Film Analysis

El discurso transgresor del cine de Rowland Brown (1931-1933): una breve carrera en el Hollywood Pre-Code

Film Studies / Film Analysis / Film History / Cinema / Classical Hollywood / Film / Cinema Studies / Hollywood Cinema / Pre-code Hollywood / Filmmakers / Pre-Code Cinema / Film / Cinema Studies / Hollywood Cinema / Pre-code Hollywood / Filmmakers / Pre-Code Cinema

Al encuentro de la muerte. Una lectura del primer cine de Terrence Malick desde la filosofía de Martin Heidegger

Film Studies / Film Analysis / Film-Philosophy / Film and Philosophy / Terrence Malick

De la pantalla a la mente: cuestiones sobre el actor, el cuerpo y el no-cuerpo en torno a Holy Motors, The Congress y Her

Film Studies / Film Theory / Performance Studies / Film Analysis / Performance Art / Body Image / Phenomenology of the body / Body in Performance / Film Aesthetics / Jean Baudrillard / Directing Actors for Film / Body Image / Phenomenology of the body / Body in Performance / Film Aesthetics / Jean Baudrillard / Directing Actors for Film

El discurso transgresor del cine de Rowland Brown (1931-1933): una breve carrera en el Hollywood Pre-Code

Film Studies / Film Analysis / Film History / Cinema / Film Aesthetics / Classical Hollywood / Production Code Of Hollywood Cinema / Hollywood / Cinema Studies / Hollywood Cinema / Pre-code Hollywood / Filmmakers / Pre-Code Cinema / Classical Hollywood / Production Code Of Hollywood Cinema / Hollywood / Cinema Studies / Hollywood Cinema / Pre-code Hollywood / Filmmakers / Pre-Code Cinema

Aproximaciones sistémicas a A esmorga/La Parranda de Eduardo Blanco Amor

Cultural Studies / Translation Studies / Film Studies / Film Analysis / Literary Canon / Migration Studies / Canon Formation / Literatura gallega / Contemporary Spanish Literature and Film / Literary Field / Polysystem Studies / Polysystem Theory / Selftranslation / Eduardo Blanco Amor / Migration Studies / Canon Formation / Literatura gallega / Contemporary Spanish Literature and Film / Literary Field / Polysystem Studies / Polysystem Theory / Selftranslation / Eduardo Blanco Amor

\"La Revolución Mexicana sólo sirve de pretexto: trascendencias divergentes de una mitología cinematográfica\". En: Bernd Hausberger/Raffaele Moro (coords..), La Revolución Mexicana en el cine. Un acercamiento a partir de la mirada ítaloeuropea (México, El Colegio de México, 2013), pp. 202-244.

Film Studies / Film Analysis / Italian Westerns / Mexico History / Italian Cinema / Film History / Cinema / 'Third Cinema' Theory and Third World Radical Films / Reception History / History of Rome / Film and Media Studies / Mexican Revolution / Cinema and History / Cinema e História / Storia Del Cinema Italiano / Peliculas / Revolución Mexicana / Political cinema / Spaghetti Westerns / Western Films / History and Cinema / Western Movies / Filmgeschichte / Movies and History / Film History / Cinema / 'Third Cinema' Theory and Third World Radical Films / Reception History / History of Rome / Film and Media Studies / Mexican Revolution / Cinema and History / Cinema e História / Storia Del Cinema Italiano / Peliculas / Revolución Mexicana / Political cinema / Spaghetti Westerns / Western Films / History and Cinema / Western Movies / Filmgeschichte / Movies and History

Diplomacia

Film Studies / Film Analysis / Cinema / Cinema Studies / Films Studies

Análisis Crítico del Discurso Narrativo Audiovisual de la trilogía El Caballero Oscuro de Christopher Nolan

Film Studies / Film Analysis / Critical Discourse Analysis / Batman / Critical Discourse Analysis (CDA) / Christopher Nolan / Dark Knight / Batman Begins / The Dark Knight / Christopher Nolan / Dark Knight / Batman Begins / The Dark Knight

Lisboa Story de Wim Wenders. El descubrimiento de la ciudad como metáfora del arte cinematográfico. A la búsqueda de sus identidades (2008)

Film Studies / Film Analysis / Cultural Identity / Cinema and the cities / Win Wenders / Cities and Cinema

El tacto suspendido: Bleu de Krzysztof Kieslovski (2007)

Film Studies / French Cinema / Film Analysis / Phenomenology of Touch / Krzysztof Kieslowski

Diccionario de conceptos y términos audiovisuales. Herramientas para el análisis fílmico. Madrid: Editorial Cátedra, 2015. Introducción e Indice. Versión Pre-Print

Film Studies / Film Theory / Film Analysis / Digital Cinema / Cinematography / Cinema Studies / Cinema and Television / Cinema Studies / Cinema and Television

Cine y fotografía. La poética del punctum en El muelle de Chris Marker (La jetée, 1962). Artículo para Revista L\'Atalante, 12, Julio-Diciembre 2011.

Film Analysis / Photography Theory / Chris Marker / Films Studies / Phenomenology (of Perception), Picture Theory, Photography / Photography and Cinema

La mirada cautiva. Formas de ver en el cine contemporaneo. Valencia: Generalitat Valenciana, 1999. Libro descatalogado

Film Studies / Film Theory / Film Analysis / Film History / Cinema / Film Aesthetics

EL CINE COMO MEDIO DE CONSTRUCCIÓN DE MEMORIA Y TERRITORIO EN MEDELLÍN

Critical Theory / Film Studies / Film Theory / Colombia / Film Analysis / Philosophy of Film / Walter Benjamin / Cinema / Film Aesthetics / Film and Media Studies / Cinema Studies / Medellin / Victor Gaviria / Philosophy of Film / Walter Benjamin / Cinema / Film Aesthetics / Film and Media Studies / Cinema Studies / Medellin / Victor Gaviria
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