20th century Avant-Garde

La escena del crimen. Atget y la fotografía surrealista

French Literature / Aesthetics / Photographs / Art History / Art Theory / Photography / French Studies / Surrealism / Philosophy of Art / Walter Benjamin / History of Art / Philosophy of Photography / Architecture And Photography / History of photography / Visual Arts / 20th century Avant-Garde / Aesthetics of Photography / Surrealist Art Theory (A. Breton, M. Ernst, Man Ray). / Eugène Atget / Photography / French Studies / Surrealism / Philosophy of Art / Walter Benjamin / History of Art / Philosophy of Photography / Architecture And Photography / History of photography / Visual Arts / 20th century Avant-Garde / Aesthetics of Photography / Surrealist Art Theory (A. Breton, M. Ernst, Man Ray). / Eugène Atget

Film #12: Heaven and Earth Magic. Mitopoética y significación del cuerpo femenino en la cosmogonía fílmica de Harry Smith_REVISTA COMUNICACIÓN #13 (Revista internacional Universidad de Sevilla)

Avant-Garde Cinema / 20th century Avant-Garde / Experimental Film / Chamanismo / Psicoanálisis / Antropología / Absolute Film / Harry Smith / Cult, Experimental and Avant Garde Film / Harry Everett Smith / Antropología / Absolute Film / Harry Smith / Cult, Experimental and Avant Garde Film / Harry Everett Smith

Jean-Pierre Cometti, Exterior arte. Estética y formas de vida. Edición y traducción

Aesthetics / Art Theory / Contemporary Art / Philosophy of Art / Everyday Aesthetics / Sculpture / Wittgenstein / Architectural Theory / Pragmatism (Philosophy) / Land Art / 20th century Avant-Garde / Auguste Rodin / Sculpture / Wittgenstein / Architectural Theory / Pragmatism (Philosophy) / Land Art / 20th century Avant-Garde / Auguste Rodin

Joan Miró. Hermenéutica de un \"Paisaje catalán\"

Contemporary Art / Surrealism / 20th century Avant-Garde / Simbolism / Joan Miró

La Biblia como herramienta de gestación del mundo plástico de Joan Miró

Surrealism / 20th century Avant-Garde / Simbolism / Joan Miró / Artistic Language

Borges y el \"endiosamiento de Hernández\"

Jorge Luis Borges / 20th century Avant-Garde / Literatura argentina / Avantgarde / José Hernández / Evar Méndez

Daniel Lesmes, \"Georges Grosz y los malos humos de Moloc\"

Dada / 20th century Avant-Garde / Germany / Entreguerras

Sobre la cuestión del movimiento en Marcel Duchamp - TEXTO COMPLETO ESPAÑOL, SPANISH FULL TEXT

Avant-Garde Cinema / Film, Moving images / Avant-Garde / Artists' Writings / 20th century Avant-Garde / Marcel Duchamp / Still and Moving Images / Cinetism / Dadaism / Four-dimensional Geometry / Contemporary Art Art History Art Theory Writing in Visual Art Art writing Artistic Research Artists’ Books Curation Art ‘beyond the gallery’ Culture Gender Interdisciplinarity Visual Studies / Ready Made / Duchamp / Moving Image / Optical art / Multi-dimensional geometry / Artist's Writings / Artists Moving Image / Moving Image Art / The Duchampian Readymade / Marcel Duchamp's Nu descendent un escalier / Marcel Duchamp writings / Marcel Duchamp / Still and Moving Images / Cinetism / Dadaism / Four-dimensional Geometry / Contemporary Art Art History Art Theory Writing in Visual Art Art writing Artistic Research Artists’ Books Curation Art ‘beyond the gallery’ Culture Gender Interdisciplinarity Visual Studies / Ready Made / Duchamp / Moving Image / Optical art / Multi-dimensional geometry / Artist's Writings / Artists Moving Image / Moving Image Art / The Duchampian Readymade / Marcel Duchamp's Nu descendent un escalier / Marcel Duchamp writings

IMITATING AND IMAGINING LA GUITARRA ESPAÑOLA: MANUEL DE FALLA\'S EL SOMBRERO DE TRES PICOS

European History / European Studies / Spanish Literature / Musical Composition / Musicology / Composition and Rhetoric / Spanish / Mimesis / Contemporary Art / Composition (Music) / Spanish History / Classical Guitar / European Politics / Guitar / Orchestral Composition / Modernism / Spanish Civil War / Spain (History) / 20th century Avant-Garde / Orchestration and Arranging / Contemporary History of Spain / Spain / Classical Music / Flamenco / Historical Musicology / Imitation / Guitar Pedagogy / Orchestration / Manuel de Falla / Guitarra Clasica / Flamencology / Flamencología / Composition and Rhetoric / Spanish / Mimesis / Contemporary Art / Composition (Music) / Spanish History / Classical Guitar / European Politics / Guitar / Orchestral Composition / Modernism / Spanish Civil War / Spain (History) / 20th century Avant-Garde / Orchestration and Arranging / Contemporary History of Spain / Spain / Classical Music / Flamenco / Historical Musicology / Imitation / Guitar Pedagogy / Orchestration / Manuel de Falla / Guitarra Clasica / Flamencology / Flamencología

El concepte del Cos d\'Oskar Schlemmer: el triomf de la Kunstfigur

Art History / Art Theory / 20th century Avant-Garde / 20th Century German Art / Oskar Schlemmer Theory of Performance

El collage y la serie en la obra Juan Luis Martínez

Visual Studies / Poetry / 20th century Avant-Garde / Poesia Chilena

Macedonio Fernández y su espíritu de vanguardia

Literature / Latin American literature / 20th century Avant-Garde / Literatura Latinoamericana / Literatura argentina / Literatura española e hispanoamericana

Louis Aragon, Una ola de sueños. Estudio preliminar, traducción y notas

French Literature / French Studies / Surrealism / Philosophy of Art / The Avant-Garde and Politics / Visions And Dreams / Dreams / 20th century Avant-Garde / Surrealist Art Theory (A. Breton, M. Ernst, Man Ray). / European Avant Garde / Dadaism & Surrealism / Asthetics / French Surrealism Litterature / Surrealismo / Women and Surrealism / Visions And Dreams / Dreams / 20th century Avant-Garde / Surrealist Art Theory (A. Breton, M. Ernst, Man Ray). / European Avant Garde / Dadaism & Surrealism / Asthetics / French Surrealism Litterature / Surrealismo / Women and Surrealism

EL RETORNO DE LA SERPIENTE. MATHIAS GOERITZ Y LA INVENCIÓN DE LA ARQUITECTURA EMOCIONAL

Art History / Architecture / Public Art / 20th century Avant-Garde / Exhibitions / Curaduría de exposiciones / Exposiciones / Vanguardias Artísticas / Curaduría de exposiciones / Exposiciones / Vanguardias Artísticas

Arte plural. El grabado entre la tradición y la experimentación 1955-1973, Buenos Aires, Edhasa, 2012

Latin American Art / Printmaking / Printing History / 20th century Avant-Garde / History of Printmaking / History of Drawing and Printmaking / Arte Contemporáneo Latinoamericano / Grabado / Historia del arte latinoamericano / Liliana Porter / Luis Seoane / Historia Del Grabado / Edgardo Antonio Vigo / Antonio Berni / History of Drawing and Printmaking / Arte Contemporáneo Latinoamericano / Grabado / Historia del arte latinoamericano / Liliana Porter / Luis Seoane / Historia Del Grabado / Edgardo Antonio Vigo / Antonio Berni
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