglo de Oro / Spanish Literature of the Golden Age / Biblioteconomia / Material Bibliography / Bibliografia / Bibliografia Material / Book History (History) / Early Modern print culture / Literatura española / Literatura española del Siglo de Oro / Spanish Literature of the Golden Age / Biblioteconomia / Material Bibliography / Bibliografia / Bibliografia Material

LAS EMPRESAS EDITORIALES DE ARTURO ZAPATA (1926-1954)*

Print Culture / Editor / Cultura Impresa / Historia de la lectura en Colombia / history of publishing in Colombia / Arturo Zapata / historia de la edición en Colombia / reading history in Colombia / Arturo Zapata / historia de la edición en Colombia / reading history in Colombia

El libro y la lectura entre los sefardíes de Oriente

Print Culture / Jewish Studies / History of the Book / History of Reading / Historia de la lectura / Historia de la cultura escrita / Print Culture, Book History and the History of Reading / Estudios Judios / Historia del libro y la edición / Sephardic Literature and Culture / Literatura Sefardí / Historia de la cultura escrita / Print Culture, Book History and the History of Reading / Estudios Judios / Historia del libro y la edición / Sephardic Literature and Culture / Literatura Sefardí

Prensa comunista en una sociedad capitalista. El caso de Trabajo, periódico del Partido Comunista de Costa Rica (1931-1935)

Cultural History / Print Culture / Communism / Costa Rica / Communist Party of Costa Rica / Trabajo (weekly newspaper)
Copyright © 2017 DATOSPDF Inc.