Medieval Iconography

(2015) Sefarad, vol. 75:2, \"Una escudilla con decoracion figurativa procedente de la plaza de la Juderia de Teruel\", p, 269-299. ISSN: 0037-0894

Jewish History / Medieval Archaeology / Medieval Pottery / Arqueologia Medieval / Jewish Art History / Medieval Iconography

IBÁÑEZ PALOMO, Tomás (2015): «La Anunciación del Monasterio de Caleruega (Burgos): contextualización en la Baja Edad Media peninsular», Anales de Historia del Arte, vol. 25, p. 19-49.

Art History / Portuguese Art / Medieval Art / Spanish Art / Medieval Iconography / Gothic Art / Gothic Sculpture / Gothic Art / Gothic Sculpture

Dux et Rex: poder e legitimidade nas representações imagéticas dos governantes boêmios na Idade Média Central [Dux et Rex: power and legitimacy in pictorial representations of bohemian rulers in Central Middle Ages]

High Middle Ages / Medieval History / Medieval Studies / Political Science / Medieval Iconography / Late Medieval Bohemia and Central Europe / Political Iconography / Late Medieval Bohemia and Central Europe / Political Iconography

Culto y vestimenta en la Baja Edad Media: ornamentos clericales del rito romano

Liturgy / Medieval Art / Medieval Iconography / Liturgical Vestments

El crismón medieval trinitario

Christianity / Iconography / Medieval History / Christology / Sculpture / Romanesque Art / Christian Iconography / Medieval Crown of Aragon / Romanesque Sculpture / Medieval Iconography / Romanico / Escultura Medieval / Arte románico / Medieval Kingdom of Aragon / Medieval Sculpture / Arte Romanica / Románico / Romanesque Art / Christian Iconography / Medieval Crown of Aragon / Romanesque Sculpture / Medieval Iconography / Romanico / Escultura Medieval / Arte románico / Medieval Kingdom of Aragon / Medieval Sculpture / Arte Romanica / Románico

Crismones trinitarios medievales. Un símbolo pétreo genuino de los reinos de Aragón y Navarra Épocas románica y protogótica (siglos XI - XIII)

Iconography / History of Sculpture / Sculpture / Romanesque Art / Christian Iconography / Romanesque / Romanesque Sculpture / Medieval Iconography / Iconography and Iconology / Iconografia / Romanesque and pre-Romanesque sculpture / Romanico / Escultura Medieval / Arte románico / Medieval Sculpture / Románico / Romanesque / Romanesque Sculpture / Medieval Iconography / Iconography and Iconology / Iconografia / Romanesque and pre-Romanesque sculpture / Romanico / Escultura Medieval / Arte románico / Medieval Sculpture / Románico

El crismón del portal de la cripta de Santa Quiteria del castillo de Loarre

Iconography / Medieval History / Medieval Studies / Romanesque Art / Medieval Art / Christian Iconography / Iconology / Romanesque / Romanesque Sculpture / Medieval Iconography / Iconography and Iconology / Iconografia / Romanesque sculpture – Romanesque architecture – 3D reconstruction hypothesis – Tools and technics in romanesque workshops – Methodology / Romanesque and pre-Romanesque sculpture / Romanico / Arte románico / Escultura Romana / Románico / Christian Iconography / Iconology / Romanesque / Romanesque Sculpture / Medieval Iconography / Iconography and Iconology / Iconografia / Romanesque sculpture – Romanesque architecture – 3D reconstruction hypothesis – Tools and technics in romanesque workshops – Methodology / Romanesque and pre-Romanesque sculpture / Romanico / Arte románico / Escultura Romana / Románico

\"«El Maestro de la Virgen de la Calva»: un escultor / taller al servicio de la monarquía castellanoleonesa y del alto clero de Zamora\"

Iconography / Christian Iconography / Cathedrals (Medieval Studies) / Virgin Mary / Medieval Iconography / Gothic Art / Gothic / Gothic Sculpture / 14th Century / Zamora / The Cult of the Virgin Mary / Sancho IV / María de Molina / Gotico / Iconografia mariana / Imaginería Mariana / Escultura Gótica / Siglo XIV / Fernando IV / Gothic Art / Gothic / Gothic Sculpture / 14th Century / Zamora / The Cult of the Virgin Mary / Sancho IV / María de Molina / Gotico / Iconografia mariana / Imaginería Mariana / Escultura Gótica / Siglo XIV / Fernando IV

El ritual de la realeza navarra en los siglos XIV y XV: coronaciones y funerales

Funeral Practices / Medieval Iconography / Kingdom of Navarra / Ceremonial and Symbolic Representations of Sovereignty In Early Modern Europe

El Bosco en su contexto: Una mirada a la pintura coetánea de Flandes, Italia y España

Art History / Medieval Studies / Medieval Art / Flemish Painting / Medieval Iconography / Trecento and Quattrocento Painting / Medieval and modern spanish art / Flemish Primitives / Trecento and Quattrocento Painting / Medieval and modern spanish art / Flemish Primitives

Tres poemas marianos de Fray Juan Gil de Zamora como fuente doctrinal del programa iconográfico del Pórtico de la Majestad en la colegiata de Toro

Iconography / Art History / Medieval Theology / Gothic Studies / Franciscan Studies / Franciscan Spirituality / Medieval Art / Christian Iconography / Medieval Iconography / Gothic Art / Gothic Sculpture / Medieval Spanish Poetry / Medieval Spanish Art / Medieval Franciscans / Spanish Medieval Sculpture / Franciscan Spirituality / Medieval Art / Christian Iconography / Medieval Iconography / Gothic Art / Gothic Sculpture / Medieval Spanish Poetry / Medieval Spanish Art / Medieval Franciscans / Spanish Medieval Sculpture

Ceremonias funerarias de la realeza navarra en la Baja Edad Media

Medieval History / Funeral Practices / Medieval Iconography / Kingdom of Navarra / Ceremonial and Symbolic Representations of Sovereignty In Early Modern Europe

La imagen en la historia: el estudio del vestido en la Edad Media

Medieval History / Medieval Iconography / History of clothing and fashion / Medieval Textiles and Clothing

El retablo de Santa Elena de la iglesia de San Miguel de Estella: nuevas aportaciones a través del estudio de la indumentaria

Medieval Studies / Medieval Art / Medieval Iconography / Gothic Art / Retable Art / History of Navarre
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