Film Studies

DIRECCIÓN DE ARTE: ESCENOGRAFÍA, MAQUILLAJE Y VESTUARIO.

Art History / Film Studies / Literature and cinema / Visual Culture / Film Analysis / Scenography / Visual Communication / Cinema / Visual Arts / Film and Media Studies / Technical Drawing / DIBUJO TECNICO / Película Cinematográfica / Scenography / Visual Communication / Cinema / Visual Arts / Film and Media Studies / Technical Drawing / DIBUJO TECNICO / Película Cinematográfica

Pitching 2.0: concept and develpment in crowdfunding projects / El pitching 2.0: conceptualización y desarrollo en proyectos de crowdfunding

Web 2.0 / Film Studies / Film Production / Spanish cinema (Film Studies) / Filmmaking / Crowdfunding

(Re)building (hyper)reality: uses of computer generated animation in TV commercials in the context of media hybridization // La (re)construcción de la (hiper)realidad: usos de la animación infográfica en el espot publicitario en el contexto de la hibridación de medios

Film Studies / Animation / Photography / Digital Media / Advertising / Typography / Remediation / Tv Commercials / Typography / Remediation / Tv Commercials

El cuestionamiento de lo humano en el cine: a propósito de \"2001\" y \"Blade Runner\"

Critical Theory / Philology / Philosophy / Political Philosophy / Film Studies / Film Theory / Literature and cinema / Film Analysis / Film History / Cinema / Film Aesthetics / Film and Media Studies / Cinema Studies / Critcal Theory in Social Work / Film Theory / Literature and cinema / Film Analysis / Film History / Cinema / Film Aesthetics / Film and Media Studies / Cinema Studies / Critcal Theory in Social Work

Formas de la visión compleja. Genealogía, historia y estética de la multipantalla

Visual Studies / Film Studies / Film Theory / Visual Culture / Comics Studies / Visual Communication / Film History / Film Aesthetics / Complejidad / Complexity / Dramaturgia / Imagen / Historia del Cine / Visual Communication / Film History / Film Aesthetics / Complejidad / Complexity / Dramaturgia / Imagen / Historia del Cine

Una aproximación al concepto de cine

Philosophy / Aesthetics / Film Studies / Film Theory / Hermeneutics / Philosophy of Film / Gilles Deleuze / Cinema / Film Aesthetics / Andrei Tarkovsky / Film and Media Studies / Robert Bresson / Pier Paolo Pasolini / Sergei Eisenstein / Dziga Vertov / New Realism / Philosophy of Film / Gilles Deleuze / Cinema / Film Aesthetics / Andrei Tarkovsky / Film and Media Studies / Robert Bresson / Pier Paolo Pasolini / Sergei Eisenstein / Dziga Vertov / New Realism

La verdad como lugar vacío de la transgresión

Film Studies / Film Theory / Film Analysis / Philosophy of Film / Japanese Cinema / Cinema / Film Aesthetics / Cinema Studies / World Cinema / Cinema / Film Aesthetics / Cinema Studies / World Cinema

Sucedió una noche (It Happened One Night, Frank Capra, 1934). Un espacio para la ley y el deseo.

Film Studies / Film Theory / Film Analysis / Philosophy of Film / Cinema / Film Aesthetics / Film / Cinema Studies / Hollywood film of the 1930s/40s/50s / Película Cinematográfica / Film Aesthetics / Film / Cinema Studies / Hollywood film of the 1930s/40s/50s / Película Cinematográfica

Kikujiro: el héroe bufón.

Film Studies / Film Theory / Literature and cinema / Film Analysis / Philosophy of Film / Japanese Film / Film History / Cinema / Film Aesthetics / Film / Takeshi Kitano / Cinema Studies / Película Cinematográfica / Japanese Film / Film History / Cinema / Film Aesthetics / Film / Takeshi Kitano / Cinema Studies / Película Cinematográfica

Il paradosso dell\'autore

Film Studies / Film Theory / French Cinema / Auteur Theory / Auteur Studies / Jean Epstein / French Avant-Garde / History of Film Theory and Criticism / French film theory / Jean Epstein / French Avant-Garde / History of Film Theory and Criticism / French film theory

A Companion to Contemporary Documentary Film

Media Studies / Media and Cultural Studies / Film Studies / Documentary (Film Studies) / Central European Film / Documentary Film / Film and Media Studies / Palestinian Cinema, Lebanese Cinema, Arab Cinema, Palestine, Lebanon, Syria, Palestine, Iran, Afghanistan, Pakistan, Cultural Studies, Ethnology, Cultural Production, Film, Art, Theatre, Social Media / Film and television studies / Documentary Film / Film and Media Studies / Palestinian Cinema, Lebanese Cinema, Arab Cinema, Palestine, Lebanon, Syria, Palestine, Iran, Afghanistan, Pakistan, Cultural Studies, Ethnology, Cultural Production, Film, Art, Theatre, Social Media / Film and television studies

Rutas cinematográficas hacia la imagen platónica de la caverna

Film Studies / History and Classical tradition studies / The Classical Tradition / Plato's cave / Peter Weir / Bernardo Bertolucci

Narco-realidades y ficción nacional

Film Studies / Narco violence / Narcocultura / Mexican visual culture: film, photography. History of the emotions. / Contemporary Mexican Film

Maurice de James Ivory . ¿Traición a la Tradición Clásica al adaptar la novela de E. M Forster?

English Literature / Film Studies / History and Classical tradition studies / The Classical Tradition / Edward Morgan Forster / Homosexuality / Platonic Love / James Ivory / Homosexuality / Platonic Love / James Ivory

Maurice de James Ivory . ¿Traïció a la Tradició Clàssica en adaptar la novel·la d’E. M. Forster?

English Literature / Film Studies / History and Classical tradition studies / The Classical Tradition / Edward Morgan Forster / Homosexuality / Platonic Love / Homosexuality / Platonic Love

Albert Lewin: Pandora y el Holandés Errante. La potencialidad semiológica de un mito griego

Film Studies / History and Classical tradition studies / Surrealism / The Classical Tradition / Albert Lewin / Pandora / Flying Dutchman / Pandora / Flying Dutchman

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