Iconography

LA PROPORCIÓN ARMÓNICA EN LA ESTATUARIA DE LA CULTURA ARQUEOLÓGICA DE SAN AGUSTÍN, COLOMBIA (SOLUCIÓN FINAL PARA UN VIEJO PROBLEMA) Divine Proportion in the Statuary of Colombia\'s San Agustín Archaeological Culture (Resolving longstanding issue)

Archaeology / Aesthetics / Iconography / Funerary Archaeology / Prehispanic Art / Funerary Practices / Iconografia / Precolumbian Art / Iconografia prehispanica / Archeologia Funeraria / The Divine Proportion / Rituais Funerário / Harmonic Proportion / Funerary Practices / Iconografia / Precolumbian Art / Iconografia prehispanica / Archeologia Funeraria / The Divine Proportion / Rituais Funerário / Harmonic Proportion

El crismón medieval trinitario

Christianity / Iconography / Medieval History / Christology / Sculpture / Romanesque Art / Christian Iconography / Medieval Crown of Aragon / Romanesque Sculpture / Medieval Iconography / Romanico / Escultura Medieval / Arte románico / Medieval Kingdom of Aragon / Medieval Sculpture / Arte Romanica / Románico / Romanesque Art / Christian Iconography / Medieval Crown of Aragon / Romanesque Sculpture / Medieval Iconography / Romanico / Escultura Medieval / Arte románico / Medieval Kingdom of Aragon / Medieval Sculpture / Arte Romanica / Románico

Biblioiconografía y literatura popular impresa: la ilustración de los pliegos sueltos burgaleses (o de babuines y estampas celestinescas) (2012)

Iconography / Analytical bibliography / Historia del Libro / Iconografia / La Celestina / Pliegos sueltos / Bibliografia Material / BIblioconografía / Literatura popular impresa / Textual iconography / Pliegos sueltos / Bibliografia Material / BIblioconografía / Literatura popular impresa / Textual iconography

Imágenes para Melqart. La iconografía del santuario de Hércules Gaditano

Iconography / Roman Religion / Phoenician Punic Religion / Herakles / Hércules / Melkart / Gadir / Gades

Crismones trinitarios medievales. Un símbolo pétreo genuino de los reinos de Aragón y Navarra Épocas románica y protogótica (siglos XI - XIII)

Iconography / History of Sculpture / Sculpture / Romanesque Art / Christian Iconography / Romanesque / Romanesque Sculpture / Medieval Iconography / Iconography and Iconology / Iconografia / Romanesque and pre-Romanesque sculpture / Romanico / Escultura Medieval / Arte románico / Medieval Sculpture / Románico / Romanesque / Romanesque Sculpture / Medieval Iconography / Iconography and Iconology / Iconografia / Romanesque and pre-Romanesque sculpture / Romanico / Escultura Medieval / Arte románico / Medieval Sculpture / Románico

El crismón del portal de la cripta de Santa Quiteria del castillo de Loarre

Iconography / Medieval History / Medieval Studies / Romanesque Art / Medieval Art / Christian Iconography / Iconology / Romanesque / Romanesque Sculpture / Medieval Iconography / Iconography and Iconology / Iconografia / Romanesque sculpture – Romanesque architecture – 3D reconstruction hypothesis – Tools and technics in romanesque workshops – Methodology / Romanesque and pre-Romanesque sculpture / Romanico / Arte románico / Escultura Romana / Románico / Christian Iconography / Iconology / Romanesque / Romanesque Sculpture / Medieval Iconography / Iconography and Iconology / Iconografia / Romanesque sculpture – Romanesque architecture – 3D reconstruction hypothesis – Tools and technics in romanesque workshops – Methodology / Romanesque and pre-Romanesque sculpture / Romanico / Arte románico / Escultura Romana / Románico

Sobre la iglesia de santa María Magdalena de Tudela.

Cultural Studies / Visual Studies / Iconography / Art History / Medieval Literature / Medieval History / Medieval Studies / Visual Culture / Romani Studies / Medieval Art / Visual Arts / Patrimonio Cultural / Artes / Historia del Arte / History of Navarre / Patrimonio de Navarra / Kingdom of Navarra / Historia literaria de Navarra / Benjamin de Tudela / Romanico / Navarra / Arte románico / Medieval History / Medieval Studies / Visual Culture / Romani Studies / Medieval Art / Visual Arts / Patrimonio Cultural / Artes / Historia del Arte / History of Navarre / Patrimonio de Navarra / Kingdom of Navarra / Historia literaria de Navarra / Benjamin de Tudela / Romanico / Navarra / Arte románico

\"«El Maestro de la Virgen de la Calva»: un escultor / taller al servicio de la monarquía castellanoleonesa y del alto clero de Zamora\"

Iconography / Christian Iconography / Cathedrals (Medieval Studies) / Virgin Mary / Medieval Iconography / Gothic Art / Gothic / Gothic Sculpture / 14th Century / Zamora / The Cult of the Virgin Mary / Sancho IV / María de Molina / Gotico / Iconografia mariana / Imaginería Mariana / Escultura Gótica / Siglo XIV / Fernando IV / Gothic Art / Gothic / Gothic Sculpture / 14th Century / Zamora / The Cult of the Virgin Mary / Sancho IV / María de Molina / Gotico / Iconografia mariana / Imaginería Mariana / Escultura Gótica / Siglo XIV / Fernando IV

Dickran Kouymjian, \"The Classical Tradition in Armenian Art,\" Revue des études arméniennes, vol. XV (1981), pp. 263-288.

History / Cultural History / Iconography / Art History / Late Antique and Byzantine History / Late Antique and Byzantine Studies / Medieval History / Armenian Studies / Hellenistic History / Hellenistic and Roman Fortifications / Byzantine Studies / Byzantine History / Armenian History / Armenian Culture / Armenian Apostolic Church / Byzantine Liturgy / Byzantine Iconography / Byzantine Archaeology / Modern Armenian History / Christian Iconography / Hellenistic and Roman Asia Minor / Armenian Language / Armenian Art / Hellenistic art / Hellenistic and Roman Art / Iconography and Iconology / Byzantine art / Armenian medieval art / Medieval Armenian Literature / Armenian Kingdom of Cilicia / Byzantine history and archaeology / Medieval Armenian Culture / Late Antique and Byzantine Studies / Medieval History / Armenian Studies / Hellenistic History / Hellenistic and Roman Fortifications / Byzantine Studies / Byzantine History / Armenian History / Armenian Culture / Armenian Apostolic Church / Byzantine Liturgy / Byzantine Iconography / Byzantine Archaeology / Modern Armenian History / Christian Iconography / Hellenistic and Roman Asia Minor / Armenian Language / Armenian Art / Hellenistic art / Hellenistic and Roman Art / Iconography and Iconology / Byzantine art / Armenian medieval art / Medieval Armenian Literature / Armenian Kingdom of Cilicia / Byzantine history and archaeology / Medieval Armenian Culture

Aportación a la iconografía científica de Himantoglossum metlesicsianum (W. P. Teschner) P. Delforge (Orchidaceae), endemismo canario en peligro

Botany / Iconography / Conservation / Scientific Illustration / Endangered Species / Orchids / Flora / Canary Islands / Orchidaceae / Chorology / Endemic Plants / Himantoglossum metlesicsianum / Orchids / Flora / Canary Islands / Orchidaceae / Chorology / Endemic Plants / Himantoglossum metlesicsianum

Las alianzas de la dinastía de la Serpiente. -I Jornadas de Jóvenes Investigadores en Arqueología. UCM

Archaeology / Iconography / Geopolitics / Political Anthropology / Classic Maya (Archaeology) / Maya Archaeology / Maya Epigraphy / Epigraphy / Maya Archaeology / Maya Epigraphy / Epigraphy

La imagen de Santa Bárbara en el Ex Convento de San Juan Bautista de Tetela del Volcán

History / Ancient History / Cultural History / Archaeology / Iconography / Architecture / Christian Iconography / Iconology / Arqueología / Historia / Arqueología histórica / Arqueologia / Iconography and Iconology / Morelos / Architecture / Christian Iconography / Iconology / Arqueología / Historia / Arqueología histórica / Arqueologia / Iconography and Iconology / Morelos
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