Film Analysis

Karachi Se Lahore - 1

Film Studies / Film Theory / Film Analysis / Pakistan / Hindi Cinema / Cinema / Hollywood / Pakistan Studies / Pakistani cinema history and archives / Indian Cinema, Bollywood, Film Studies, South Asia, Media / Cinema / Hollywood / Pakistan Studies / Pakistani cinema history and archives / Indian Cinema, Bollywood, Film Studies, South Asia, Media

Matrix y Neo: un Metarrelato del Sujeto Histórico de la Clase Obrera y su relación con el Gran Otro lacaniano

Film Studies / Marxism / Film Analysis / Jacques Lacan / Slavoj Žižek / Karl Marx / Marxismo / Karl Marx / Marxismo

Ultraviolencia e Ideología: análisis de los disturbios

Film Studies / Marxism / Film Analysis / Slavoj Žižek / Mobs, Riots, and Revolutionary Crowds / Marxismo / A Clockwork Orange / Riots / 2011 English riots / Marxismo / A Clockwork Orange / Riots / 2011 English riots

Cine para leer: Enero-junio 2005

Film Analysis / Film and History / Movie reviews

Karachi Se Lahore - 2

Film Theory / Literature and cinema / Film Analysis / Cinema / Palestinian Cinema, Lebanese Cinema, Arab Cinema, Palestine, Lebanon, Syria, Palestine, Iran, Afghanistan, Pakistan, Cultural Studies, Ethnology, Cultural Production, Film, Art, Theatre, Social Media / Indian Cinema, Bollywood, Film Studies, South Asia, Media

El cine antipolicial de David Lynch: hacia la deconstrucción de un género

Film Studies / Film Theory / Literature and cinema / Film Analysis / Surrealism / Magic / Subversion / Film Noir / Detective Fiction / David Lynch / Literatura Comparada / Fantasy / Peliculas / Literaturas policiales / Surrealismo / Magic / Subversion / Film Noir / Detective Fiction / David Lynch / Literatura Comparada / Fantasy / Peliculas / Literaturas policiales / Surrealismo

Precious Images

Avant-Garde Cinema / Film Studies / Film Analysis / Film History / Classical Hollywood / Contemporary Hollywood / Experimental Film / Film and Media Studies / Experimental Film and Video / Contemporary Hollywood / Experimental Film / Film and Media Studies / Experimental Film and Video

Aportaciones historiográficas y estéticas a propósito de la co-autoría fílmica de The Last of the Mohicans (1920), de Maurice Tourneur y Clarence L. Brown

Film Studies / Film Theory / Film Analysis / Silent Film / Film History / Cinema / Film Aesthetics / Classical Hollywood / Film / Hollywood / Silent Films / Clarence Brown / Maurice Tourneur / Cinema / Film Aesthetics / Classical Hollywood / Film / Hollywood / Silent Films / Clarence Brown / Maurice Tourneur

No início era o fim: A (des)ordem intencional de \"Irréversible\", de Gaspar Noé

Film Studies / Film Analysis / Film and Media Studies / Gaspar Noé / Cinema Studies / Non linear narratives / Metanarrative / Film Narrative / Complex Narratives / Non linear narratives / Metanarrative / Film Narrative / Complex Narratives

Cinco Niveles de Realidad

Film Analysis / Philosophy of Virtual Reality / Exploration and Exploitation of Knowledge / Philosophy in literature

La mirada esquinada. Doble(s) sentido(s). Aquiles y la marca España

Discourse Analysis / Film Studies / Film Analysis / Cinema

La mirada esquinada. Doble(s) sentido(s). Para un observador lejano…

Film Studies / Film Analysis / Cinema / Cinema Studies

La mirada esquinada. Doble(s) sentido(s). De Madrid al… ¿infierno?

Film Theory / Film Analysis / Cinema / Cinema Studies
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