Film Theory

Representación y representabilidad de la “solución final” y el Holocausto en The Stranger

Film Theory / Holocaust Studies / Cinema Studies / Cinema and History

\"I\'m sorry if I didn\'t exercise empathy\"

Cognitive Psychology / Aesthetics / Film Studies / Film Theory / Television Studies / Philosophy of Film / Spectatorship / Cognitive Film Theory / Cognitive Neuroscience / Empathy / Philosophy of Film / Spectatorship / Cognitive Film Theory / Cognitive Neuroscience / Empathy

Coscienza/Consciousness - Numero 31

Visual Studies / Film Studies / Film Theory / Gilles Deleuze / Walter Benjamin / Cinema / Jean Epstein / Cinema Studies / Thomas Metzinger / Cesare Zavattini / Hugo Münsterberg / Jean Mitry / Film Consciousness / Cinema / Jean Epstein / Cinema Studies / Thomas Metzinger / Cesare Zavattini / Hugo Münsterberg / Jean Mitry / Film Consciousness

La carretera del infierno (Hell’s Highway, Rowland Brown, 1932)

Film Studies / Film Theory / Film Analysis / Film History / Classical Hollywood / Hollywood / Classical Hollywood Cinema / Filmmakers / Hollywood / Classical Hollywood Cinema / Filmmakers

Theodor W. Adorno: \"Transparencies on Film\"

Film Theory / Theodor Adorno / Theodor W. Adorno / Critical Theory/Frankfurt School

Creatividad y Sociedad Creatividad y cine nº 25 · abril 2016 Personajes de animación con discapacidad a través de una perspectiva educativa

Film Studies / Film Theory / Media Education / Film and Media Studies / Animated Film / Animated childrens film

Un gelido inverno

Film Studies / Film Theory / Film Analysis

La paradoja del suspenso anómalo /The paradox of anomalous suspense

Aesthetics / Film Theory / Affect/Emotion / Film Aesthetics

New York, al otro lado del espejo. El cine y la ciudad futura como texto.

Architecture / Film Studies / Film Theory / Film Analysis / Utopian Studies / Architectural History / Science Fiction / Theory of Science Fiction Film / Science Fiction Film / Film History / Cinema / Science Fiction and Fantasy / Utopianism / Film and Media Studies / Utopia / Arquitectura / Historia de la Arquitectura / Cinema Studies / Science-Fiction / Utopia and Science Fiction / Science Fiction Studies / Utopian, Dystopian, and Post-Apocalyptic Fiction / Ciencia ficción / Arquitectura y urbanismo / Historia y Teoria del Arte y la Arquitectura / Architecture and Public Spaces / Architectural History / Science Fiction / Theory of Science Fiction Film / Science Fiction Film / Film History / Cinema / Science Fiction and Fantasy / Utopianism / Film and Media Studies / Utopia / Arquitectura / Historia de la Arquitectura / Cinema Studies / Science-Fiction / Utopia and Science Fiction / Science Fiction Studies / Utopian, Dystopian, and Post-Apocalyptic Fiction / Ciencia ficción / Arquitectura y urbanismo / Historia y Teoria del Arte y la Arquitectura / Architecture and Public Spaces

The Neon Demon, ovvero Erzsbét Bhàtory a Los Angeles

Film Theory and Practice / Film Studies / Film Theory / Film Music And Sound / Film Analysis / Film music and film music theory / Film Aesthetics / Music Scoring for Film / Film music and film music theory / Film Aesthetics / Music Scoring for Film

Crimen y castigo en el documental de la transicion española: El asesino de Pedralbes y Queridísimos verdugos

Film Studies / Film Theory / Film Analysis / Documentary (Film Studies) / Film History / Documentary Film / Transición española / Basilio Martín Patino / Transición de la Dictadura a la Democracia / Análisis Fílmico / Documentary Film / Transición española / Basilio Martín Patino / Transición de la Dictadura a la Democracia / Análisis Fílmico

Infinitas variaciones sobre un mismo cuerpo: apuntes iniciales para llevar un cuerpo del performance al cine

Performing Arts / Art Theory / Film Studies / Film Theory / Performance Studies / Contemporary Art / Literature and cinema / Film Analysis / Anthropology of the Body / Bodies and Culture / Philosophy of Film / Performance Art / Performance / Cinema / Film Aesthetics / Visual Arts / Film / Film and Media Studies / Cinema Studies / Artes / Historia del Arte / Arte contemporáneo / El Lugar De Los Medios En El Arte / Contemporary Art / Literature and cinema / Film Analysis / Anthropology of the Body / Bodies and Culture / Philosophy of Film / Performance Art / Performance / Cinema / Film Aesthetics / Visual Arts / Film / Film and Media Studies / Cinema Studies / Artes / Historia del Arte / Arte contemporáneo / El Lugar De Los Medios En El Arte

La novela en el cine mudo. Blasco Ibáñez y su adaptación de \"Sangre y arena\" (1916)

Film Theory / Early Cinema / Film History / Spanish cinema (Film Studies) / Silent Cinema / History of Spanish Cinema / Film and Literature / Literature and Film / History of Spanish Cinema / Film and Literature / Literature and Film

DE LA DICTADURA A LA DEMOCRACIA. LAS CONTRADICCIONES DEL PROGRESO EN LA OBRA DE JOSÉ MARÍA ARZUAGA EN BOGOTÁ

Critical Theory / Film Studies / Film Theory / Film Analysis / Philosophy of Film / Cinema / Latin American Cinema / Film and Media Studies / Cinema Studies / Colombian cinema / Cinema / Latin American Cinema / Film and Media Studies / Cinema Studies / Colombian cinema

De la pantalla a la mente: cuestiones sobre el actor, el cuerpo y el no-cuerpo en torno a Holy Motors, The Congress y Her

Film Studies / Film Theory / Performance Studies / Film Analysis / Performance Art / Body Image / Phenomenology of the body / Body in Performance / Film Aesthetics / Jean Baudrillard / Directing Actors for Film / Body Image / Phenomenology of the body / Body in Performance / Film Aesthetics / Jean Baudrillard / Directing Actors for Film
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