Music Performance

Música espanyola per a guitarra. Del romanticisme al nacionalisme – Carles Trepat (La Mà de Guido LMG2012. 1995) [Recording review]

Music / Musicology / Romanticism / Performance Studies / Nationalism / Performance / Classical Guitar / Performance Studies (Music) / Guitar / Recording / Spanish Music / Critical Musicology / Music Performance / Music and Nationalism / Música / Guitare / Romanticismo / Crítica musical / Nacionalismo / Music Romanticism / Chitarra Classica / Guitarra Clasica / Guitare Classique / Musical perfromance / Interpretación Musical / Nacionalismo Musical / Miquel Llobet (1878-1938) / Francisco Tárrega (1852-1909) / Julián Gavino Arcas (1832-1882) / Antonio José Martínez Palacios (1902-1936) / Carles Trepat (guitar) / Crítica discográfica / Performance / Classical Guitar / Performance Studies (Music) / Guitar / Recording / Spanish Music / Critical Musicology / Music Performance / Music and Nationalism / Música / Guitare / Romanticismo / Crítica musical / Nacionalismo / Music Romanticism / Chitarra Classica / Guitarra Clasica / Guitare Classique / Musical perfromance / Interpretación Musical / Nacionalismo Musical / Miquel Llobet (1878-1938) / Francisco Tárrega (1852-1909) / Julián Gavino Arcas (1832-1882) / Antonio José Martínez Palacios (1902-1936) / Carles Trepat (guitar) / Crítica discográfica

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El Albaicín – Carles Trepat (Nuevos Medios 158.40 CD. 2007) [Recording review]

Music / Musicology / Romanticism / Performance Studies / Performance / Classical Guitar / Performance Studies (Music) / Guitar / Spanish Music / Critical Musicology / Early 20th-century Music / Performance Practice (Music) / Music Performance / Debussy / Musica / Música / 19th Century Music / Performance Musical / Guitare / Iberia by Isaac Albeniz / Romanticismo / Claude Debussy / 20th and 21st-Century Music / Chitarra Classica / Guitarra Clasica / Guitare Classique / Musical perfromance / Sarasate / Carles Trepat (guitar) / Pablo Sarasate (1844-1908) / Isaac Albeniz (1860-1909) / Claude Debussy (1862-1918) / Enrique Granados (1867-1916) / Classical Guitar / Performance Studies (Music) / Guitar / Spanish Music / Critical Musicology / Early 20th-century Music / Performance Practice (Music) / Music Performance / Debussy / Musica / Música / 19th Century Music / Performance Musical / Guitare / Iberia by Isaac Albeniz / Romanticismo / Claude Debussy / 20th and 21st-Century Music / Chitarra Classica / Guitarra Clasica / Guitare Classique / Musical perfromance / Sarasate / Carles Trepat (guitar) / Pablo Sarasate (1844-1908) / Isaac Albeniz (1860-1909) / Claude Debussy (1862-1918) / Enrique Granados (1867-1916)

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Classical Instrumental Music and Narrative

Music Theory / Musicology / Performance Studies / Narrative / Narratology / Music Aesthetics / Music Criticism / Beethoven / Critical Musicology / Music Performance / Music Aesthetics / Music Criticism / Beethoven / Critical Musicology / Music Performance

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Simultaneous recording of electroencephalographic data in musicians playing in ensemble

Cognitive Science / Music / Personality / Electroencephalography / Music Performance / Empathy / High Frequency / Humans / Cerebral Cortex / Blood Pressure / Telemetry / Animals / Male / Cortex / Heart / Arterial Blood Pressure / Electroencephalogram / Wakefulness / Middle Aged / Rats / Adult / Motor Performance / Wistar Rats / Pharmacological / Seizures / Boolean Satisfiability / Resting State / Cooperative Behavior / Neurosciences / Alpha Rhythm / Low Resolution / Pentylenetetrazole / Power Density / Empathy / High Frequency / Humans / Cerebral Cortex / Blood Pressure / Telemetry / Animals / Male / Cortex / Heart / Arterial Blood Pressure / Electroencephalogram / Wakefulness / Middle Aged / Rats / Adult / Motor Performance / Wistar Rats / Pharmacological / Seizures / Boolean Satisfiability / Resting State / Cooperative Behavior / Neurosciences / Alpha Rhythm / Low Resolution / Pentylenetetrazole / Power Density

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El influjo de Julián Orbón en el pensamiento musical de Eduardo Mata

Latin American Music / Music Performance / Cuban music / Mexican Music / Música cubana / Musica Latinoamericana / Musica Mexicana / JULIÁN ORBÓN / Eduardo Mata / Musica Latinoamericana / Musica Mexicana / JULIÁN ORBÓN / Eduardo Mata

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Simultaneous recording of electroencephalographic data in musicians playing in ensemble

Cognitive Science / Music / Personality / Electroencephalography / Music Performance / Empathy / High Frequency / Humans / Cerebral Cortex / Male / Cortex / Middle Aged / Adult / Motor Performance / Boolean Satisfiability / Resting State / Cooperative Behavior / Neurosciences / Alpha Rhythm / Low Resolution / Power Density / Empathy / High Frequency / Humans / Cerebral Cortex / Male / Cortex / Middle Aged / Adult / Motor Performance / Boolean Satisfiability / Resting State / Cooperative Behavior / Neurosciences / Alpha Rhythm / Low Resolution / Power Density

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Simultaneous recording of electroencephalographic data in musicians playing in ensemble

Cognitive Science / Music / Personality / Electroencephalography / Music Performance / Empathy / High Frequency / Humans / Cerebral Cortex / Male / Cortex / Middle Aged / Adult / Motor Performance / Boolean Satisfiability / Resting State / Cooperative Behavior / Neurosciences / Alpha Rhythm / Low Resolution / Power Density / Empathy / High Frequency / Humans / Cerebral Cortex / Male / Cortex / Middle Aged / Adult / Motor Performance / Boolean Satisfiability / Resting State / Cooperative Behavior / Neurosciences / Alpha Rhythm / Low Resolution / Power Density

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Simultaneous recording of electroencephalographic data in musicians playing in ensemble

Cognitive Science / Music / Personality / Electroencephalography / Music Performance / Empathy / High Frequency / Humans / Cerebral Cortex / Male / Cortex / Middle Aged / Adult / Motor Performance / Boolean Satisfiability / Resting State / Cooperative Behavior / Neurosciences / Alpha Rhythm / Low Resolution / Power Density / Empathy / High Frequency / Humans / Cerebral Cortex / Male / Cortex / Middle Aged / Adult / Motor Performance / Boolean Satisfiability / Resting State / Cooperative Behavior / Neurosciences / Alpha Rhythm / Low Resolution / Power Density

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La teoría de canto de órgano y contrapunto en el Renacimiento español. La Sumula de canto de organo de Domingo Marcos Durán como modelo

Music / Musical Composition / Music History / Music Theory / Musicology / Improvisation / Medieval History / Renaissance Humanism / Composition (Music) / Spanish History / Medieval Europe / 16th Century Counterpoint / Renaissance music / Medieval Art / 14th-16th Centuries Counterpoint / Music Performance / Vocal Polyphony / Music Improvisation / Humanismo / Siglo XVI / Rennaissance Art / Music performance and improvisation / Renacimiento / 16th-Century Polyphony / 15th Century Music / Counterpoint / Spanish Humanism / 15th Century / Salamanca / Teoría Musical Del Renacimiento / Music Printing / Historia de la imprenta / Teoria Musical / music printing, early modern Germany, history of the book / Spanish Renaissance Music / Music printing in the 16th and 17th centuries / Humanismo y Renacimiento / Music Printing and Publishing / University of Salamanca In Middle Ages / Catholic Kings / Universidad de Salamanca (Spain) / Reyes Catolicos Fernando E Isabel / 15th and 16th Century Spanish History / Música Española Del Renacimiento / Catedral De Salamanca / Historia De La Imprenta Espoañola / Música Del Renacimiento Español / German printers / Historia de la imprenta española antigua / Pedro martínez de osma / Pedro de Osma / Ramos de Pareja / Improvisation / Medieval History / Renaissance Humanism / Composition (Music) / Spanish History / Medieval Europe / 16th Century Counterpoint / Renaissance music / Medieval Art / 14th-16th Centuries Counterpoint / Music Performance / Vocal Polyphony / Music Improvisation / Humanismo / Siglo XVI / Rennaissance Art / Music performance and improvisation / Renacimiento / 16th-Century Polyphony / 15th Century Music / Counterpoint / Spanish Humanism / 15th Century / Salamanca / Teoría Musical Del Renacimiento / Music Printing / Historia de la imprenta / Teoria Musical / music printing, early modern Germany, history of the book / Spanish Renaissance Music / Music printing in the 16th and 17th centuries / Humanismo y Renacimiento / Music Printing and Publishing / University of Salamanca In Middle Ages / Catholic Kings / Universidad de Salamanca (Spain) / Reyes Catolicos Fernando E Isabel / 15th and 16th Century Spanish History / Música Española Del Renacimiento / Catedral De Salamanca / Historia De La Imprenta Espoañola / Música Del Renacimiento Español / German printers / Historia de la imprenta española antigua / Pedro martínez de osma / Pedro de Osma / Ramos de Pareja

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Digital instruments and players: part I---efficiency and apprenticeship

New Interfaces for Musical Expression / Music Performance / Musical Instruments / Musical Instrument Design / Apprenticeship / Instrument Design / Learning curve / Instrument Design / Learning curve

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Digital Instruments and Players: Part I - Efficiency and Apprenticeship

New Interfaces for Musical Expression / Music Performance / Musical Instruments / Musical Instrument Design / Apprenticeship / Instrument Design / Learning curve / Instrument Design / Learning curve

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El Sincopado Habanero Boletín del Gabinete de Patrimonio Musical Esteban Salas Vol. I octubre/diciembre 2016

Music Performance / Wolfgang Amadeus Mozart / Educacion patrimonial / Gestión Cultural; Museografía; Gestión e Interpretación del Patrimonio / Gestión Del Patrimonio Cultural / Musica Orquestal / Festival Mozart Habana / Cayetano Pagueras / Musica Orquestal / Festival Mozart Habana / Cayetano Pagueras

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\'Yo Yo Ma en Bogotá\'

Musicology / Music Performance

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