History of Sculpture

Identificación de la imagen titular del antiguo retablo mayor del monasterio de Veruela. 1540-1544

Art History / Renaissance / Renaissance Art / History of Sculpture / Sculpture / History of Art / Cistercians / Medieval Crown of Aragon / Spanish Art / ESCULTURA / Historia del Arte / Cistercian Studies / 16th and 17th-century Spanish art and architecture / Retable Art / Renacimiento / Scultura / Spanish Renaissance and Baroque Art / ARTES PLÁSTICAS, ESCULTURA / Arte Del Renacimiento / Early Reinassance Wooden Sculpture / Medieval Monasteries / Wooden sculptures / Art and Art History / Sculptural polychromy / Dissolution of Monasteries / Monasterios / Cistercian monasteries / Wooden Sculpture / Crown of Aragon / Altars and Wooden Sculpyure / Retablos / Veruela / Monasterio De Veruela / Early Renaissance Wooden Sculpture / Virgen María / Reinassance Wooden Sculpture / Moncayo / Escultura policromada / Escultura española del siglo XVI / Escultura del siglo XVI en España / History of Art / Cistercians / Medieval Crown of Aragon / Spanish Art / ESCULTURA / Historia del Arte / Cistercian Studies / 16th and 17th-century Spanish art and architecture / Retable Art / Renacimiento / Scultura / Spanish Renaissance and Baroque Art / ARTES PLÁSTICAS, ESCULTURA / Arte Del Renacimiento / Early Reinassance Wooden Sculpture / Medieval Monasteries / Wooden sculptures / Art and Art History / Sculptural polychromy / Dissolution of Monasteries / Monasterios / Cistercian monasteries / Wooden Sculpture / Crown of Aragon / Altars and Wooden Sculpyure / Retablos / Veruela / Monasterio De Veruela / Early Renaissance Wooden Sculpture / Virgen María / Reinassance Wooden Sculpture / Moncayo / Escultura policromada / Escultura española del siglo XVI / Escultura del siglo XVI en España

El proceso de restauración de la capilla bautismal de San Andrés, en Calatayud

Architecture / Cultural Heritage / Cultural Heritage Conservation / Heritage Conservation / Architectural History / History of Sculpture / Art Conservation / Sculpture / Ceramics (Art History) / Religious architecture / Architectural Conservation / Architectural Heritage / Medieval Art / Baroque art and architecture / Religious art / Spanish Art / History of architecture / Science for Conservation and Restoration of Cultural Heritage / Gothic architecture / Mudéjar Art and Architecture / Conservación y Restauración / CONSERVACION Y RESTAURACION / Restauration and Conservation / 16th and 17th-century Spanish art and architecture / Religious art and architecture / Conservation and Restoration / Gothic Art / Restauration / Early gothic architecture / Spanish Renaissance and Baroque Art / Arquitectura mudejar en España / Azulejo / Conservation and Restoration of Historic Buildings and Monuments / Conservation-Restauration / Science for Conservation and Restauration of Cultural Heritage / Conservation-Restoration / Restauration and Conservation of Ceramics / Medieval and modern spanish art / Spanish Baroque / Restauration and Conservation of Paintings / Gothic Art and Architecture / Alabastro / Alabaster Sculpture / Restauracion Y Conservación De Bienes Culturales / Azulejería / Mudéjar Ceramics / Restoration and Conservation of Ancient and Historic Buildings and Structures / Architectural Heritage Conservation / CONSERVACIÓN Y RESTAURACIÓN DE AZULEJERIA / Teorías de la conservación y restauración / Spanish religious art and architecture / History of Sculpture / Art Conservation / Sculpture / Ceramics (Art History) / Religious architecture / Architectural Conservation / Architectural Heritage / Medieval Art / Baroque art and architecture / Religious art / Spanish Art / History of architecture / Science for Conservation and Restoration of Cultural Heritage / Gothic architecture / Mudéjar Art and Architecture / Conservación y Restauración / CONSERVACION Y RESTAURACION / Restauration and Conservation / 16th and 17th-century Spanish art and architecture / Religious art and architecture / Conservation and Restoration / Gothic Art / Restauration / Early gothic architecture / Spanish Renaissance and Baroque Art / Arquitectura mudejar en España / Azulejo / Conservation and Restoration of Historic Buildings and Monuments / Conservation-Restauration / Science for Conservation and Restauration of Cultural Heritage / Conservation-Restoration / Restauration and Conservation of Ceramics / Medieval and modern spanish art / Spanish Baroque / Restauration and Conservation of Paintings / Gothic Art and Architecture / Alabastro / Alabaster Sculpture / Restauracion Y Conservación De Bienes Culturales / Azulejería / Mudéjar Ceramics / Restoration and Conservation of Ancient and Historic Buildings and Structures / Architectural Heritage Conservation / CONSERVACIÓN Y RESTAURACIÓN DE AZULEJERIA / Teorías de la conservación y restauración / Spanish religious art and architecture

Aproximación estilística e iconográfica a las estatuas-columnas de San Juan de Laguardia

Cultural Studies / Medieval History / Medieval Studies / Early Medieval Archaeology / Gothic Literature / Gothic Studies / History of Sculpture / Sculpture / Medieval Art / Gothic architecture / Gothic Art / Gotico / Gótico / ARTE GÓTICO / Gothic Studies / History of Sculpture / Sculpture / Medieval Art / Gothic architecture / Gothic Art / Gotico / Gótico / ARTE GÓTICO

Aproximación estilística e iconográfica a la portada de Deva y sus relaciones con el gótico alavés* (Stylistic and iconographic approach to the façade of Deva, and its relations with the gothic from Alava

Gothic Literature / Gothic Studies / History of Sculpture / Sculpture / Gothic architecture / Gothic Art / Gotico / Gótico / Gothic Art / Gotico / Gótico

El libro sin palabras. La lectura iconográfica

Cultural Studies / Medieval History / Cultural Heritage / Medieval Studies / Culture / Medieval Archaeology / Gothic Literature / Gothic Studies / History of Sculpture / Sculpture / Medieval Art / Gothic architecture / Gothic Art / Gothic / Gotico / Gótico / Medieval Archaeology / Gothic Literature / Gothic Studies / History of Sculpture / Sculpture / Medieval Art / Gothic architecture / Gothic Art / Gothic / Gotico / Gótico

Un alabastro de la Epifanía algunas consideraciones

Medieval History / Gothic Literature / Gothic Studies / History of Sculpture / Sculpture

Un alabastro inglés en Lermanda

Media Studies / Medieval History / Medieval Studies / Medieval Archaeology / History of Sculpture / Sculpture / ESCULTURA / ARTES PLÁSTICAS, ESCULTURA / Sculpture / ESCULTURA / ARTES PLÁSTICAS, ESCULTURA

Un retablo de alabastro inglés en Plencia (Bizkaia)

Medieval History / Medieval Studies / Medieval Archaeology / Gothic Literature / Gothic Studies / History of Sculpture / Sculpture / ESCULTURA / Gotico / Gótico / History of Sculpture / Sculpture / ESCULTURA / Gotico / Gótico

La Coronación de la Virgen un alabastro inglés del Museo Arqueológico de Bilbao

Medieval History / Medieval Studies / Gothic Literature / Gothic Studies / History of Sculpture / Sculpture

\"Stefano Frugoni, escultor del mármol de Carrara\", en El Barroco: Universo de Experiencias. Córdoba, Asociación Hurtado Izquierdo, 2017, pp. 407-425

History of Sculpture / Sculpture / Italian Baroque art / ESCULTURA / Scultura / Barroco / Baroque Sculpture / Scultura Barocca / Barroco / Baroque Sculpture / Scultura Barocca

Los Ávila. Una familia de escultores barrocos vallisoletanos

History of Sculpture / Sculpture / Barocco / Scultura / Spanish Renaissance and Baroque Art / Baroque Sculpture / Scultura Barocca / Valladolid / Escultura Barroca / Juan de Ávila / Escultura española siglo XVII / Escultura vallisoletana / Escultura barroca castellana / Pedro de Ávila / Manuel de Ávila / escultura española siglo XVIII / Escultura barroca española / Spanish Baroque Sculpture / Baroque Sculpture / Scultura Barocca / Valladolid / Escultura Barroca / Juan de Ávila / Escultura española siglo XVII / Escultura vallisoletana / Escultura barroca castellana / Pedro de Ávila / Manuel de Ávila / escultura española siglo XVIII / Escultura barroca española / Spanish Baroque Sculpture

Una escultura litica del Formativo Temprano (1600-1000 aC) de Caraz, Callejon de Huaylas, Peru

Archaeology / Prehistoric Archaeology / Visual Studies / Iconography / Art History / Museum Studies / Andean Archaeology / Cultural Heritage / Visual Culture / Cultural Heritage Conservation / Heritage Conservation / History of Sculpture / Sculpture / History of Art / Andes / Visual Arts / Formative Mesoamerica / Historia del Arte / Precolumbian Cultures / Iconografia / Ancash / Museum Studies / Andean Archaeology / Cultural Heritage / Visual Culture / Cultural Heritage Conservation / Heritage Conservation / History of Sculpture / Sculpture / History of Art / Andes / Visual Arts / Formative Mesoamerica / Historia del Arte / Precolumbian Cultures / Iconografia / Ancash

Imágenes de devoción en la parroquia de Santa Ana

Iconography / Art History / History of Sculpture / Sculpture / History of Art / Christian Iconography / ESCULTURA / Iconografia / Sevilla / Seville / Escultura Barroca / Imaginería / Escultura sevillana / Sevillian Sculpture / Christian Iconography / ESCULTURA / Iconografia / Sevilla / Seville / Escultura Barroca / Imaginería / Escultura sevillana / Sevillian Sculpture

MATER DOLOROSA. La Virgen de los Dolores y la Piedad en la obra del escultor vallisoletano Pedro de Ávila (1678-1755)

History of Sculpture / Sculpture / Valladolid / Escultura Barroca / Escultura barroca castellana / Escultura barroca española
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