Photography

La verdad es una relación donde el hombre hace la medida

Philosophy of Science / Art Theory / Photography / Contemporary Art / History of Science / Art and Science / Sculpture / Conceptual Art / Artists / Art and Science / Sculpture / Conceptual Art / Artists

Charles Baudelaire y la fotografía: el ojo-cámara del poeta

Comparative Literature / Photography / Literature and photography / Charles Baudelaire

INOCENCIAS

Photography / Contemporary Art / Feminism / Political Art and Activist Art

Facial attractiveness: evolutionary based research

Photography / Personality / Mate Choice / Visual perception / Masculinity / Fertility / Face / Social learning / Femininity / Learning / Sexual dimorphism / Biological Sciences / Social Desirability / Humans / Beauty / Female / Hormones / Male / Biological evolution / Skin Pigmentation / Social Exchange / Sex Factors / Skin Aging / Adaptive Response / Choice Behavior / Fertility / Face / Social learning / Femininity / Learning / Sexual dimorphism / Biological Sciences / Social Desirability / Humans / Beauty / Female / Hormones / Male / Biological evolution / Skin Pigmentation / Social Exchange / Sex Factors / Skin Aging / Adaptive Response / Choice Behavior

Paradojas en la representación documental. El trabajo de Maya Goded

Photography / Image Analysis / Documentary Photography / Fotografia / Documentales / Maya Goded

\"Los canarios del otro lado / Far from their Native Shore\".

History / Languages and Linguistics / Historical Linguistics / Photography / Genealogy / Island Studies / Social and Cultural Anthropology / Spanish History / Photojournalism / Post-Colonialism / Migration Studies / Transnational migration / Spanish in contact with other languages / Spain (History) / Travel / Trasatlantic Studies / Canary Islands / Islands / Island Studies / Social and Cultural Anthropology / Spanish History / Photojournalism / Post-Colonialism / Migration Studies / Transnational migration / Spanish in contact with other languages / Spain (History) / Travel / Trasatlantic Studies / Canary Islands / Islands

Apuntes sobre la exposición fotográfica Sergio Quijada Jara, memoria de una pasión

Cultural History / Folklore / Art History / Art / Photography / Popular Culture / Culture / Biography / History of Art / History of photography / Andes / Peruvian History / Andean Culture / Andean studies / Andean History / Historia Intelectual / Artes / Arte / Historia del Arte / Cultura Popular / Fotografía / Fotografia / Arte Y Cultura Popular / Arte Popular / Arte peruano / Historia del arte peruano / Peruvian art History / Andean Peru / Popular Culture / Culture / Biography / History of Art / History of photography / Andes / Peruvian History / Andean Culture / Andean studies / Andean History / Historia Intelectual / Artes / Arte / Historia del Arte / Cultura Popular / Fotografía / Fotografia / Arte Y Cultura Popular / Arte Popular / Arte peruano / Historia del arte peruano / Peruvian art History / Andean Peru

Por una semiótica del selfie en la cultura visual digital

Semiotics / Cultural Studies / Media and Cultural Studies / Digital Humanities / Photography / Digital Photography / Digital Media / Cultural Semiotics / Visual Semiotics / Photography Theory / Semiotics Of Culture / History of photography / Mass Communication and New Media / Teoría de la Imagen / Fotográfia / Teoría de la Comunicación / Semiótica / Semiótica, comunicación y cultura / Fotografía / Estudios De Semiotica / Semiotica / Fotografia / Semiotic Analysis / The digital panopticon / Fotografia Y Arte / Semiosfera / Panopticon / Selfie / Semiótica De La Cultura / Semiotica Visual / Semiótica De La Imagen / Selfies / Digital Photography / Digital Media / Cultural Semiotics / Visual Semiotics / Photography Theory / Semiotics Of Culture / History of photography / Mass Communication and New Media / Teoría de la Imagen / Fotográfia / Teoría de la Comunicación / Semiótica / Semiótica, comunicación y cultura / Fotografía / Estudios De Semiotica / Semiotica / Fotografia / Semiotic Analysis / The digital panopticon / Fotografia Y Arte / Semiosfera / Panopticon / Selfie / Semiótica De La Cultura / Semiotica Visual / Semiótica De La Imagen / Selfies

New Endoscopic Technique to Analyze Various Modern Specialized Intraocular Lenses in Research Eyes and Human Eyes Obtained Postmortem

Ophthalmology / Photography / Endoscopy / Humans / Clinical Sciences / Optometry and Ophthalmology / Public health systems and services research / Optometry and Ophthalmology / Public health systems and services research

Fotografía, testimonio oral y memoria. (Re)presentaciones de indígenas e inmigrantes del Chaco (Argentina)

Photography / Cultural Memory / Indigenous Peoples / Inmigration / Argentine History

Reseña de mi libro De la foto al fotograma. Relaciones entre cine y fotografía en la Argentina (1840-1933). Montevideo, CdF ediciones, 2013 por Georgina Torello (La Diaria, Uruguay)

Photography / Early Cinema / Intermediality In Cinema / History of photography / Argentinean cinema / Pre-Cinema/Early Cinema / Precinema / Early latinamerican cinema and its intermedial relations with photography / Precinema History / Early Argentinean Cinema / Pre-Cinema/Early Cinema / Precinema / Early latinamerican cinema and its intermedial relations with photography / Precinema History / Early Argentinean Cinema

Reseña de mi libro De la foto al fotograma. Relaciones entre cine y fotografía en la Argentina (1840-1933). Montevideo, CdF ediciones, 2013 por Héctor Kohen (Revista Imagofagia, Argentina)

Photography / Early Cinema / Intermediality In Cinema / History of photography / Argentinean cinema / Pre-Cinema/Early Cinema / Precinema / Early latinamerican cinema and its intermedial relations with photography / Precinema History / Early Argentinean Cinema / Pre-Cinema/Early Cinema / Precinema / Early latinamerican cinema and its intermedial relations with photography / Precinema History / Early Argentinean Cinema

Reseña de mi libro De la foto al fotograma. Relaciones entre cine y fotografía en la Argentina (1840-1933). Montevideo, CdF ediciones, 2013 por Silvia Pérez Fernández (Revista Cine Documental, Argentina)

Photography / Early Cinema / Intermediality In Cinema / History of photography / Argentinean cinema / Pre-Cinema/Early Cinema / Precinema / Early latinamerican cinema and its intermedial relations with photography / Precinema History / Early Argentinean Cinema / Pre-Cinema/Early Cinema / Precinema / Early latinamerican cinema and its intermedial relations with photography / Precinema History / Early Argentinean Cinema

Reseña de mi libro De la foto al fotograma. Relaciones entre cine y fotografía en la Argentina (1840-1933). Montevideo, CdF ediciones, 2013 por Irene Marrone (Revista Caiana, Argentina)

Photography / Early Cinema / Intermediality In Cinema / History of photography / Argentinean cinema / Pre-Cinema/Early Cinema / Precinema / Early latinamerican cinema and its intermedial relations with photography / Precinema History / Early Argentinean Cinema / Pre-Cinema/Early Cinema / Precinema / Early latinamerican cinema and its intermedial relations with photography / Precinema History / Early Argentinean Cinema

Reseña de mi libro De la foto al fotograma. Relaciones entre cine y fotografía en la Argentina (1840-1933). Montevideo, CdF ediciones, 2013 por Bernardo Riego (Revista Secuencias, España)

Photography / Early Cinema / Intermediality In Cinema / History of photography / Argentinean cinema / Pre-Cinema/Early Cinema / Precinema / Early latinamerican cinema and its intermedial relations with photography / Precinema History / Early Argentinean Cinema / Intermediality and Cinema / Pre-Cinema/Early Cinema / Precinema / Early latinamerican cinema and its intermedial relations with photography / Precinema History / Early Argentinean Cinema / Intermediality and Cinema
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