Film Adaptation

Una re-lectura de las paradojas de la mexicanidad sobre el género y el mestizaje en el film La negra Angustias, de Matilde Landeta

Film Adaptation / Adaptation (Film Studies) / Mexican Literature / Mexican Cinema / Mexican and Latin American Literature and Cinema / Literatura mexicana / Women in Film / Cine Mexicano / Women filmmakers / Adaptación Cinematográfica / Directoras De Cine / Literatura mexicana / Women in Film / Cine Mexicano / Women filmmakers / Adaptación Cinematográfica / Directoras De Cine

La Fundación en Estudio 1: Análisis de la fusión del lenguaje dramático y televisivo

Semiotics / Spanish Literature / Television Studies / Literature / Literature and cinema / Visual Semiotics / Drama / Film Adaptation / Adaptation (Film Studies) / Literatura / Teatro / Semiotica / Antonio Buero Vallejo / Literatura española e hispanoamericana / Semiotic Analysis / Comunicación Audiovisual / Teatro español contemporáneo / Spanish drama / Visual Semiotics / Drama / Film Adaptation / Adaptation (Film Studies) / Literatura / Teatro / Semiotica / Antonio Buero Vallejo / Literatura española e hispanoamericana / Semiotic Analysis / Comunicación Audiovisual / Teatro español contemporáneo / Spanish drama

Primer Cortometraje Mexicano en China, Introducción del Halloween a China y una breve introducción a los Medios Visuales Chinos (Celaya , Gto, 2 de Septiembre del 2015)

Asian Studies / Southeast Asian Studies / Film Theory and Practice / Film Studies / Film Theory / Literature and cinema / Film Analysis / Documentary (Film Studies) / South Asian Studies / National Cinemas / Thin Films and Coatings / Philosophy of Film / Latin-American Film / Film Genre / South Asia / Horror Film / Southeast Asia / Theater and film / Film Adaptation / East Asian Studies / Film-Philosophy / Politics and Film / Science Fiction Film / China / Asian Film / Asian-American Film / Film History / Film Semiotics / Gothic Fiction and the horror film / East Asian Cinema / Film and History / Southeast Asian Cinema / Horror Cinema / Cinema / Film and Philosophy / Women in Horror Films / China studies / Central Asia / Documentary Film / Contemporary China / Film Aesthetics / Experimental Film / Film / Cinematography / Film and Media Studies / Asian Cinema / Mexican Cinema / Cinema Studies / South Asian Cinema / Horror Literature / Horror films / Films / Film Editing / Thin Film / Horror Studies / Escuela de Bellas Artes / Horror / Halloween / Gothic and horror writing / Indian Cinema, Bollywood, Film Studies, South Asia, Media / Mexicans in Cinema / Central Asian Cinema / Film in China / UNAM / Asian Horror Cinema / Cine Mexicano / Facultad de Bellas Artes / Bellas Artes / Cinema and Television / Chinese Language Media and Film East Asian Popular Culture Stardom and Celebrity Culture, Mediasphere in Shanghai, New Urban Culture in Postsocialist China / Asian cinemas / 新闻 / 新闻传播 / South Asian Film Studies / Filmography / 电影 / Flm Studies / Cinematografía Mexicana / Film Industry and China / Instituto Nacional De Bellas Artes / History of Halloween / literature of Halloween / 中国电影 / 新闻传播史 / Facultad de Filosofía y Letras UNAM / 复旦大学文章 / 复旦大学新闻系 / 国际新闻 / 中国新闻 / Jossalberto / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / filmografía china / História de la filmografía China / 影视文学 / 影视文学研究 / 复旦大学影视文学 / 《毕业血礼》 / 《毕业血礼》电影 / 毕业血礼电影 / 中国微电影 / 恐怖电影 / 惊悚电影 / 中国惊悚电影 / ULSAB / UNAM cine / Literature and cinema / Film Analysis / Documentary (Film Studies) / South Asian Studies / National Cinemas / Thin Films and Coatings / Philosophy of Film / Latin-American Film / Film Genre / South Asia / Horror Film / Southeast Asia / Theater and film / Film Adaptation / East Asian Studies / Film-Philosophy / Politics and Film / Science Fiction Film / China / Asian Film / Asian-American Film / Film History / Film Semiotics / Gothic Fiction and the horror film / East Asian Cinema / Film and History / Southeast Asian Cinema / Horror Cinema / Cinema / Film and Philosophy / Women in Horror Films / China studies / Central Asia / Documentary Film / Contemporary China / Film Aesthetics / Experimental Film / Film / Cinematography / Film and Media Studies / Asian Cinema / Mexican Cinema / Cinema Studies / South Asian Cinema / Horror Literature / Horror films / Films / Film Editing / Thin Film / Horror Studies / Escuela de Bellas Artes / Horror / Halloween / Gothic and horror writing / Indian Cinema, Bollywood, Film Studies, South Asia, Media / Mexicans in Cinema / Central Asian Cinema / Film in China / UNAM / Asian Horror Cinema / Cine Mexicano / Facultad de Bellas Artes / Bellas Artes / Cinema and Television / Chinese Language Media and Film East Asian Popular Culture Stardom and Celebrity Culture, Mediasphere in Shanghai, New Urban Culture in Postsocialist China / Asian cinemas / 新闻 / 新闻传播 / South Asian Film Studies / Filmography / 电影 / Flm Studies / Cinematografía Mexicana / Film Industry and China / Instituto Nacional De Bellas Artes / History of Halloween / literature of Halloween / 中国电影 / 新闻传播史 / Facultad de Filosofía y Letras UNAM / 复旦大学文章 / 复旦大学新闻系 / 国际新闻 / 中国新闻 / Jossalberto / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / filmografía china / História de la filmografía China / 影视文学 / 影视文学研究 / 复旦大学影视文学 / 《毕业血礼》 / 《毕业血礼》电影 / 毕业血礼电影 / 中国微电影 / 恐怖电影 / 惊悚电影 / 中国惊悚电影 / ULSAB / UNAM cine

Primer cortometraje mexicano en China, Introducción del Halloween a China y una breve introducción a los medios visuales chinos. En la Preparatoria Oficial de Celaya. 2015-11-24 (Jossalberto Briceno) 乔西 复旦大学 电影博士论文

Asian Studies / Southeast Asian Studies / Film Theory and Practice / Film Studies / Film Theory / Chinese Studies / Mexican Studies / Film Music And Sound / Literature and cinema / Film Analysis / Documentary (Film Studies) / South Asian Studies / Cinematics / Digital Cinema / Philosophy of Film / Chicano (Mexican-American) Film Studies / Film Genre / Horror Film / Central Asian Studies / Southeast Asia / Theater and film / Film Adaptation / East Asian Studies / Chinese Art / Film-Philosophy / Chinese Language and Culture / China / Asian Film / Mainland Chinese Film / Asian-American Film / Film History / China Going Global / Film Semiotics / Gothic Fiction and the horror film / Film and History / Horror Cinema / Cinema / Women in Horror Films / China studies / Documentary Film / Contemporary China / Film Aesthetics / Chinese literature / Short Films / Experimental Film / Film / Japanese Horror film / China's foreign policy / Cinematography / Film and Media Studies / Cinema Studies / Asian Film Studies / Chinese film / Horror Literature / Horror films / Conferences / Films / Chinese film study / Guión cinematográfico / Film Editing / Horror Studies / The Fantastic in Modern East Asian Literature and Film / Halloween / Gothic and horror writing / Indian Cinema, Bollywood, Film Studies, South Asia, Media / Producción cinematográfica / 中国 / Cinematic Narrators / Industria cinematográfica / South Asian Music and Dance, Film and Audio Production; Exhibition concept and realisation / Cinematografia / Mexican films / ANALISIS CINEMATOGRAFICO / Cinema and Television / Chinese Language Media and Film East Asian Popular Culture Stardom and Celebrity Culture, Mediasphere in Shanghai, New Urban Culture in Postsocialist China / Short Film Studies / Short Film / 新闻 / 新闻传播 / 电影 / Short Film Director / Mexican Film Studies / Película Cinematográfica / Proceso Cinematográfico / Políticas Cinematográficas / Mexican Film / Adaptación Cinematográfica / 老外在华 / 老外在華 / Halloween Movies / History of Halloween / literature of Halloween / Mexican Film Production / East Asian Film Festival / 中国电影 / 新闻传播史 / 外国记者 / 复旦大学文章 / 复旦大学新闻系 / 国际新闻 / 中国新闻 / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / 影视文学 / 影视文学研究 / 复旦大学影视文学 / 《毕业血礼》 / 《毕业血礼》电影 / 毕业血礼电影 / 中国微电影 / 浙江大学 / 外国人在中国 / 外国导演 / 恐怖电影 / 惊悚电影 / 中国惊悚电影 / China Halloween / Hallowen in China / 万圣节 / 中国万圣节 / Chinese Studies / Mexican Studies / Film Music And Sound / Literature and cinema / Film Analysis / Documentary (Film Studies) / South Asian Studies / Cinematics / Digital Cinema / Philosophy of Film / Chicano (Mexican-American) Film Studies / Film Genre / Horror Film / Central Asian Studies / Southeast Asia / Theater and film / Film Adaptation / East Asian Studies / Chinese Art / Film-Philosophy / Chinese Language and Culture / China / Asian Film / Mainland Chinese Film / Asian-American Film / Film History / China Going Global / Film Semiotics / Gothic Fiction and the horror film / Film and History / Horror Cinema / Cinema / Women in Horror Films / China studies / Documentary Film / Contemporary China / Film Aesthetics / Chinese literature / Short Films / Experimental Film / Film / Japanese Horror film / China's foreign policy / Cinematography / Film and Media Studies / Cinema Studies / Asian Film Studies / Chinese film / Horror Literature / Horror films / Conferences / Films / Chinese film study / Guión cinematográfico / Film Editing / Horror Studies / The Fantastic in Modern East Asian Literature and Film / Halloween / Gothic and horror writing / Indian Cinema, Bollywood, Film Studies, South Asia, Media / Producción cinematográfica / 中国 / Cinematic Narrators / Industria cinematográfica / South Asian Music and Dance, Film and Audio Production; Exhibition concept and realisation / Cinematografia / Mexican films / ANALISIS CINEMATOGRAFICO / Cinema and Television / Chinese Language Media and Film East Asian Popular Culture Stardom and Celebrity Culture, Mediasphere in Shanghai, New Urban Culture in Postsocialist China / Short Film Studies / Short Film / 新闻 / 新闻传播 / 电影 / Short Film Director / Mexican Film Studies / Película Cinematográfica / Proceso Cinematográfico / Políticas Cinematográficas / Mexican Film / Adaptación Cinematográfica / 老外在华 / 老外在華 / Halloween Movies / History of Halloween / literature of Halloween / Mexican Film Production / East Asian Film Festival / 中国电影 / 新闻传播史 / 外国记者 / 复旦大学文章 / 复旦大学新闻系 / 国际新闻 / 中国新闻 / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / 影视文学 / 影视文学研究 / 复旦大学影视文学 / 《毕业血礼》 / 《毕业血礼》电影 / 毕业血礼电影 / 中国微电影 / 浙江大学 / 外国人在中国 / 外国导演 / 恐怖电影 / 惊悚电影 / 中国惊悚电影 / China Halloween / Hallowen in China / 万圣节 / 中国万圣节

Cómo hacer un Cortometraje en China.11-04-2006 CONFERENCE. La Universidad de Nanjing, China (Jossalberto Briceno Saenz) 乔西 复旦大学博士

Asian Studies / Chinese Philosophy / Southeast Asian Studies / Film Studies / Film Theory / Chinese Studies / Literature and cinema / Film Analysis / Documentary (Film Studies) / Philosophy of Film / Film Genre / Horror Film / Film Adaptation / Chinese Art / Chinese Language and Culture / China / Asian Film / Asian-American Film / Film History / Chinese foreign policy / Horror Cinema / Cinema / Chinese Cinema / Documentary Film / Chinese history (History) / Short Films / Latin American Cinema / Film / Cinematography / Film and Media Studies / Transnational Cinema / Cinema Studies / Digital Cinematography / Films / Guión cinematográfico / Film Editing / East Asian Film and Visual Studies / Industria cinematográfica / Cinematografia / Cinema and Television / Short Film Studies / Chiinese literature / Asian Pacific Island Films / Cinematographic Adaptation / Films In Management Classroom / Película Cinematográfica / Proceso Cinematográfico / Essays on Cinematography / Adaptación Cinematográfica / Laowai In Chinese Culture / Nanjing / 复旦大学文章 / 复旦大学新闻系 / Jossalberto / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / 影视文学 / 影视文学研究 / 复旦大学影视文学 / 南京大学 / Chinese Studies / Literature and cinema / Film Analysis / Documentary (Film Studies) / Philosophy of Film / Film Genre / Horror Film / Film Adaptation / Chinese Art / Chinese Language and Culture / China / Asian Film / Asian-American Film / Film History / Chinese foreign policy / Horror Cinema / Cinema / Chinese Cinema / Documentary Film / Chinese history (History) / Short Films / Latin American Cinema / Film / Cinematography / Film and Media Studies / Transnational Cinema / Cinema Studies / Digital Cinematography / Films / Guión cinematográfico / Film Editing / East Asian Film and Visual Studies / Industria cinematográfica / Cinematografia / Cinema and Television / Short Film Studies / Chiinese literature / Asian Pacific Island Films / Cinematographic Adaptation / Films In Management Classroom / Película Cinematográfica / Proceso Cinematográfico / Essays on Cinematography / Adaptación Cinematográfica / Laowai In Chinese Culture / Nanjing / 复旦大学文章 / 复旦大学新闻系 / Jossalberto / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / 影视文学 / 影视文学研究 / 复旦大学影视文学 / 南京大学

Leopoldo Torre Nilsson reescribe a Florencio Sánchez: Versión cinematográfica de La Tigra

Cultural History / Cultural Studies / Theatre Studies / Popular Culture / Literature and cinema / Film Adaptation / Cinema / Argentine Literature / Cinema Studies / Literatura argentina / Teatro argentino / Film Adaptation / Cinema / Argentine Literature / Cinema Studies / Literatura argentina / Teatro argentino

Análisis de las muertes en las adaptaciones de cine y televisión de La Celestina: convergencias y discrepancias con el texto original

Spanish Literature / Medieval Literature / Literature and cinema / Spanish Cinema / Film Adaptation / Cinema / Medieval Spanish Literature / Adaptation (Literature) / Adaptation (Film Studies) / Spanish cinema (Film Studies) / Cinema Studies / Spanish Medieval and Golden Age Literature / La Celestina / Cinema / Medieval Spanish Literature / Adaptation (Literature) / Adaptation (Film Studies) / Spanish cinema (Film Studies) / Cinema Studies / Spanish Medieval and Golden Age Literature / La Celestina

Los otros sabores de Fresa y chocolate. Análisis del proceso de adaptación del texto de Senel Paz

Comparative Literature / Cuban Studies / Film Adaptation / Narrative and Identity / Narrative Analysis / Narrative Theory / Cuban literature / Narrative Theory / Cuban literature

SUBJETIVIDAD Y ADHESIÓN EMOCIONAL EN DOS ADAPTACIONES DE LA NOVELA AL CINE: LA FLAQUEZA DEL BOLCHEVIQUE Y CANÍBAL, DE MANUEL MARTÍN CUENCA

Literature and cinema / Film Adaptation / Screenplay Studies / Cine Español / Adaptación Cinematográfica

LENGUAJE LITERARIO Y LENGUAJE FÍLMICO: YERMA ENTRE LAS TABLAS Y EL CELULOIDE (FEDERICO GARCÍA LORCA/PILAR TÁVORA)

Literature and cinema / Film Adaptation / Cinema / Adaptation (Film Studies) / Teatro / Federico García Lorca / Cine Español / Cine y literatura / Federico García Lorca / Cine Español / Cine y literatura

DEL DIÁLOGO DRAMÁTICO AL DIÁLOGO FÍLMICO: UNA PROPUESTA DE ESTUDIO

Literature and cinema / Film Adaptation / Cinema / Adaptation (Film Studies) / Teatro / Federico García Lorca / Literatura y cine / Cine Español / Cine y literatura / Federico García Lorca / Literatura y cine / Cine Español / Cine y literatura

EL EROTISMO, DE LA NOVELA AL CINE: EL CASO DE BIGAS LUNA

Literature and cinema / Film Adaptation / Bigas Luna / Narrativa Española Contemporánea / Literatura y cine / Cine Español / Novela española del siglo XX / Cine y literatura / Cine Español / Novela española del siglo XX / Cine y literatura

De Glasgow a Hollywood, y regreso al Reino Unido. Análisis de las tres versiones fílmicas del caso de la envenenadora Madeleine Smith (1857)

Film Studies / Film Analysis / Theater and film / Film Adaptation / Film and History / Adaptation (Film Studies) / Film Aesthetics / Classical Hollywood / Film / Hollywood / Classical Hollywood Cinema / Early and Classical Hollywood Film / Joan Crawford / Pre-code Hollywood / Asthetics/Film Theory/Theatre Arts/Cultural Theory / David Lean / Pre-Code Cinema / Adaptation (Film Studies) / Film Aesthetics / Classical Hollywood / Film / Hollywood / Classical Hollywood Cinema / Early and Classical Hollywood Film / Joan Crawford / Pre-code Hollywood / Asthetics/Film Theory/Theatre Arts/Cultural Theory / David Lean / Pre-Code Cinema

La revolución contemporánea del montaje (una genealogía traductiva: poesía - cine - arquitectura - historia)

Aesthetics / Translation Studies / Architecture / Film Studies / Historiography / Poetics / Film Adaptation / Cinema / Montage / Film Aesthetics / Representation Theory / Translation / Cinematography / Arquitectura / Estética / Traducción / Poesía / Intersemiotic Translation / Historiografía / Montaje / Imagist poetry / Poetics / Film Adaptation / Cinema / Montage / Film Aesthetics / Representation Theory / Translation / Cinematography / Arquitectura / Estética / Traducción / Poesía / Intersemiotic Translation / Historiografía / Montaje / Imagist poetry

Los cien caballeros de Vittorio Cottafavi: una transvalorización de Las famosas asturianas de Lope de Vega

Men's Studies / Reception Studies / Film Studies / Theater and film / Film Adaptation / Imagology / Spanish Golden Age Theater / Imagology / Spanish Golden Age Theater
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